HATE Podcast 238th with Cleric 

Download available.

Follow #Cleric here:
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https://www.instagram.com/clerictechno/
https://www.facebook.com/Cleric/

Follow #Clergy here:
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https://clergyrecords.bandcamp.com/music

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HATE Podcast

HATE Podcast 238

Cleric - HATE Podcast 238

Temperature's Rising! SYNOID Broadcast 004 comes from none other than @perc!

The London based artist, known for his mental sets mixing pure, trippy sounds and hard techno hitters, founded his own label Perc Trax back in 2004. Defining Uk and Industrial since then and now.

SYNOID BROADCAST 004 // PERC

🔥 OUT NOW — EVERYWHERE 🔥

Listen & support  Artist Link
 instagram:
https://www.instagram.com/ian_markusovic/
SoundCloud:
https://on.soundcloud.com/HmdWiQ3xoKdFjmSuSd
Beatport : 
https://www.beatport.com/artist/ian-markusovic/1211632
Spotify:
https://open.spotify.com/intl-es/artist/7d0l5PaSMEyI36dAzoYx2k?si=JmolnZ7gTNSOy9Yi8gZZ2A


 Label Link : linktr.ee/Effimerarecords 
𝖒𝖚𝖘𝖎𝖈 𝖎𝖘 𝖊𝖕𝖍𝖊𝖒𝖊𝖗𝖆𝖑 
(ᴘᴇᴀᴋ ᴛɪᴍᴇ / ʀᴀᴡ / ʜᴀʀᴅ / ɪɴᴅᴜꜱᴛʀɪᴀʟ)
Beatport : https://www.beatport.com/label/effimera-records/125806  Soundcloud : https://soundcloud.com/effimera-records 
Youtube : https://www.youtube.com/@EffimeraRecords 
Instagram : https://www.instagram.com/effimera.records 
 SEND YOUR DEMO :📩  : effimerarecords@gmail.com

Beatport

Ian Markusovic - Simulation (Original Mix ) EFF019

Techno2

Mixmag In Session: Dax J

Full feature - http://www.mixmag.net/feature/in-session-dax-j/

“Techno is a genre known for its dark and powerful sound, but even in a sphere dedicated to no-holds-barred production, Dax J’s tracks stand out as particularly robust and intense.

Take ‘The Wonk’, from his most recent EP ‘The Invisible Man’, which lays down a tough low-end that ploughs forward with relentless energy. A frantic outer texture sounds like an accordion made out of titanium alloy, quivering in-and-out to disorientating effect. It’s a face-melting cut that that bends the mind of any dancefloor that hears it. Last month he took dancers in Berghain through to Monday afternoon with a 10-hour closing set which was undoubtedly transcendental.

The producer is based in Europe’s techno capital Berlin nowadays, but travelling back to his teen years spent listening to d’n’b and jungle while growing up in London provides insight into his vigorous approach to production.

Dax took up DJing aged 15 as a hobby that soon turned into an obsession. He would gather with friends on school playgrounds to listen to Kool FM radio recordings on their walkmens, until he could no longer confine his passion to break times and would skip lessons to shop for vinyl at Black Market Records in Soho.

Looking for an outlet to publicly air the wax he was buying by the shedload, he came into contact with one of the founders of the Time FM pirate radio station and pestered him with phone calls for a month until he was offered a show. It was hardly a prime slot – the 6-8am Saturday graveyard shift – but he accepted with enthusiasm and set his alarm early every weekend for months to broadcast his sets.

His next pirate stint was on Origin FM, which he held down for four years and in that time began to release music under the name Dangerous, with records arriving through outlets such as Mickey Finns’ Urban Takeover label and his own Xplicit Sound. But while studying Music Technology at university he began to fall out of love with the d’n’b scene, finding the move towards jump-up sounds to be at odds with the rawness and darkness of the music he fell in love with.

Musically disillusioned after graduating, he decided to spend the summer in Ibiza and it was there that he was introduced to techno. Dax was blown away by the spectacle of the clubs and the new music he was hearing, describing his response to Stray Landings as “this music is like drum 'n' bass but slower, I love it!” He returned to producing invigorated with a new direction to follow, yet he didn’t completely forego his roots and regularly works old breaks and the classic amen sound into his techno exploits, making for some of the most high-octane records going.

Dax J’s contribution to the genre since has been massive, co-founding the EarToGround label and going solo with his Monnom Black imprint, curating and contributing to a stacked release schedule that never falters in quality. His work ethic is so strong that he even sets up a micro studio on planes on the way to gigs.

2015 saw the release of debut full-length ‘Shade Of Black’ which was awarded Album of the Month in Mixmag and showcased an artist with an assured vision and uncompromising attitude. It’s a mindset that he carries over to his DJ sets that are characterised by rigid rhythms and forays into pulsating acid. Check out his slamming In Session mix below for a prime example.”

Words - Patrick Hinton, Mixmag


Dax J - Mixmag In Session - Podcast 2016

Dutch festival energy goes raving bonkers.

