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Burago Boiler Room Moscow Live Show

THEBOSS SESSIONS - HIP HOP TYPE BEATS (8)


Sanctuary I – Gentle Rain
A gentle curtain of crystalline rain falls softly in a wide-open soundscape, washing over the senses like a cleansing breeze. Beneath the hushed rainfall, waves of warm analog synth pads and subtle harmonic textures bloom and dissolve in ebbing swells, each transition guided by the Golden Ratio’s naturally soothing cadence. There’s no beat—only a vast, immersive field of rounded frequencies, delicate overtones, and the faintest shimmer of wind chimes. The spatial mix feels infinite, inviting stillness and introspection as the rain envelops the listener in a cocoon of sonic tranquility.

Sanctuary II – Flowing River
Evoking a sacred river’s slow journey through ancient woods, this piece begins with the pure sound of running water—a gentle current that trickles and eddies from left to right. Silky pads and shimmering harmonics drift in, tracing organic patterns inspired by nature’s geometry. Each swell and fade unfolds at a pace that feels both endless and familiar, helping dissolve boundaries between self and surrounding. River ripples and distant waterbirds weave in and out, while the 3D sound field creates a sense of floating, your consciousness gliding downstream in harmony with the flow.

Sanctuary III – Chimes in the Breeze
Awash in the luminous atmosphere of dawn, faint wind chimes dance lazily in a soft, timeless breeze, suspended above a bed of slowly billowing pads and gentle texture layers. No rhythms intrude; instead, sound events occur with the intuitive timing of sighs and exhalations, shaped by the Golden Ratio to maintain balance without structure. Every chime, overtone, and subtle swell is rendered with microscopic detail for an almost tactile presence—an environment designed to quiet the mind and open space for light and peace.

Sanctuary IV – Rain & Ripples
This track captures the interplay between gentle rainfall and water’s surface, focusing on watery, textural movement. Drops fall in soft patterns, echoing and blending with undulating waves and deep ambient harmonies below. Enveloping pads create a lush warmth, with movement and tonal modulation always slow, always organic. The piece unfolds in waves—sometimes rising into shimmering radiance, then subsiding into deepest warmth—each transition smooth and harmoniously proportioned. It’s a restorative soundbath, perfect for letting tension melt away.

Sanctuary V – Distant Skies
A vast, open sound world: faint rumbles of very distant thunder blend with ethereal wind chimes and cumulonimbus-sized pads that pulse and recede like clouds in slow motion. Textures rise and fade on long, fractal-shaped arcs, the entire space saturated in natural warmth and subtle spatial echoes. There’s no sharpness, only the boundless calm of a sky after rain, inviting both awe and deep rest. This closing track is designed to leave you feeling weightless, cradled by space and sound

Tranquility Flow

fall

Quaresma

“Фильтреализм” начинается на территории, куда Gamayun еще не ступали – с той музыки, что только кажется простой, но на деле оказывается весьма сложносочиненной. Вот только былого эскапизма в этой записи не наблюдается – альбом целиком записан как расчленение, изучение и принятие повседневной реальности через личный и коллективный опыт музицирования. Под стать этому и сама физическая его часть – кроме «привычных» электронных инструментов на “Фильтреализм” можно услышать совершенно бытовые (и порой – даже кустарные) источники звука: посуду, мебель, деформированные диктофонные записи.  

Альбом звучит так, словно кто-то из советских пионеров электронной музыки перевёл свой фокус с модулируемого синтеза звука на простые окружающие вещи, а композицию дополнил более глубокой попыткой запечатлеть странности и моменты повседневного очарования. Которая срабатывает, надо сказать, очень быстро.
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"Filterealism" starts from the territories where Gamayun haven't stepped before, from the music that only seems to be simple, but in fact it turns out to be very compound. Their recordings are not escapist in any sense of its meanings anymore; the whole album consists of divisions, explorations and adoptions through the personal and collective experience of music-making. The technical side of this sound acts likewise: you can hear a large amount of routine items (furniture, utensils and deformed recordings of the nature) among "conventional" electronic gadgets and live instruments. "Filterealism" sounds just like some Soviet electronic music pioneer, which had shifted his focal grip from the modulations and synthesizers to all the simple things of surrounding and completed the piece with profounder shot of weirdness and commonplace wondering. And it literally works like a wonder.

