pvгtуmixxs

Boiler Room

space disco

Promotional playlist featuring artists and DJs at Camp Cosmic 2019

Camp Cosmic 2019

CATNAPP - Related tracks

Watch the set and get the full tracklist at:
https://boilerroom.tv/recording/carl-cox-45-min-mix?utm_source=soundcloud&utm_medium=description&utm_campaign=tracklist

Carl Cox 45 min Boiler Room Ibiza Villa Takeovers DJ Set

February has arrived and we've decided to go with something a little different for episode 21 of the Phonica Mix Series. Andrew Weatherall is a legend of the UK music scene and also one of our regulars here at the shop. We've always considered him to have a finely tuned ear and he loves to dig for music across all genres and styles. We always wanted him to contribute to the series and this month's episode is one of the most original submissions we've had as it doesn't contain a single track of House & Techno which is arguably the main sound our shop has become associated with. There isn't much that hasn't already been said about this legendary producer, DJ and master remixer so we've decided to let the music do the talking here. Here you'll find an eclectic mix that includes everything from slow-mo Patrick Cowley cuts to afro rhythms from William Onyeabor and mid 80's cold wave from Nagamatzu.

TRACKLIST: j.mp/PhonicaMixSeries21

Phonica Mix Series 21: Andrew Weatherall

More cosmic action from The Beat Laundry Basement ...

The Friday Night Beat Laundry 10 @ The Cuckoo's Nest

Miss Kittin (first hour) 
4:20 Autechre - Drane 
6:20 Cybotron - Clear 
9:00 The Dirtybombs - Shari Vari 
10:05 Crash course in science - Flying Turns (nervous center edit) 
11:40 The Hacker - Classic revisited part 3 
13:15 Ozone Layer - Planetary Deterioration (Anthony Rother 1999 Remix) 
15:00 Depeche Mode - People are peolple edit???? 
17:20 Electronome - Een Drumcomputer & Een Synthesizer 
20:15 Mike Ink - Paroles 
22:55 The Hypnotist - The house is mine 
26:33 Lifelike & Chris Menace - What time is love (Live at Ssl mix) 
28:04 : ??? 
29:35 Gat Decor - Passion (naked mix) 
33:30 Milch - Es Gibt Kein Geregeltes Leben 
35:30 Dexter - Intruder 
36:55 Arpanet - Illuminated Displays 
39:40 Le car - Fony 
41:30 I-F - I do because i couldn't care less 
43:30 Dopplereffekt - Pornoactress 
45:00 ???? 
48:00 Davina - Don't you want it 
50:20 Charlie - Spacer Woman 
53:20 Miss Kittin & The Hacker - Frank Sinatra 
55:50 The Clash - Rock the Casbah

Boiler Room Paris - Miss Kittin & Dubfire

https://soundcloud.com/chszm
www.c-x-e-m-a.com/eng/cxemcast/055-chszm

c-x-e-m-a.com

Cxemcast 055 – CHSZM

https://soundcloud.com/sashazlykh

photo: Andrii Boiko

Sasha Zlykh @ Cxema (April 2018, Kyiv)

► For episode 4 of Mixtape NYC, we hit up Human Head Records in Brooklyn and caught the grandmaster himself, DJ Scratch, deliver an all-vinyl set.
► Subscribe to our YT channel: http://blrrm.tv/YT

Mixtape NYC: DJ Scratch

Mix by 
https://soundcloud.com/irisarri / http://blackknollstudio.com

Art by 
https://demo-design.com

Rafael Anton Irisarri is a multi-instrumentalist, record producer, mastering engineer and curator living in New York. His story with Ghostly International begins in 2008 with the release of his debut as The Sight Below. He's since worked with the likes of Ryuichi Sakamoto, Terry Riley, and Grouper, and has lent a hand to countless projects orbiting the Ghostly label including albums by Steve Hauschildt, Telefon Tel Aviv, and Lusine. Originally from the Pacific Northwest, Irisarri grew up playing in punk and reggae bands before the world of electronic music opened up to him in the 1990s. His GhostlyCast mix, In Blue Rooms, is a tribute to this formative time. He explains, "I'm a product of ambient chill rooms — that's where I'd find myself most comfortable whenever I went to the clubs or attended raves. The mix contains ambient music I first heard in those rooms. You can hear all kinds of styles in this mix – I felt compelled to keep it this way and teleport, through the music, to this very fertile era of music discovery when genres intermingled and had infinite possibility." 


