y yo escucho solo la lluvia 
y solo la lluvia que me entienda 
y tu flor siempre calla en la noche 
y tu flor siempre se cierra en el dìa 
y el aqua me esta mirando 
y el aqua me esta arrastrando 
y tu alma se vuelve en esfera 
y tu mente crece en un circulo 
y al alba yo me convierto en mujer 
y al ocaso me convierto en hombre 
y tu y yo con las manos atadas 
y tu y yo con los ojos perforados 
y la lluvia cae en mi cabeza 
y la lluvia cae en mi cama 
y tus palabras son un cubo 
y tus ideas son cuadrados 
y tu y yo entre los atomos 
y tu y yo en el centro del espejo 
y yo escucho solo al nino 
y yo entiendo solo a la nina 
y el cuarto desaparece 
y la fuente sigue sigue fluyendo 
y ves el oro de la primavera 
y miras el ojo del pajarito 
y yo escucho solo la lluvia 
y solo la lluvia que me entienda 
y yo arribo en aquel monte  
donde se quedan las pesadillas  
de la nina que esta durmiendo

bassæ - c

Love Pilled :: ericfrye.bandcamp.com/track/love-pilled

Love Pilled

aircode - Slow Burn

upsammy - Germs in a Population of Buildings
Label: PAN
Cat.No.: PAN 132
Release Date: 05 May 2023
Purchase: pan.lnk.to/GerminaPopulationofBuildings

On her sophomore album "Germ in a Population of Buildings”, upsammy moves through her surroundings with the curiosity of a place-bending landscape architect. The album is rooted in her interest for ambiguous environments in constant shift, and the feeling of discovering strange patterns in different ecosystems. Often, the Amsterdam-based artist finds herself zooming in and out beyond a place's most recognizable surface features to inhabit the microscopic and gigantic. Gathering field recordings and evocative environmental sounds, she shapes this source material into vibrating electro-acoustic rhythms and unstable, psychedelic textures.

upsammy's debut album, 2020's critically-acclaimed "Zoom", was praised for its careful reimagining of IDM, evolving vignettes that nodded towards the dancefloor without being shackled to its rigid set of rules. On "Germ in a Population of Buildings" her process has evolved considerably; the skeletal trace of IDM is still present but it's been trapped in amber, allowing her unique sonic landscape to develop organically. 'Being is a Stone' is a proof of concept in many ways, layering upsammy's contorted voice in rickety patterns beneath a lattice of fragile rhythms and faintly melancholy synths. It's never immediately obvious where the sounds are coming from - a hiccuping beat might be glass cracking underfoot, and larger pulses could be wet concrete, rusted iron or bent plastic. As the sounds develop they morph into each other, demolishing what came before and building on top of the ornamental wreckage.

On the dynamic 'Constructing', upsammy's sound design fluxes through hyperactive bass music structures, abstracting expectations at every turn. Often her sounds are whisper quiet, rattling and vibrating until heavier masonry drops and disrupts the structure. And when discernible rhythms subside into the background, like on the album's eerie title track, they become almost illusory, morphing between the real world and the electronic. upsammy's processed voice works like a bridge between these realms, snaking between stark, whimsical melodies on 'Patterning', arching from AutoTuned detachment into cooing, dreamy intimacy. By considering the harmonies between each location she's visited, upsammy has been able to build a unique topology that's an uncanny digital amalgam of her lived experience. It's a thoughtful alternative in an era more concerned with flatting the landscape than crumpling it and examining its peaks and troughs.

Mastered by Rashad Becker
Mixed by James Ginzburg
Artwork by Jonathan Castro Alejos and Tharim Cornelisse

Germ in a Population of Buildings

upsammy - Green Lung (PAN 132)

NO LABEL refixes

SHIPS JUNE 21ST
5gatetemple.bandcamp.com/merch/midex-gumm-ep

EVENT IN LONDON ON JUNE 21ST 2023
@ SPANNERS SW9 7EX
7 - 11
£5 OTD
SAVE ON INFLATED UK POSTAGE COSTS
OUTDOOR EMPHASIS

wholesale enquiries: 
distribution@mindseyerecords.xyz

MIDEX - B1. JUICE

Residency show broadcasted live at Radio Tempo Não Pára (23.03.2024)

Artist: @wulffluw94

WULFFLUW XCIV @ Radio TNP 23.03.2024

This composition was created as a result of a daily collection of sounds that Anna recorded during a demanding month. Working on a sound collage helped her to stay in the present.

