"Sublime electronic pop in the spirit of Suicide, Cabaret Voltaire and more, but with a fresh
paranoid vision that deserves your attention!"
Brendon Moeller, Beat Pharmacy, Echologist.

"Concept, atmosphere, passion.”
Marty Thau (Red Star Records).

Plasticon's debut comprises five tracks traversing electropunk, transportative synthwave,
surgical cutup, and radical reinventions of the Suicide classic "Dream Baby Dream" and
"Rock On" by David Essex. "Save The Future For Today" is a challenging, nearly confrontational glimpse into the heart, mind and spirit of this moment.

The future-finding platforms of Plasticon invoke a perfect electro-storm combining the distinctive expression of Jeremy Gluck, not only in his lyrics, but in his distinguishing vocal & sound-collage work, and the
maverick electronic music and production of Don Tyler,
which integrates classic Berlin School electronics and
minimal synthwave.

Deconstructing all in its path, from Kraftwerk to Kubrick,
Plasticon’s retro & minimal, late 70s/early 80s postfuture twist rolls up sci-fi, punk and magic into a binary mantra, saving the future for today.
‘

Hi everyone!  We host A Walk on the Dark Side which airs Sundays at 2pm Pacific time.  All INDEPENDENT industrial, ebm, synthpop, darkwave etc from all corners of the globe.  If you are in indie artist and would like to submit your music, please send us a message.

Coming January 14th on Music Freq Radio, The Menagerie hosted by Onyx.  Two hours of nothing but goth club dancey goodness from your favorite indie artists.  9pm Pacific time.  

For more info find us on Facebook!

#whocares #synthpunk #electropunk #whocares

About
Fourth Dimension is a project started by Strahinja Maletić and Strahinja Zdravković, Belgrade-Serbia. (Nowdays only active member is Strahinja Maletić)

Discography:
Available @ Discogs

Please Also Consider FOLLOWING My Other Accounts and those of my Many Collaborators As Well.  Thank You
Various sound constructions varying in diversity from found sound sampling and orchestrated ambient sound textures to obscure vocal samples taken from film clips of antiquity. Various tonalities of vocals are also utilized to bring the bring the music to life creating a visual that in many respects reminds one of the old films of the forties & fifties with the news shorts appearing prior to the actual film. Almost a Twilight Zone affair mixing the past and present ideologies together to create a anthology of the ages via music. Who knows if that’s the intention of the artist but the imagery presented may be clear to you.

The music gives you the impression that you’re listening in on someone else’s conversation. The tenor of these conversations ranges from the mystic (“They Do A Lot Of Worshipping Around Here”) to the truly disturbing (“Uncle Went Tending and Never Returned”). Part of this sense of “audio voyeurism” stems from the fact that PressureWorks draws the sonic material from intercepted short wave radio broadcasts. Folks who get into radio-inspired electro-acoustic music (think Dan Lander, for example) may be entranced by this stuff. You may be impressed with it for several reasons, not the least of which is the superb audio quality of the recording . On a more artistic level, you are truly drawn in by the rich sense of storytelling. Each of the pieces carries you along effortlessly through a sort of abstract narration. Enthusiasts of inventive experimental music are encouraged to check these recordings out.

Assembling pieces from various recordings and turning the whole into new work. The approach is mostly ambient, favoring vocal samples as focus but remaining decidedly ephemeral. Just enough here to peak further interest.

Followers of Plasticon