TRACKLIST

00:00 - Oval - Do While
04:30 - Banco De Gaia - Last Train To Lhasa
13:44 - Higher Intelligence Agency & Biosphere - Snapshot Survey
14:48 - Human Mesh Dance - thesecretnumbertwelve
20:48 - Burhan Öçal & Pete Namlook - Gel Gör Beni Ask N'eyledi
23:35 - Alec Empire - 22.24
27:35 - Global Communication - 9 39
30:37 - Spring Heel Jack - Midwest
38:00 - Autechre - Eutow
41:44 - Spacetime Continuum - Q 11
42:46 - Adam F - Circles
47:29 - Biosphere -Cygnus-A
52:00 - The Orb - Blue Room (Ambient Mix)
55:36 - Mouse On Mars - Kompod
59:08 - The Chemical Brothers - One too many mornings
62:40 - Seefeel - More Like Space
68:55 - Slowdive - Shine (Splendiferous Locust Mix)
73:11 - Boards Of Canada - Oirectine
77:42 - Scanner - Pearl Necklace
78:05 - GAS - Königsforst 6
80:33 - The Future Sound of London - Papua New Guinea (Dumb Child of Q mix)
84:04 - The KLF - Wichita Lineman Was A Song I O
89:40 - My Bloody Valentine - What You Want (The Sight Below edit)
90:08 - Aphex Twin - Blue Calx

GhostlyCast

GhostlyCast #83: Rafael Anton Irisarri - In Blue Rooms

First up in a new series of Music From Memory mixtapes is Austria based Giuseppe Leonardi (@giuseppe-leonardi) with this contribution suitably named Universal Choreography. Q&A here below.

www.musicfrommemory.com

MFM: Hi Giuseppe! So, first please could you tell a bit about your background and about how you got into making music?

GL: I grew up living in Vienna where my mother is from, and my father is from Bari, southern Italy, hence the name. My family has always been very musical and after my first experiences playing drums in a gospel church, I soon also started playing guitar in a punk rock band at age 14 with my Korean friend, who significantly opened my musical horizon. I consider myself an autodidact and besides having studied sound engineering, I taught myself to play drums, guitar, bass, keys and any other instruments I can get my hands on. This past year, besides playing as a dj, I´ve had my first live experiences and preparing for a live set for a festival this spring. So it´s an exciting transition time regarding my musical development. 

MFM: We think your sound is very unique, the sort of genre bending and transcending kind, made with a lot of feeling. What and who do you regard as your influences? And how would you describe the process of making your music, is there a specific kind of Giuseppe workflow or are there any favorite instruments you can't do without?

GL: Thanks. One person that immediately comes to mind in terms of who influenced me, not only musically, is Frank Zappa. He has inspired me a lot, with his way to surprise with the unexpected. I try to expose myself to different genres that cannot be weird enough in order to get fresh new ideas. I record at my home studio where I overdub all instruments using analog gear mostly from the 80s like the ’79 Pearl Syncussion drummachine and more recently the MAM vocoder built in Bavaria. I don’t have a specific workflow - Just drawing from inspiration, life and making sure I always eat my veggies.  

MFM: Do you remember how you came up with the ideas for writing the tracks that ended up on the Second Circle release? Would you say it has a typical Giuseppe Leonardi signature sound?

