Name: Chez De Milo | Boiler Room: Bristol by Boiler Room
Duration: 55 min 32 s
Description: Chez De Milo – live from Boiler Room in Bristol.

Little Thumb goes the long way,
Drop by drop, hopefully gets lost.

listen to the whole mix at https://flowersinthegutter.org

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Cosmo Vitelli & Ivan Smagghe-flowers in the gutter mix pt 2

Chez De Milo – live from Boiler Room in Bristol.

Chez De Milo | Boiler Room: Bristol

Earthcast Mix Series is a journey through deep and timeless electronic music, curated by passionate selectors from around the globe. Kicking off the series, we welcome Berlin’s own Estimulo, a renowned crate digger and host of the long-running Estimuloshow on mixomat.org. With seamless transitions and a rich narrative, this two-hour mix blends old and new sounds, capturing the essence of quality electronic music.

Estimulo also celebrates his debut EP on Motomusic, alongside Dan Piu—be sure to check it out! Enjoy this immersive session, and stay tuned for more sonic explorations in the Earthcast Mix Series.
@estimulo

EARTHCAST001 with Estimulo

PDA MIX 13 ♥ Mowgli

For the latest instalment of the PDA mix series - we are more than honoured to invite Rotterdam based DJ Mowgli. Mowgli’s sound has been shaped by minimal wave, proto EBM,  the noisier edges of Chicago as well as Italo and Hi-NRG downstream from the Dutch West Coast scene. You can hear these influences transmuted into this recording of expertly configured, left-of-centre mutant House music to jack your astral body to!

Tune in and drop out 🫠

♥ ♥ ♥ ♥ ♥ ♥

PDA MIX 13 ♥ Mowgli

All 6 hours of Dave Harvey, Chez de Milo and Ellie Stokes b2b2b at the helm of The Love Inn as part of the Love International 10 year club tour

Love International 10 Years @ The Love Inn, Bristol

For the third edition of Earthcast, we're honored to welcome a true pioneer of the underground electronic scene: Scott Braithwaite, founder of the influential 90s label Fragmented Records. With a career spanning decades, Scott has been instrumental in shaping the deeper realms of house and techno, both as a DJ and as an A&R visionary.

Fragmented Records, established in the mid-90s, became a cornerstone for deep and forward-thinking electronic music, releasing works from artists like Dan Curtin, Morgan Geist, Jay Denham, Chris Gray, Paul Mac, and Jaime Read. Beyond his label, Scott collaborated with Craig Walsh under the alias The Cause and curated seminal compilations such as Techno Nations, Deep States, and Elements of Jazz, featuring legends like Juan Atkins, Dave Angel, and Drexciya.

Although he's no longer DJing full-time, Scott continues to share his passion through guest mixes and radio appearances. His extensive vinyl collection, amassed since the mid-80s, reflects his deep-rooted love for house, techno, and electro.

In this exclusive Earthbound mix, Scott delivers a fast-paced journey through deep Detroit and UK techno, nodding to the 90s while casting an eye toward the future. Expect a masterclass in groove, rhythm, and timeless energy. @scott-braithwaite

EARTHCAST003 with Scott Braithwaite

Trushmix 240 presents The Burrell Connection. Live from Globus/Tresor 13th of December 12. At Wania presents!

The Burrell Connection aka Alfie, Dream_E, DJ59. Scotsman now living in Berlin releasing on wax since 19 (labels of Craigie Knowes, Pace Yourself, Tartlet and Optimo.

Here he presents a 55 min live session. Techno and House. Depp electronic performed live with an Elektron Analog Rytm + Octatrack, Roland JD-08, Korg Minilogue + FX.

Enjoy music from the top!

Trushmix 240 - The Burrell Connection

Stream/download: https://go.protonradio.com/r/rlG_QLt4EuEgs

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#progressivehouse #futureavenue #soundavenuelabelgroup #deephouse #melodichouse

Toffk - The Missing Ones [Future Avenue]

Inspired by my local history and old address where they made the first colour TV cameras. I have been inspired by broadcast history not only in name but within my music.

Test Card and Tone

Forest (feat. David Attenborough)

2021's first mix in line comes all the way from sunny Australia by dear friend Lauren Hansom (@laurenhansom). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Welcome on board Lauren. How was your start of the new year? It's summer where you are now right? That must be nice :)

LH: Hiii! Thanks for having me onboard :) The New Year has been great. Spent time surfing & soaking up sunshine in Australia.

MFM: You moved back to Australia last year. What has been keeping you busy there since? 

LH: I moved from Amsterdam to Berlin at the end of 2019 and went to Oz in February 2020 for a holiday. COVID hit, so I ended up staying. An easy decision with nature, beaches, food etc. Although, I’ve pretty much been living out of a suitcase as the majority of my stuff is in Berlin. I bought a Yamaha RM1X & a Poly800 last year to do some music and learnt The Mandalorian theme tune. I’ve also been learning more about quantum mechanics & biology plus space, which actually led me to find more cosmic sounds in genres from IDM to new wave for example. Imagining space with a multitude of soundscapes is pretty neat. 

MFM: While many DJs jumped on the streaming bandwagon it looks like you kept rather quiet over the last months. Is that for a reason? Did you maybe find other ways to creatively let go, or...?

LH: Thought you wouldn’t have noticed - was secretly trying to pull off a “Homer Simpson disappearing into the hedge”. Streaming is a great way for people to stay connected given the circumstances. For me, having a live crowd is always part of my process. No crowd, no party (or a one person party - not bad for these days, actually...). Also not having any gear here made it hard, especially with lockdown and social distancing.

MFM: Things were going really well for you as a DJ, your career seemed to be in a lift. What do you now hope for when touring becomes an option again? Has 2020 changed your perspective? 

LH: Thank you for saying so. I was pretty overwhelmed by how often I was playing and am grateful for it. It’s still very much a “pinch-my-arm” thought. I really would love to continue sharing tunes & creating musical experiences in some capacity. I’ve been thinking about Music Supervision within film & TV, so have been spending time on the side looking into that.

MFM: I've heard quite a few DJs saying they lost the urgency or need to listen to dance(floor) music. How is that for you? Have you been keeping track with new music lately at all? 

LH: I’m always listening to different styles, especially non-club music as it’s sort of where I started. Although I’ve enjoyed the holiday of not having to find a billion new tracks before every weekend, I’ve still been following new releases & it’s been interesting to hear how music has been shaped by the pandemic.

MFM: How would you describe that shape shifting? 

LH: I noticed more people collaborating from afar due to social distancing, restrictions and general lockdown. I think this allowed for some experimentation in a way and often that leads to something surprising and new. Sonically and stylistically, I think 2020 was really diverse as opposed to previous years where there was definitely a “Sound of Summer” so to say. There were also a great deal of compilations for new music to support artists affected by event cancellations and club closures.

MFM: About the mix, do you actually prefer a mix request to come with some kind of theme or direction to it, or do you value the freedom more? 

LH: Both. It’s nice having a brief as it gives you boundaries & pushes your creativity. Sometimes too much freedom can make it difficult. That said, I’m always imaging stories & daydreaming, so often the imagery in my mind’s eye gives me a good starting point. Once I have an idea, I create a selection of music & work out a way to make it all flow until there is some sense of an emotional ark & musical journey.

MFM Mix 024: Lauren Hansom

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Chez De Milo | Boiler Room: Bristol

Boiler Room

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