Mix for Double Double on Radio Vacarme - Brussels, Belgium 10/18/22

https://radiovacarme.com/

Double Double 007-1 // Pretty Privilege

Our next guest is beyond a special one, a matchless artist, Rita Mikhael a.k.a @E-Saggila, who has been exploring the fringes of noise and industrial music for over a decade now.

In 2015, the Iraqi-born Rita, raised in Toronto adopted the E-Saggila alias for her music and DJing, which draws inspiration from harsh electronic forms, ambient textures and the rhythmic structures of techno and breakcore, which has lead her to create an extensive discography as a producer on renowned labels including Northern Electronics, Hospital Productions, PAN, Opal Tapes and BANK Records NYC and has become one of techno’s most exciting DJs.

This mix is nothing short of an atmospheric journey through cutting-edge sounds from an artists who's not afraid of blending the genres in the best way possible.

E-Saggila ■ Hapësira Podcast LXI

This set to welcome Domenico Crisci  to the Collision family as a new resident

Collision Podcast 003 -Domenico Crisci

closing set in the Jeanne d’Arc Room of Scokoladen.
berlin 19.07.24

RLMS closing set @ Mikrodisko Floor 19.07.24

codex 143/1

YouTube/Spotify: Gabriel Fiori
Instagram: gab_fiori_

Come on, girl - Gabriel Fiori (FREE DOWNLOAD)

@katatonicsilentio blew our minds at the recent No Symbols x Saturnalia function at Ormside Projects in South East London. Prepare to see more of her all-consuming playing style and productions on our channels soon.

For her HARD DANCE mixt, the Milan-based artist combines wasted sounds with rhythmic noise, fast, complex structures and syncopated rhythms. Brace yourselves.

HARD DANCE 017: Katatonic Silentio

Bloody Mary live on Arte Concert 
United We Stream #7 - Else X Wilde Renate - 24.03.2020 

You can watch my set from the night on Youtube
https://youtu.be/htt7oZq0BwY


Berlin club and event organizers have shown solidarity with one another and have started a joint fundraising campaign.
The income from the streams will be used to collect donations for social hardship cases, with which clubs in need during the coronavirus quarantine can be supported.

Watch on Youtube

Bloody Mary - United We Stream #7 - 24.03.2020

A joyride of tough club ballistics from @aurat09, @evar-records co-founder & one of LA's most tireless rave activists.

HARD DANCE 052: AURA T-09

Next up in the series: hard-edged sounds of the dancefloor from Egyptian producer, DJ & co-founder of Cairo's legendary underground club @ventcairo, @zulimusic.

Hard Dance 075: ZULI

DECENNIUM20 - Giant Swan (Mannequin, Timedance)

The 20th edition of our DECENNIUM series comes courtesy of one of the brightest flames in the world of Electronic Music in recent years; UK duo, Giant Swan (Mannequin, Timedance).

"Giant Swan is the brainchild of Robin Stewart & Harry Wright; an acerbic marriage of energised, aggressive dance music, quaking bass and hypnotic electronic noise. Having built a formidable reputation for their hi-octane improvised performances, relentless international touring and a succession of acclaimed EPs on respected imprints such as Whities, Timedance and Mannequin, 'Giant Swan' sees the pair stepping things up significantly, with a full-length musical statement that bristles with the galvanising energy for which they're known while introducing a fresh depth, range and sonic nuance to the equation.

Named after a beloved track by screamo overlords the Blood Brothers, Giant Swan was originally conceived as a side project from their roles as guitarists in the band The Naturals, with formative influences such as My Bloody Valentine and Lightning Bolt being distilled over time with inspiration from the varied and always vibrant local music scene in Bristol. From dub soundsystem teachings at the Trinity Centre and Black Swan or the fiercely experimental early transmissions of friends in the Young Echo collective, Giant Swan have grown to take their place as one of the most singular and determined groups to emerge from the UK underground in many years.

Whilst not belabouring the point, this outsider status is important to note: despite rousing audiences at festivals such as Unsound and Berlin Atonal, and sharing stages with the likes of Objekt and Actress, Giant Swan have always approached their craft in an entirely different way to most of their contemporaries. Musically this is evident in Stewart’s contorted vocal textures married with shards of abused guitar noise that cut through the four to the floor heaters, but also comes across in their conceptual approach - be it onstage, facing each other whilst flanked by walls of amplifiers or in interviews, where the pair have consistently stressed the need for inclusive clubbing environments based on equality, enjoyment and an ongoing, unflinching critique of the culture.

At the same time they’ve been subverting expectations on the international techno circuit, they’ve also had one foot in a more experimental camp, equally at home playing alongside Moor Mother (for whom they’ve produced a track on the forthcoming Analog Fluids of Sonic Black Holes album) at leftfield arts festivals as they are sending it in at legendary clubs like Berghain and Tresor. This year they’ve also made tentative steps towards putting themselves in front of a more mainstream audience; with two appearances at the revered Glastonbury Festival, a high profile support slot at the Royal Albert Hall with indie heroes The Horrors (who they have also recently remixed) and a specially commissioned live set for BBC Radio 1."

DECENNIUM - Giant Swan (Mannequin, Timedance)

Connecting club culture to the wider world, on screen and irl through parties, film and video.

Hard Dance 075: ZULI

Boiler Room