GL: The ambiant ones where recorded a few years ago while working on a job in Venice, where I had to boom operate interviews with some actors. In my spare time, I went to the sea using the equipment recording the waves of the ocean. Kannibalentanz and Orpheus were actually inspired by Maloya (music from La Reunion) and was created a few days before the final selection was defined. People often say that they can recognize a particular signature sound in my music, but its not my intention.
Its difficult for me to describe my music  but I was happy to see it being called: “heady and pleasingly melodious, that actually gets better with each successive listen.”... thanks Juno. 

MFM: So, thanks a lot for making the very first contribution to our new mix series! Maybe you could tell a bit more about the mix, what inspired you, how and where you recorded it, how you came to this selection? 

GL: I am of course excited to be the first to release a mix compilation and did spend some time putting it together. My musical influences and inspirations are very broad, which I tried to transmit. I consider my mix a collaboration with all the great people that I have gotten to know, learned from, and shared music with over the years. These include people like: dj Nomad, Julian Horn, Lauren Hansom, dj Sofa, Nu Guinea, Jan Schulte, Goldcut Crates, Phaserboys, Bayete, Sebastião de los Miedos, Tingel Tangel, Walter Daniel, Noel Dinse, Marie, of course the big god-papa, Mike Burns and many more. Ultimately, the tracks that I assembled, also reflect my own creations. I hope you enoy it!

MFM Mix 001: Giuseppe Leonardi

Recorded live at the Bleep × store in Dalston 3rd February 2019.

https://bleep.com/Bleep-x-Warp-Records-Mira-Calix-3rd-February-2019

The Warp Records Bleep × takeover marked the last event at our pop-up shop in Dalston. Mira Calix, Plaid and Special Request all delivered sets that were energetic, playful and ultimately; incredibly fun. Here is the first recording of the bunch. Keeping with the bitter-sweet feeling that this were to be the last event held at the shop, Mira Calix produces an initially contemplative set that quickly morphs into a party-mix.

@mira-calix
@warp-records

Bleep × Warp Records - Mira Calix - 3rd February 2019

The inimitable Objekt back on our screens ~ live from our Viennese rave at a disused hotel with Eristoff.

Objekt | Boiler Room x Eristoff Day & Night | Vienna

Reared locally, DJ & tastemaker Misonica hones her sound through her craft via her club sets, mixes & a Noods Radio residency. Listen back to her tearing down the hot roof in Vienna’s scorching hot sunshine.

Misonica | Boiler Room x Eristoff Day & Night | Vienna

Closing us out at Higher Vision, it's KETTAMA. Sound the craic cannon.

KETTAMA | Boiler Room x Higher Vision

Ireland: For the next hour at higher vision festival, you're in the company of Dublin's Cailín

Cailín | Boiler Room x Higher Vision

At Navan Racecourse & broadcasting a line-up of 100% Irish talent from Higher Vision. On surprise host duties: Francis 'The Viper' Higgins. First up: George Feely –– let's go.

George Feely | Boiler Room x Higher Vision

Journey é uma série de sets que farei sempre de duas a três horas de duração dedicados a house music, nu disco, acid, electro e techno.
Para esta edição, foram duas horas de set com synth wave, edits, ítalo, electro, acid e house, começando em 118 BPM e terminando em 120 BPM.

Journey is a series of sets that I will always do two to three hours in length dedicated to house music, nu disco, acid, electro and techno.
For this edition, it was two hours of set with synth wave, edits, Italo, electro , acid and house, starting at 118 BPM and ending at 120 BPM.

Marcelo Dih - Journey Episode 3

Austrian music obsessive Heap is someone who always digs deep into the past, but also the present. His empire includes Discus Throwers, which is a concept store that deals in special gems from the world of house, techno, synth pop and kraut, as well as his Neubau label, productions on labels like ESP Institute and Berceuse Heroique and DJ sets that can be brave and beguiling or banging and brash.

