A Motor City, Berlin, London hybrid, Ryan Crosson is a complex artistic creature. Equal parts energetic, down to earth Detroit native and ultra-refined, musical aesthete, Ryan has one ear to the club and one ear far, far beyond. Known the world over for shape shifting, shoulder shaking tracks on groundbreaking labels including M_nus, Supplement Facts, Spectral, Wagon Repair, and his own Visionquest, Ryan’s production and sampling practices depart from the worlds of house or techno by referencing musique concrète, Downtown New York funk, and East African jazz. Born and raised on a steady diet of post-apocalyptic landscapes, dark warehouses, and the sounds of Plastikman, Matthew Dear, Magda, and Villalobos, Ryan’s DJ sets aim to expand the horizon of possibility without sacrificing dance music’s core element of sweaty, hedonistic fun. His unique musical vocabulary and tireless dedication insure him a place in the dynasty of forward-thinking techno transplants.

Alongside Lee Curtiss and Shaun Reeves, Ryan is responsible for the day-to-day running of Visionquest, one of dance music’s most cherished and eclectic imprints. Ryan and his partners in Visionquest have honed a whole new landscape of lush, organic techno and esoteric leftfield electronica. In 2014, Ryan oversaw the construction of Visionquest’s newest venture—their digital arm and sub-label Brachtune. Full of off-kilter, loopy and positively circus vibes, the tracks showcased on Brachtune will remind long-time friends and fans of Ryan’s early morning sets in the notorious “Tesh Club” basement.

In addition to his work with Visionquest, 2014 was Ryan’s most prolific production career yet, with a staggering number of releases on labels such as Darkroom Dubs, Mobilee, and . Highlights include Bricolage, Ryan’s hotly anticipated first EP for Visionquest, especially the labyrinthine, twisted “Club Chimes,” a heady collaboration with long-time friend and fellow Visionquest artist Cesar Merveille. The year also saw Don’t Be Left Out, a mix CD with another fellow traveler Matt Tolfrey, which has been described as “deep, diverse, and exciting all the way through.”

GTi017 Kollaps - Growth EP (GTi017) - https://grade10.bandcamp.com/album/growth

Direct Movement - all life is transient and has no more substance than dreams (GTc009) - https://grade10.bandcamp.com/album/direct-movement-all-life-is-transient-and-has-no-more-substance-than-dreams

Prayer - Opaque (GTc008) - https://grade10.bandcamp.com/album/prayer-opaque

LW - Keep It/Keep That (GTi016) 12" -
https://grade10.bandcamp.com/album/keep-it-keep-that-w-mr-g-remix

Prayer - Reprise (GTi015) 12" -
https://grade10.bandcamp.com/album/reprise

8ball - You (GTi014) 12" -
https://grade10.bandcamp.com/album/you

Contact:
studio@grade10.uk
ollie@grade10.uk

Distribution:
www.kudosdistribution.co.uk/contact

Living for the night. 

Contact: md@prime-culture.com

Seth Troxler is one of electronic music’s most instantly recognisable artists. He has carved out his own unique path as a cultural commentator, art curator, restaurateur and entrepreneur. Descended from a family of cowboys and Baptist preachers, Seth is part African-American, with a singular approach to viewing the world through the prism of contemporary music culture.

Born in Kalamazoo, Michigan, and raised in suburban Detroit, Seth learnt the art of DJing initially from his stepfather (then a college radio DJ) and later from working, at only 16, behind the counter in legendary Detroit record store ‘Melodies & Memories’. It wasn’t until Seth made the decision to explore new horizons in the mid-2000s, moving to Berlin fresh out of his teens (after debuting at Panorama Bar at just 18 years old), that his DJ career really took off.