GOST014:  Gamayun "Filterealism"

Side 1
A1: Situation (4:46)
A2: Alumium Dub (3:26)
A3: Chance (3:39)
A4: Kosmaj (6:39)

Side 2
B1: Transition (2:13)
B2: All This Is Not A Dream (5:44)
B3: Continental  Outcome (3:03)
B4: Arrival  (0:44)
B5: Photon Garden (4:07)

music – Anton Dvoenko
A3, B1 – co-produced w/ Dmitri Nikiforov
B3, B5 – co-produced w/ Stanislav Mitrofanov
mastering – Flaty
cover – Garif Basyrov
executive producer – Ildar Zaynetdinov

Smolensk
12" LP, full colour print, hand stamped white label
February 28, 2020, Russian Federation.
© «ГОСТ ЗВУК»

ГОСТ014: Гамаюн "Фильтреализм"

We're launching new series titled Audio Calendar — some sonic documentation of artists' mundane utilizing a well-known form of diary. One could think of it as of a time machine recollecting the private audible. All recordings are being done during a period of one month, so it's also a sort of challenge (or at least a listening exercise) for an artist. The inaugurating episode is a courtesy of Gost Zvuk founder Ildar Zaynetdinov aka low808. While preparing this entry,  he used some field recordings he made during the month, along with his own compositions, audio messages from messenger apps and some recent works from his fellow producers and musicians. Every piece of audio used was produced and / or recorded in May, 2020.

Ilya Vlasenko – untitled
Ilya Vlasenko – 1b7dcc1281.mp3
Ildar Zaynetdinov – RecOut_2020_05_02_04h22m03s
Ildar Zaynetdinov – улица Кржижановского_25
Ildar Zaynetdinov – Профсоюзная Улица_2
Ildar Zaynetdinov – RecOut_2020_05_05_04h47m15s
Ildar Zaynetdinov – Усадьба Воронцово_3
Ildar Zaynetdinov – RecOut_2020_05_13_04h34m56s
Rim Menko – 2-Audio 0001 [2020-05-08 205050]
Ildar Zaynetdinov – RecOut_2020_05_22_20h21m40s
Ildar Zaynetdinov – RecOut_2020_05_28_18h33m58s
Ildar Zaynetdinov – улица Кржижановского_14
Ildar Zaynetdinov – RecOut_2020_05_25_03h17m07s
Ildar Zaynetdinov – улица Кржижановского 13
Ildar Zaynetdinov – улица Кржижановского 11
Ildar Zaynetdinov – улица Кржижановского 10
Ildar Zaynetdinov – RecOut_2020_05_26_03h26m42s

Audio Calendar: Ildar Zaynetdinov, May 2020

written/produced by: @further-reductions
label: @knekelhuis
release date: September 7, 2020
mastered by: Wouter Brandenburg
link: https://knekelhuis.bandcamp.com/album/further-reductions-array

post: https://bizaarbazaar.com/2020/08/26/premiere-further-reductions-only-in-my-mind/

Pre-Order / Buy

Further Reductions - Only in my mind

Release is available exclusively via www.patreon.com/gostzvuk
Tracks by Фриланс Демарш Власенко (@ccodata), Piper Spray and Lena Tsibizova (@lenatsibizova), Flaty (@producedbyflaty), Nocow (@nocow), Art Crime (@art-crime),  Ясень (@stepanyasen). Mastered by @producedbyflaty. Compiled by Ildar Zaynetdinov and Flaty.

ПК005: Фриланс Демарш Власенко, Piper Spray and Lena Tsibizova, Flaty, Nocow, Art Crime, Ясень

Old Civilization

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