For this week’s mix, Heap keeps it deep with a selection of leggy and gently cosmic disco tracks early on. His is a thoughtful take on the genre, with expansive tracks that could be brand new or 30 years old all sitting nearly next to each other. As things grower darker and more intense later on, elements of acid, electro and proto-house all make for a colourful and late night trip.

Dekmantel Podcast

Dekmantel Podcast 240 - Heap

Schooled by the soundtrack of skating, hip-hop and US Hardcore Punk, guided by Chicago House, Detroit and early UK Hardcore and enthralled by early Jungle, Drum and Bass and Dutch 90's Techno: the Greek DJ, Honest Jon’s associate and label runner @kemal187 has always been influenced by a unique spectrum with an attitude.

Since 2013, his label, Berceuse Heroique and its sub-divisions Ancient Monarchy, Herskull, The Brasserie Heroique Edits and ΚΕΜΑΛ have been featuring artists such as British tribal sorcerer: Black Merlin, Russian jack-of-all-trades: Pavel Milyakov, Bristol boy: Hodge and Ossia, the Dutch genre-bending DJ to name but a few. They all stand out in terms of adventurous sounds and non-compromising originality.

For EDWIN this month, Kemal has prepared a mix consisting of unreleased tracks that will soon be hitting your local record stores.

His ride starts sapced-out, slow and eldritch, followed by dark soundscapes and bass thunder, diving into industrialised slow-motion worlds that melt into Kemal’s very own dream of edgy pop music, crystalising in deep dub avalanches and Balearic break waves.

№ 79 - Berceuse Heroique

Choice cuts from this summers Beat Laundry x

The Beat Laundry Summer Sessions 2019

Recorded live @ Unter Pop - The Sameheads 13 year birthday celebration.

Lars Noll
https://soundcloud.com/larsnoll

Full line-up:

🐬𝑼𝒏𝒕𝒆𝒓 𝑷𝒐𝒑 2 - ϟ𝒂𝒎𝒆𝒉𝒆𝒂𝒅ϟ 13𝒕𝒉 𝑩𝒊𝒓𝒕𝒉𝒅𝒂𝒚🐬
❞𝓕𝓪𝓻𝓪𝔀𝓪𝔂 𝓹𝓮𝓸𝓹𝓵𝓮 𝓹𝓵𝓪𝔂𝓲𝓷𝓰 𝓯𝓪𝓻 𝓸𝓾𝓽 𝓶𝓾𝓼𝓲𝓬❞

𝐿𝑖𝑣𝑒
𝘿𝙖𝙣𝙚 𝘾𝙡𝙤𝙨𝙚 (𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)
𝙃𝙤𝙪𝙨𝙘𝙝𝙮𝙖𝙧 (𝐸𝑚𝑜𝑡𝑖𝑜𝑛𝑎𝑙 𝑅𝑒𝑠𝑝𝑜𝑛𝑠𝑒)
𝙉𝙚𝙪𝙯𝙚𝙞𝙩𝙡𝙞𝙘𝙝𝙚 𝘽𝙤𝙙𝙚𝙣𝙗𝙚𝙡𝙖̈𝙜𝙚 (𝑇ℎ𝑒𝑚𝑒𝑠 𝐹𝑜𝑟 𝐺𝑟𝑒𝑎𝑡 𝐶𝑖𝑡𝑖𝑒𝑠)
𝙒𝙞𝙡𝙩𝙚𝙙 𝙒𝙤𝙢𝙖𝙣 (𝑆ℎ𝑒 𝑅𝑜𝑐𝑘𝑠)
𝙐𝙈𝙇𝘼𝙐𝙏❗(𝑉𝑎𝑙𝑙𝑒𝑦 𝑆𝑜𝑢𝑛𝑑𝑠 / 𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)

