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as domestic - dominant - domotic - dommage - domain

@012twelve • Source Artists • @delsinrecords

maria@sourceartists.net

Scrivo su sentireascoltare, Ondarock, Rockerilla, HumansVSRobots, All About Jazz e Mumble:. Ho una piccolissima etichetta che si chiama La Mansarda. Retrogamer, Record Lover.

Groovy and subtle with a mental touch TECHNO producer / LIVE act / DJ set 
Booking request >> ericfetcher@gmail.com

Dandaure is an organic creature formed by 4 musicians with very different backgrounds, heading from France (Costa Fatal, Deleada) and Italy (Plasma Expander, Bron y Aur).

In Novembre 2017 they went straight into the studio to record their first collaboration : the result of these on-the-spot compositions is blurry, ever-evolving music, ranging from noise rock to abstract blues to no-wave to psychedelic free rock, underlining pulse and colour, drawing traps and alerts, like a free, unpredictable form.

One year later, 14 December 2018, this first recording is released in cassette / digital format by Gaffer Records. 

Dandaure is : 
Krim Bouslama - bass
Fabrizio Bozzi Fenu - guitar
Fabio Cerina - guitar
Billy Guidoni - drums

http://www.gafferrecords.com/

Plasma Expander was born in Cagliari in 2005 when Fabio Cerina's guitar meets Andrea Siddu's drums. After a series of lineup changes (with Stefano Podda, Luca Muntoni and Marcello Pisanu taking turns on baritone guitar), two records (the self-titled in 2007 - co-published by Here I Stay and Wallace Records - and Kimidanzeigen in 2009 - issued by Wallace, Here I Stay, Barlamuerte, Burp, Bloody Sound, Valvolare, Brigadisco and Trasponsonic), and hundreds of concerts in Italy and Europe, the band finds a new equilibrium with the arrival of Corrado Loi on bass and synths. With this new line-up the band records the material for the upcoming release and performs a series of live shows in the US with Man Forever, the solo project of Kid Millions, Oneida's drummer. The music continues to balance structure and improvisation, noise and groove. But nowadays the new Plasma Expander's sound is more repetitive, psychedelic and minimal than the past, when more fragmented and kinetic atmospheres used to characterized the band's sound.

G.I.U.S. aka Giuliano Gius Cobelli is half of the hypnofunk dúo Chupaconcha, producer and musician for Maia Vidal, improviser in The Near Death Ensemble and in his own solo projects, performing with drums and percussions, synths, drum machines and trumpet through chains of effects and loop stations. www.giulianogiuscobelli.com

Macromatic è un progetto elettrico di musica strumentale.

Nel gennaio 2011 si ritrovano in sala Marco Pedicini, Roberto Porzio, Paolo Petrella e Salvatore Rainone, musicisti già attivi nella scena partenopea in progetti tra i quali Slivovitz, Revenaz Quartet, Gecko's tear, tutti in un modo o nell'altro fortemente legati alla musica strumentale.

Le composizioni di Marco, scritte con vena quasi classica e marcatamente ispirate a certo progressive stile King Crimson e Frank Zappa, dopo essere passate per una buona dose di Alternative e Jazz Rock, si caricano in sala di un'energia aggressiva e tagliente.

Iniziano a suonare a piccole dosi in locali e festival a Napoli e provincia.
A luglio 2012, selezionati nel Conad Jazz Contest, si esibiscono a Umbria Jazz Festival.
In questa occasione registrano tre brani per il primo Ep, "Carne a cuocere", completamente autoprodotto.


Marco Pedicini - chitarra e fx
Roberto Porzio - piano e tastiere
Paolo Petrella - basso e fx
Salvatore Rainone - batteria e fx


MACROMATIC nasce da un bisogno fisiologico, un forte dolore, 'na specie 'e colica, una necessità impellente, una pulsione sessuale, un impeto violento, viscerale, 'na fetente 'e famm'.

Quello che mangiamo con le orecchie lo cachiamo dalle mani.

Macromatic è un laboratorio chimico.
Da scorie, schegge e residui organici nasce una miscela sonora tagliente e aggressiva.
Macromatic è 'a guerra 'n cap', 'e pier' spuorc', un ematoma sottocutaneo, 'na cagliosa, 'na 'ntosa 'nmiez 'a front', una malattia grave al cervello.

In una parola, come è stato più volte felicemente sintetizzato, sdkjasdvblò.

Macromatic crede nella musica e trova la sua forza nella continua ricerca di nuove possibilità sonore, a prescindere dall'esistenza di generi.

Macromatic è espressione, un modo di parlare prima che di pensare.

Macromatic è GH.



https://www.facebook.com/macromaticsound

https://www.facebook.com/macromatico



Macromatic was born in Naples (Italy) in January 2011. 

Marco Pedicini, with a lot of music ideas incubated for years in his head, decides to summons up Roberto Porzio (ex Revenaz Quartet, Gecko's Tear), Paolo Petrella (Revenaz Quartet, Napoli Rockers Syndicate) and Salvatore Rainone (Slivovitz) to start a project in which condense a music research out of the genres, in perpetual development.

The steady and neurotic work of composition and rehearsal leads their to Umbria Jazz 2012 in july. 
Meanwhile they release the first EP completely self-producted, recorded in the deepness of piazza Nazionale, mixed in Casa Surace, with graphic project by Casa Pedicini.


Marco Pedicini - guitar/fx
Roberto Porzio - piano/keyboards
Paolo Petrella - bass/fx
Salvatore Rainone - drums/fx


Macromatic comes up from a physiological necessity, a severe ache, a sort of colic, a pressing need, a sex urge, a violent, visceral, outburst, a stinker hunger.

What we eat with ears, let out with hands.

Macromatic is a chemical laboratory. 
From wastes, splinters and organic remains comes up a sharp and aggressive sonic blend. 
Macromatic is the war in the head, the dirty feet, a subcutaneous haematoma, a punch in the middle of the forehead, a severe brain disease.

In one word: agdòjadfhgò.

Macromatic is expression, a way of speaking before that a way of thinking.

Macromatic is GH.

JEALOUSY PARTY

Roberta WJM Andreucci: mix, players
Mat Pogo: mix, players, vocal

Jealousy Party is a Berlin based abstract R&B outfit blending noise and improvisation with funk, avant rock, dub and idiosyncratic electronic collage – a fusion they term Punca. Founded in Florence, Italy in 1995 by producers Roberta WJM Andreucci and Mat Pogo, JP keep their line-up open to variations and explorations, with multi- instrumentalist Edoardo Ricci as their main collaborator.

Right now they are active as a duo with founder members WJM and Mat Pogo on players, electronics and vocals playing metamorphic samples from the burning library of sessions that the duo recorded with an open collective of musicians involved in the Jealousy Party since years. Those recordings are endlessly reshuffled, dubbed and remixed live with a spontaneous use of playback devices that has become one of Jealousy Party's most crucial trademarks, in a musical frame that is never 100% improvised and never 100% fixed.



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