Since the move from Detroit to Berlin, then settling in London for a number of years, and now with his time divided between Ibiza and Berlin (Round 2), Seth has established himself as one of the world biggest DJs (voted the world’s number one DJ in scene bible Resident Advisor and gracing the front cover of Mixmag three times). He’s equally at home playing to the smoke-filled dance floors of some of the world’s most discerning nightclubs, such as CircoLoco, fabric (London), Nordstern (Basel), The Lux (Lisbon) or Blitz (Munich), as he is headlining the world’s largest festivals, like Glastonbury, Movement, Roskilde or Sonar.

Right from the word go, Seth has been as passionate about food and contemporary art as he is about music, and these two interests have resonated at all points, and in parallel, to his music career. A multi-faceted modern artist: he has held residencies at talismanic music institutions, run numerous record labels, and pursued his own solo recording career (including the recent ‘Play In The Dark’ collaboration with the Martinez Brothers on Crosstown Rebels, and ‘Lumartes’ that kick started CircoLoco Recordings in Summer 2021). Furthermore Seth has found the time to launch the successful Smokey Tails’ restaurant in London, to create and host his own party during the Rio Carnival, and then to stop everything and to take the time out to climb Kilimanjaro for charity.

More recently Seth has focussed his creative energies on his ‘Lost Souls of Saturn’ www.lostsoulsofsaturn.com project, alongside Phil Moffa and further opaque participants, that sits firmly at the intersection between futuristic electronica, contemporary art and technology. In 2019 Lost Souls Of Saturn presented their audio/visual installation Transmission at the Saatchi Gallery in London, after its premiere during Art Basel in Switzerland, and collaborated with the Met in New York and the Fondation Beyeler in Basel in 2021. Lost Souls Of Saturn are currently recording their second album and conducting further experiments in augmented reality and virtual reality, which will be revealed soon.

Extremely well travelled, constantly searching and experiencing, Seth Troxler continues to follow his own unique path.

Lights Out / Last Night On Earth / Get Physical / Renaissance Records / Parquet recordings

Bookings: donatello@atari.lt
Remix enquiries: donatello@atari.lt

Young and breathtakingly talented! Such compliments Donatello has been accustomed to hear not only from Lithuania’s progressive house music fans, but also from international DJ guests. “Amounts of enthusiasm and uncontrollable energy exuding from his sets remind me about beginning of my own career. He has EVERY trait needed for a DJ. I mean - an impressive DJ” – claims UK producer Clive Henry (PEACE DIVISION), along whose side Donatello played in club EXIT (Kaunas, Lithuania). Donatello was hand picked to represent the best so far promoters’ agency in Lithuania - ATARI. And ATARI guys don’t joke around: the founder of the agency – best Lithuanian DJ, bearing international recognition Ignas i.v. was lately spotted performing with Nick Warren in Hamburg and playing with The Prodigy in Vilnius. During the past overcrowded months on clubbers’ agendas Donatello became an unofficial resident of the ATARI ORIGINAL nights in club Galaxy, Vilnius. One of the biggest Lithuanian venues was absolutely packed with over 1500 clubbers/ enthusiasts each and every time gagging for more from Satoshi Tomiie (Japan), G Pal & Anna Maria (Greece), Scott Bradford (LEXICON AVENUE,UK), Anthony Pappa (UK), Matthew Roberts (KING UNIQUE, UK) and others.. Donatello never gets an easy get away from the audience; hence he’s been very busy playing in Kaunas club EXIT (awarded as the best club of Lithuania twice). After a few years of professional diversity at the beginning of his DJ path, Donatello has perfected various burning mixtures of tech house, progressive and techno.

NAFF Recordings / ANF / Jump Source / M.S.L. / New World Science /  Ntel

EU/UK Bookings: lisa@ekipa.agency  
Americas : s@icartists.net
AUS : sam@watartists.com
Asia/Middle East: samy@mihn.hk

MULTI GENRE ARTIST 🪩

HOUSE/ELECTRO/BREAKS/AMBIENT/TRANCE

Bookings/Remix Requests -
liamcraigmusic[@]gmail.com

Plasmik Musik is following