𝐷𝑗
𝘼𝙡𝙗𝙞𝙤𝙣 (𝐶𝑎𝑚𝑝 𝐶𝑜𝑠𝑚𝑖𝑐)
𝘼𝙡𝙚𝙠𝙨𝙖 𝘼𝙡𝙖𝙨𝙠𝙖 (𝐵𝑢𝑐ℎ𝑎𝑟𝑒𝑠𝑡)
𝘼𝙡𝙚𝙭𝙖𝙣𝙙𝙚𝙧 𝘼𝙧𝙥𝙚𝙜𝙜𝙞𝙤 (𝐸𝑖𝑛𝑒 𝑊𝑒𝑙𝑡 / 𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)
𝘽𝙖𝙙 𝘽𝙤𝙮 𝘽𝙖𝙖𝙙𝙚𝙧 (𝐷𝑖𝑠𝑐𝑜 𝐷𝑖𝑙𝑒𝑡𝑡𝑎𝑛𝑡𝑒)
𝘾𝙖𝙥𝙖𝙗𝙡𝙖𝙣𝙘𝙖 (𝐷𝑖𝑠𝑐𝑜𝑠 𝐶𝑎𝑝𝑎𝑏𝑙𝑎𝑛𝑐𝑎)​
𝘿𝙖𝙢𝙖 (𝐶𝑜𝑐𝑘𝑡𝑎𝑖𝑙 𝐷'𝐴𝑚𝑜𝑟𝑒)
𝙀𝙢𝙢𝙖 𝙄𝙨𝙖𝙗𝙚𝙡𝙡𝙖 (𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)
𝙀𝙫𝙖 𝙂𝙚𝙞𝙨𝙩 (𝑀𝑎𝑐𝑎𝑑𝑎𝑚 𝑀𝑎𝑚𝑏𝑜 / 𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)​
𝙁𝙧𝙖𝙣𝙯 𝙎𝙘𝙖𝙡𝙖 (𝑆𝑙𝑜𝑤 𝑀𝑜𝑡𝑖𝑜𝑛 / 𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)​
𝙆𝙧𝙞𝙨 𝘽𝙖𝙝𝙖 (𝑃𝑜𝑤𝑒𝑟 𝑆𝑡𝑎𝑡𝑖𝑜𝑛 / 𝐶𝑜𝑐𝑘𝑡𝑎𝑖𝑙 𝐷'𝐴𝑚𝑜𝑟𝑒)​
𝙄𝙯𝙖𝙗𝙚𝙡 (𝐿𝑢𝑙𝑙𝑎𝑏𝑖𝑒𝑠 𝑓𝑜𝑟 𝐼𝑛𝑠𝑜𝑚𝑜𝑛𝑖𝑎𝑐𝑠)​
𝙇𝙖𝙧𝙨 𝙉𝙤𝙡𝙡 (𝑈𝑛𝑡𝑒𝑟 𝑃𝑜𝑝)​
𝙇. 𝙕𝙮𝙡𝙗𝙚𝙧𝙗𝙚𝙧𝙜 (𝑃𝑟𝑎̈𝑠𝑒𝑛𝑠 𝐸𝑑𝑖𝑡𝑖𝑜𝑛𝑒𝑛 / 𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)
𝙈𝙖𝙧𝙡𝙚𝙣𝙚 𝙎𝙩𝙖𝙧𝙠 (𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)​
𝙉𝙤𝙨𝙚𝙙𝙧𝙞𝙥 (𝑆𝑡𝑟𝑜𝑜𝑚)​
𝙍𝙪𝙜𝙞𝙡𝙚 / 𝑹𝒆𝒚𝒏𝒂 𝑫𝒆𝒚𝒏𝒂 (𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)​
𝙎𝙖𝙘𝙝𝙖 𝙈𝙖𝙢𝙗𝙤 (𝑀𝑎𝑐𝑎𝑑𝑎𝑚 𝑀𝑎𝑚𝑏𝑜)​
𝙊𝙨𝙘𝙖𝙧 𝙙𝙚𝙧 𝙒𝙞𝙣𝙯𝙞𝙜𝙚 (𝐵𝑟𝑎𝑖𝑙𝑙𝑒 𝑆𝑎𝑡𝑒𝑙𝑙𝑖𝑡𝑒 / 𝑆𝑎𝑚𝑒ℎ𝑒𝑎𝑑𝑠)​
+ 𝙎𝙚𝙘𝙧𝙚𝙩 𝙨𝙥𝙚𝙘𝙞𝙖𝙡 𝙜𝙪𝙚𝙨𝙩 (𝐸𝑢𝑟𝑜𝑝𝑒𝑎𝑛 𝐶𝑎𝑟𝑟𝑦𝑎𝑙 / 𝑅𝑢𝑛𝑛𝑖𝑛𝑔 𝐵𝑎𝑐𝑘)

