Would really like to know the ID of this track! Anyone?

"For the next 60 hou-...minutes..." - imagine a 60 hour set! :-x

this is such a powerfull track, fell in love the first time i heard it!

Detroit and techno are inseparable. And it doesn't get much more Detroit techno than @terrencedixon. A master of minimalist sound design and globally recognised stamp of authenticity, he is one of the Motor City's most prolific artists. His brand of "forward-thinking ghetto electronics" has come on cornerstone labels like Metroplex, Tresor and Rush Hour and is never less than thrilling. His recent Reporting From Detroit album was the latest testament to that, and this week's podcast continues on that theme. 

It is made up of all original material recorded on the West Side of the city but starts in an ambient world of distant stars. After those scene-setting sounds come the signature Dixon drums: deep, pulsing, rubbery. They come and go as you voyage through tortured synth tension, suspensory alien life forms and mysterious electronics. It all makes for a storytelling mix that takes you through a portal and into a whole other dimension.

Dekmantel Podcast 339 - Terrence Dixon

Soundcloud Steffi: https://soundcloud.com/steffi_official
Soundcloud Virginia: https://soundcloud.com/virginia-dj

Steffi X Virginia... IsBurning #103

Cyrk - ITALO MODERNI Showcase [03.02.2024]

The man behind our next podcast is something of a dance music godfather. He has been instrumental in the development of the West Coast electro scene in The Netherlands, is the founder of the much loved community radio station Intergalactic FM and runs a clutch of labels including Viewlexx and Murdercapital. He pioneered the electro sound and kick started a disco revival with his own productions, is behind a number of seminal mix compilations and DJs around the world, playing everything from Italo to cosmic, synth wave to horror sound tracks. Recently he made a rare new record on his own Viewlexx label under the Panama Brown alias (which is I-F and Legowelt together) and now he has served us up a sizzling new mix. 

Lasting just over two hours, the mix is a slick and seamless ride through many different genres. Rather than following one predictable arc, the moods and grooves seamlessly change gear through uplifting stuff, jacking stuff and vocal stuff from across the ages of house, techno and electro. A truly kaleidoscopic selection that finds I-F digging typically deep, this is a hugely enjoyable window into his unique musical world.

Dekmantel Podcast 009 - I-F

Samhain XXIV at Tangent, Oct 26 in Detroit. Erika did a captivating under 120 bpm techno set to launch the night, Wata Igarashi was on directly after me, with Mike Servito following Wata and ultimately Scott Zacharias closing the 12 hour party. In the other room the Luv NRG Soundsystem raged as T4T did their thing. 

For this set I took the approach that at this time of year, in the Halloween time period, that feelings morph and change, how we feel about music on these nights is different, the context is altered. What is stern, scary, and stark can be very exciting at this time. What is warm and funky also takes a new shape and can be oh so freaky. I felt an impeding doom in the air and I wanted to channel that into solid sound system experience that was transformative and immersive. A sonic description of another world, the true power of techno. I am extremely excited about the shifting of eras happening within techno right now, and there was so much fresh music that fit the No Way Back concepts, but within a more pure techno language. I was also thinking of Mike Huckaby, who I worked with in the Record Time Dance Room, and his theories that a few amount of sounds makes a record the most powerful. There’s so many thrilling jams with only 4 sounds right now, this set gave me a special chance to explore that. 

Technically I used 4 CDJ-3000s and a Pioneer V10 and its internal effects with lots of layering with a new approach to mixing. If I’m doing something historic, it has to fit perfectly within the sonic context of what I’m playing, and for an older cut that can be very hard with today’s sonics, so I spend time remastering the older songs through my mixer and outboard equipment to give them a way to be played and allow them to glow within this new and living context. It’s all experimental at this point, a work in progress. The ones called QM are an older “quick master” technique that I did with software. Enjoy this journey to the other side. 

Podcast mastered by BMG.

Monks of the Drukpa Kagyu Order–Doungchen And Gyaling
Architectural — Rare Ceremony Tapes
Edit Select — Translate - Backward Signal
Terrence Dixon — Unconditional Love
The Vision — Detroit: One Circle (BMG Remaster)
Psyk — Disconnected
Mod21 — Childlike Wonder (Rrose Remix)
Feral — Flare
Orbe — Bronze
Feral — Chez Driss
Neel — Riflesso
Yan Cook — Cipher
Gene Hunt — Wildside Danny Dubb (BMG Remaster)
Shlomi Aber & Kashpitzky — Bazement
Troy — Awakening
Innersha — Emeralds
Dialog — Better Way (Feat. Benji)
Helena Hauff — Humanoid Fruit
Mod21 — Will You Ever Stop
Sexual Harrassment — I Need A Freak (BMG edit)
Psyk — Fear Of Sleep (Edit)
Allana Letm — Temois Multiplos (Centrific Remix)
Wata Igarashi — Collision
Erika — Wandering Mountain (Mike Parker Remix)
Mike Parker — Heat Inducer
Perfo — Muse
Luigi Tozzi — Spiral (Rrose Remix)
Kerrie — Replicants 
Andy Toth — Sycorax ver.1 [forthcoming IT]
Acid Junkies — Design The Future (BMG Remaster)
808 State — Flow Coma (BMG Remaster)
Aphex Twin — Isopropophlex (BMG Remaster)
CHBB — NBKE (BMG QM)