Production+mix: Petr Bursa

Anna Ruth is a visionary ambient artist and talented flautist, known for her haunting melodies and flute performances that caress the soul and create enchanting soundscapes. Anna emerges from the Prague art scene as a painter who freely transitions between painting and sound. Drawing inspiration from nature and her personal mythology, she weaves soundscapes that transport the listener into hypnotic states.

With her ethereal voice, enchanting flute and magnetic stage presence, she often appears as a solo artist but also collaborates with various artists to expand her artistic expression.

Anna Ruth - IL Paese Incantato

24e épisode d'Afraa sur Rinse France et dernier show avant la pause estivale : Sébastien Forrester reçoit Birol, co-fondateur du Paradoxe Club, pour marquer la sortie récente de son single 'Whorl' sur le label.

Afraa avec Sébastien Forrester & Birol (ParadoxeClub) - 24 Juillet 2024

maliketh

FOR SALE HMU

Follow Me:
www.instagram.com/yazendubs/
twitter.com/yazendubstep

I will not accept a life I do not deserve

MAXINE'S FAULT (CLIP)

Out now on DL & streaming. Taken from the album "Autobiography (Music from Wayne McGregor's Autobiography)" out 28 September 2018.
Mu store: https://planetmu.bleepstores.com/release/105082-jlin-autobiography-music-from-wayne-mcgregors-autobiography
Bandcamp: https://jlin.bandcamp.com/album/autobiography-music-from-wayne-mcgregors-autobiography
Buy: http://smarturl.it/JlinTheAbyssOfDoubt

By now, the story of how Jlin went from working in a steel factory in Gary, Indiana to being one of the most widely appreciated electronic musicians is well known. “Black Origami” was one of the most critiically lauded albums last year. Seriously prolific and seriously hard-working, she has toured constantly since its May 2017 release and despite being involved in a wide range of projects, still manages to find a balance and “do some personal healing and growing.”

Here we are over a year later with “Autobiography,” the score for her collaboration with renowned British choreographer Wayne McGregor (arranged by Unsound). This isn’t technically her third album (that’s due to arrive in 2019 or 2020), but the soundtrack flows with all the emotional peaks and troughs of a well-sequenced LP.

For Jlin, making music for dance is the fulfillment of one of her lifelong dreams – and remarkably, Company Wayne McGregor’s performance was the first show she’d ever seen. She describes the process of working with Wayne: “We first met face to face in October 2016 in a downtown Chicago hotel, talking for about a solid two hours. Immediately, I saw Wayne was very friendly and energetic. He’s brilliant, witty, and knows exactly what he wants; an absolute gem to work with. Before I even started composing for Autobiography, Wayne told me so gently that he trusts me completely with my direction of creating the score. That was the best feeling in the world. I would wake up at two in the morning and work until six in the evening until I completed all the pieces. We were both very happy with the outcome. Creating the score for an impeccable piece of work such as Autobiography changed my life as an artist.”

“Autobiography” is a highlight in an evolving and growing career. During the last year, Jlin has also become an in-demand remixer, securing her place among a roster of music heavyweights. Unsurprisingly, given her positive and outgoing nature, she also developed friendships with the artists she has remixed such as Björk, Max Richter and Ben Frost.

Jlin will be touring with Company Wayne McGregor performing “Autobiography” this year into next. She’s also completing a commission for the Kronos Quartet titled “Little Black Book.” She still approaches every performance “with the same attitude of doing my best to execute a good show, no more, no less. Doing my best is what’s most important to me.” She also still lives in Gary, Indiana, which keeps her grounded. She notes with her typical humility, “The local community is a little more knowledgeable of me now. But I don’t mind my community taking its time.”

Jlin - The Abyss Of Doubt

Planet Mu Records