+ 𝙗𝙡𝙖𝙘𝙠 𝙗𝙤𝙭 .3​ 
𝐷𝑢𝑟𝑎𝑡𝑖𝑜𝑛𝑎𝑙 𝑝𝑒𝑟𝑓𝑜𝑟𝑚𝑎𝑛𝑐𝑒 𝑏𝑦 𝐴𝑚𝑒𝑙𝑖𝑎 𝐸𝑚𝑚𝑎 𝐹𝑜𝑟𝑟𝑒𝑠𝑡 (𝑅𝑎𝑑𝑖𝑎𝑛𝑡 𝐿𝑜𝑣𝑒)
𝑝𝑒𝑟𝑓𝑜𝑟𝑚𝑎𝑛𝑐𝑒 & 𝑣𝑖𝑠𝑢𝑎𝑙𝑠 𝑏𝑦 𝑇𝑜𝑟𝑖 𝐶𝑟𝑎𝑖𝑔 (𝐶𝑙𝑖𝑚𝑎𝑥)

𝑃𝑜𝑠𝑡𝑒𝑟 𝑏𝑦 𝑆𝑜𝑝ℎ𝑖𝑎 𝐾𝑟𝑎𝑠𝑜𝑚𝑖𝑙.

www.sameheads.com

Basement Parties

Lars Noll live Dj @ Unter Pop 2 - Sameheads 13 year birthday 03.08.19

Interview + Download:  http://truantsblog.com/2019/truancy-volume-247-clark/ 

Soundcloud: @throttleclark

Following an expansive discography of LPs on Warp from 2001 to 2017, the latest release from acclaimed British producer Clark sees him self-releasing an album for the first time on his own label Throttle Records. Titled Kiri Variations the fourteen-track album is an extension on his score work he produced for BAFTA-nominated TV drama Kiri back in 2018. Having delved into world of scoring for film and TV back in 2016 with the soundtrack for crime-thriller The Last Panthers, he's taken to the versatility of this type of work with ease. Clark's music, even if sparingly, has always had quite emotive themes and on Kiri, his use of piano, harpsichord, clarinet, strings, electronics and his own voice paints a wonderfully melancholic narrative. We caught up with Clark to discuss the work put into Kiri Variations, his performance at the Royal Albert Hall, the transitional two second 'holy points' in his productions and how producing music for horror films is one of the most satisfying things you could ever do as a producer. His Truancy Volume, a sonic extension of his recent scores, is a riveting tapestry of organic instrumentation. Incredibly coherent yet polarising at points, his embrace of recent acoustic sources can be heard throughout. Shuttling through haunting modern classical and folktronica to the trance-induced productions of Lorenzo Senni, it's an overlap of two circles both firing up emotion. As Clark puts himself  - "We live in a post-genre era, it's good to take advantage of that."

http://truantsblog.com

Clark

Truancy Volume 247: Clark

A mix of tracks that I call special.
Special in different ways: sometimes you hear a track for the first time, and you just need to have it. Special because the first time you heard it, was a special moment. Or when a track grows on you. Or it is produced with that great sound. Or that great track that is just different than usual, ....

Like always: mixed in one track with records only

Spaceialities

Connecting club culture to the wider world, on screen and irl through parties, film and video.