BMG at Samhain XXIV

Full Tracklist: https://bleep.com/bleep-mix-292--decius

Celebrating their second album, South London supergroup Decius serve an hour of distorted club and mantra like lyrics in their mix for Bleep. Their brooding, idiosyncratic take on acid house evokes the underground mystique of EBM, its punkish tendencies alight in the drum machines, sultry acid stabs, and breathy vocals all over tracks from Decius Vol. II (Splendour & Obedience), their Decius Trax EPs, and unreleased gems. Early highlight ‘Ghent’ is full of morphing acid basslines and liquid synths matching the steamy performances, while elsewhere throbbing layers of electronics are dedicated to rhythmic expressions.

In Decius’ words: “'As with all our DJ sets, this mix consists exclusively of Decius music. We are not narcissists, we just love playing what we've made. It also means our sets contain some stuff that won't be heard anywhere else, as we don't release everything we play. Keep things spicy...!”

Bleep Mix #292 - Decius

Berlin Hypnotic House XI (Backwards Love Club Mix)

From sublime to sludgy with the Salon Des Amateurs resident

Read more here: https://www.residentadvisor.net/podcast-episode.aspx?id=559

@vladimir

Resident Advisor podcast

RA.559 Vladimir Ivkovic

► Depeche Mode, Kraftwerk, Mr. Flagio – we knew having this legend back would pay off. Delightful carnage straight from the Murder Capital to your door.
► Follow us on SoundCloud: http://blrrm.tv/subscribe-sc

I-F Boiler Room x Dekmantel Festival DJ Set

Interview + Download:  http://truantsblog.com/2018/truancy-volume-211-steffi/

Soundcloud: @steffi_official @dolly-records

An artist in the purest sense, Berlin-based Steffi has previously said she wants to be remembered for her work and nothing else. Monitoring her career closely herself, it's easy to see how her consistent growth as a producer and DJ is motivated by keeping her integrity as an artist. With three albums on Ostgut Ton now, her recent World Of The Waking State LP saw her deliver an album more experimental than previous efforts, yet one produced at a time feeling settled more comfortably in her own skin. Seeking new and exciting outlets to express her projects her own labels Klakson and Dolly have been a continual source of new music. She's released a culmination of 70 records from an abundance of friends and new producers, as well as her own, over four different labels and sub-labels. We caught up with Steffi to discuss Klakson and Dolly, her productions with fellow Ostgut Ton artist Virginia, as well as finding the balance between studio and tour time. With not a single four-by-four kick drum in sight, her Truancy Volume is an arc back to her long-time affinity with early Warp and IDM records. Steffi has mentioned in the past how much of an influence the first Autechre album had on her, so it's no surprise their music finds a home in this mix.

http://truantsblog.com

Truancy Volume 211: Steffi

Since the end of Sandwell District, Silent Servant has continued to be an influential presence in the techno world. The American’s Jealous God label defies convention and expectation with each release and his own avant guard productions remain utterly unique. Each one speaks to his roots—Sonic Youth, My Bloody Valentine, The Cure—by fusing post punk and industrial with techno in chilling ways. His conceptual and sincere aesthetic carries over into his live sets, but also his DJ mixes. 

This latest one is special indeed: it is a mix of influences, in chronological order and “with only a few hiccups in dates” from 1972 to 2000 and all recorded on vinyl in one take. The resulting hour takes in plenty of those goth and alternative rock sounds, new wave, noise and experimental touchstones he grew up on in Los Angeles, but also seamlessly connects them to the techno that later influenced him so the likes of Kraftwerk, Neon, The Final Cut, Toddy Terry and Jeff Mills all make the cut. From stark and jerky rhythms early on to supple, strobe lit grooves in the second half, this is a personal mix that really tells the story of Silent Servant’s musical evolution.

Dekmantel Podcast

Dekmantel Podcast 175 - Silent Servant

Connecting club culture to the wider world, on screen and irl through parties, film and video.

I-F Boiler Room x Dekmantel Festival DJ Set

Boiler Room

Recent comments

dhall

*Kat~

MateoC1012

Port Four

Related tracks