Paula Temple at Awakenings Festival 2017

► Tommy Four Seven making his long overdue return to BR now. Get ready for a final 1 hr of transcendental techno.
► Subscribe to our YT channel: blrrm.tv/YT

Tommy Four Seven | Boiler Room Prague

One-Hundred-Seventy-Nineth Hate Podcast with Rebekah.

Birmingham born, Berlin-based  DJ, Producer, Live Act, and Label Owner Rebekah is the multifaceted artist leading the way in today’s techno scene.

Undoubtedly one of the most revered names in techno, Rebekah boasts a string of notable releases on the likes of Mord, Soma, CLR, and Elements, and has been highly regarded by the likes of Chris Liebing, Bas Mooy, Paula Temple, Perc and many more throughout the course of her career. She’s earned her respected reputation over recent years, with her relentlessly heavy sound winning her titles such as DJ Mag’s Best Producer in 2018, and featuring as their January cover star in 2019. She launched her highly successful live set in late 2018 which was named by Resident Advisor as one of the best performances of ADE 2018.

Her affiliation with music and DJing began by chance after a teenage Rebekah stumbled upon a techno night held at her local haunt in Birmingham, Que Club. After her indoctrination to not only techno but the Birmingham sound itself, Rebekah pursued her calling and returned to college to study production, followed years later by a move to Berlin spurred on by the attention surrounding her 2012 remix of Matador’s ‘Blond Slackers’.

From early releases on Naked Lunch, Coincidence and Cult Figures, Rebekah went on to pique the attention of techno heavyweights, including Chris Liebing with whom she released her ‘Cycles’ EP via his CLR imprint in 2013. Her relationship with CLR continued into 2015 with her ‘Distant’ EP which came after a sublime three-track EP on Sleaze and first release on Soma Records, followed by her 13 track LP for the label in 2017, 'Fear Paralysis’.

Since then, Rebekah has released with the likes of Modularz, Perc Trax, Mord and Elements, her party-series-come-label which has homed releases from Lag, noneoftheabove, Storb, and A Birth Defect. Fast forward to 2019 and she’s released a third EP on Soma Records ’Murder In Birmingham’, a homage to her hometown, and has released multiple remixes on the likes of Emika Records and her Elements imprint. Not to forget her heavy touring schedule, which has seen her play in at least 50 countries, and counting. 

Initially unveiled in 2018, her live show made its global debut at some of the world's best and most renowned electronic music festivals and clubs, with her performances receiving accolades from dance music media and fans alike. Later in the year, the haunting techno artist hosted her own ‘Rebekah Invites’ event during ADE, which featured artists such as DJ Stingray, Dasha Rush, Parrish Smith, and Dark Chambers. 

2020 will see Rebekah delve into some exciting projects, including a highly anticipated solo release on her Elements label and an already brimming tour schedule featuring appearances in all corners of the globe including Tokyo, Toronto, Seoul, Amsterdam, and Rome, to name a few.

Download available.

Follow Rebekah here:
https://soundcloud.com/rebekah
https://www.instagram.com/djrebekah/
https://www.facebook.com/rebekah.music.page/
https://www.residentadvisor.net/dj/rebekah

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HATE Podcast 179

Rebekah - HATE Podcast 179

@tommyfourseven

Full festival shows here: https://bit.ly/2zKQPio

Watch & listen to the first edition here
Youtube: https://bit.ly/2KeixGn
Soundcloud: https://bit.ly/2Amzs7W

RAW
https://raw-people.com
https://facebook.com/rawppl
https://soundcloud.com/rawppl
https://instagram.com/rawppl

Audiovisual shows here

Tommy Four Seven | RAW Escape From Reality II

Acierate. [ˈæsɪəˌreɪt]. Verb (transitive). To convert (iron) into steel. That is at least what the Oxford English Dictionary might tell you if you searched for the meaning of this word. 
If you’d ask any raver from European Techno hotspots nowadays, like Berlin, Paris, Tbilisi or Barcelona, who haven’t been hiding under rocks for the past few years, they might give you a different definition. 

They might tell you a story. A story about a DJ they can’t forget. A DJ who provided them with sonic experiences in a class of their own. Drivy, aggressive synth leads, encased by hammering industrial tunes. Music, so energetic, so undeniably going forward that it almost hurts not dancing to it. Because that’s what Berlin born and bred Acierate is serving his audiences. 

The founder of SYNOID and resident of Berlin’s infamous Griessmuehle has an indisputable reputation for unapologetic DJ sets driven by an unquenchable thirst for rave. Not in the sense of bluntly sequencing matching records, but in building up musical narrations. Telling stories not with words but with synth lines, high hats, snares, and a hell of a lot of bass drum. Converting sonic energy into physical movement

Tham is an up-and-coming artist from Berlin, where he’s also one half behind the infamous SYNOID series and resident at Griessmuehle.

As he discovered his love for electronic music on the city’s dancefloors, his style of DJing is all about the dancefloor: creating an energetic flow using industrial tunes and aggressive synth sounds.

The same goes for his productions, which made him part of the rising techno label “Lebendig”.


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Acierate & Tham

#SlamRadio - 399 - Acierate & Tham

Speedy J @ Awakenings Festival 2020 | online weekender

Connecting club culture to the wider world, on screen and irl through parties, film and video.