California-based record label and music publisher.

"We were close to each other for we were both dying to make our dreams come true. We wanted to make music, unique music, the music we really wanted to show," says Rosti. "Everything that happened to us were not in vain, and it is not now either", says Stephan - "... somehow we were led to beileve in ourselves, and the stronger we grow the more faith we have".

It was September 2008 when the band took it's first breath after Rosti and Stephan had met each other for the first time. "We were talking for maybe 5 hours... It was so amazing to meet someone like you, so we'd started!" remembers Stephan.

Not long time go the first Plastic Angels Of September gathered. The band assembled in a garrage where raw gear was placed for their first full meeting. "There was a pool of ideas from each band-member, everyone shared his point with each other, cool times," says Rosti.

Out of that time in Brest came a couple of songs for their first studio record. "Two tracks to change my mind. When I first heard them I knew I would never turn away from the road we stepped on," rememberes Stephan.

2010 was very prosper for shows. Despite the bad geographical location of the band's home town (Brest, Belarus), the guys made lots of gigs those days. "We were invited to performe many times! People were amazing! That was a very fruitable period for shows," Stas is saying about that period. Moreover in 2010 the band realesed their second studio EP-album "One Second Tremble". "We did it! I remember we were sitting in our studio and thinking how cute it could be. And when we finally let it out, it screamed pretty strong," says Rosti.

"2011 was the most worthless shitty year we had! We did nothing. For no reason. The only thing we'd made was a single "Anthem". The only thing," says Stas. But suddenly the guys hit the flour. The time of uncertainty had come to the end.

"We decided to make something really good!". In December 2012 Plastic Angels of September realeses its first full-length album "Into the AEON". The album stricked immediately the local and all "the former Soviet Union" (Belarus, Russia, Ukraine) charts, internet magazines and radios. The band was also much heard far beyond the Eastern Eroupe - in Uk, Germany, Poland, USA, Canada and so on. "I like this album, at last we've made something that perfectly reflects all our mission, all we stand for!" says Stephan.

The band was invited to performe at many shows with such bands as Helia, More Than a Thousand, This Deafening Whisper, One Morning Left, Madisson Affair and so on.

These days Plastic Angels Of Septemper prepares couple new surprises for fans. "Oh, we're gonna spread our word further, we are planingWe a to make Europen tour maybe this fall or spring. lso work on our promotion so everyone soon will be able to hear us almost everywhere!" shares Stephan.

"We wanna spread our energy to everyone who listens us, who comes to our shows, who joins us. We're gonna make everyone be a part of our whole family. With love, PAOS" - Rosti. 

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The National Gallery of Art was created in 1937 for the people of the United States of America by a joint resolution of Congress, accepting the gift of financier and art collector Andrew W. Mellon. During the 1920s, Mr. Mellon began collecting with the intention of forming a gallery of art for the nation in Washington. In 1937, the year of his death, he promised his collection to the United States. Funds for the construction of the West Building were provided by The A. W. Mellon Educational and Charitable Trust. On March 17, 1941, President Franklin D. Roosevelt accepted the completed building and the collections on behalf of the people of the United States of America.

The paintings and works of sculpture given by Andrew Mellon have formed a nucleus of high quality around which the collections have grown. Mr. Mellon's hope that the newly created National Gallery would attract gifts from other collectors was soon realized in the form of major donations of art from Samuel H. Kress, Rush H. Kress, Joseph Widener, Chester Dale, Ailsa Mellon Bruce, Lessing J. Rosenwald, and Edgar William and Bernice Chrysler Garbisch as well as individual gifts from hundreds of other donors.

The Gallery's East Building, located on land set aside in the original Congressional resolution, was opened in 1978. It accommodates the Gallery's growing collections and expanded exhibition schedule and houses an advanced research center, administrative offices, a great library, and a burgeoning collection of drawings and prints. The building was accepted for the nation on June 1, 1978, by President Jimmy Carter. Funds for construction were given by Paul Mellon and the late Ailsa Mellon Bruce, the son and daughter of the founder, and by The Andrew W. Mellon Foundation.

On May 23, 1999 the Gallery opened an outdoor sculpture garden designed to offer year-round enjoyment to the public. Located in the 6.1-acre block adjacent to the West Building at 7th Street and Constitution Avenue, N.W., the garden provides an informal, yet elegant setting for works of modern and contemporary sculpture.

The Collectors Committee, an advisory group of private citizens, has made it possible to acquire paintings and sculpture of the twentieth century. Key works of art have also come to the Gallery through the Patrons' Permanent Fund. In addition, members of the Circle of the National Gallery of Art have provided funds for many special programs and projects. The Sculpture Garden is a gift to the nation from The Morris and Gwendolyn Cafritz Foundation.

Reuters brings you the latest news from around the world, covering breaking news in business, politics, technology, and more.


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