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Reid Speed - Ride It (Reboot) [Preview]

DJ Black Mamba got her first introduction to music at a very early age. She attended her first rock concert at the tender age of 3. She spent her childhood years bangin' on toy drums, spittin' into plastic microphones & poundin riffs on baby guitars. Around 1989, she was hittin' up the local rollerskating rinks with her teenage sisters. She was heavily surrounded by Nuwave, Freestyle jams & the early stages of underground Electro & House music. She was listening to everything from Depeche Mode, to Stevie B, to Enigma, Dynamix II and Debbie Deb. In the mid to late 90's she was hitting up rock & metal shows. As her teenage years pushed on, she slowly got into listening to techno & house music at the local ice skating rink. She started attending raves & club parties in 1999 and that's where the electronic seed was planted.. "I was rock metal head at the time then I was met some katz that were born into the Florida breaks scene around 1993. They got me into the whole electronic music scene and started taking me to underground parties & raves. From then on, I was hooked. I was so impressed by all the different genres of electronic music and was infatuated with the whole dj thing." She started doing promotions and bookings for various major party promoters, and clubs. In 2002, known then by 'The Matrix GirL', she got the itch to dj and decided to teach herself how to beat match in her bedroom. "I got my hands on some turntables & started bedroom djin'. I got the opportunity to watch so many unbelievably talented djs spin literally right in front of me. I was always into taking pictures and standing up on the stage getting right up in the DJ Booth action. I wanted to see what the dj was actually doing and look at what records they were spinning. I was mesmorized on how they used the mixer & see their selection of records." Black Mamba took her skills outside the bedroom and started spinning at local house parties. She got her first residency in 2002 at a local bar. Then in 2004, she got her first club residency @ the Lounge. "I thank my dj sensei for my kick start to being a dj. I owe it to Johnny Dangerously, a true breakbeat pioneer. He is supportive and had faith in me. I shadowed him there and let me test out my skills at his breaks weekly. Then he gave me a spot at his weekly residency. And we began rockin' out breakbeats and thats when I knew I wanted to continue to play out. I was addicted to vinyl." Black Mamba was djin' fridays & then started a Saturday weekly where she started spinning an ecletric mix of house, breaks, classic rock & metal. "My heart is in Metal, Rock & EDM, Period. I like to spin it all and be well rounded. I'm bored with sticking to just one genre. I love throwin down a rock choon and then bringing in a breakbeat, and scratching on it. I like makin an eclectric mix & making it sound good. It's my main passion. I'm an energetic, wild girl who loves to rock it tha f*ck out! I like to challenge myself. When I spin & get down and technical on the mixer. Isn't that what it's all about?"
Black Mamba has held a wide variety of residencies including hiphop, mashups, rock, electro, crunk, house, and booty breaks. 
Her residencies vary from Ft Lauderdale, South Beach, West Palm Beach and Jupiter, Florida and New York.

Corey James Smiley is a boundary‑pushing DJ, producer, and AI innovator whose music channels the pulse of global underground culture—Miami’s bass‑driven heat, Berlin’s hypnotic techno, Ibiza’s euphoric trance—all filtered through a visionary, future‑forward lens. His compositions ignite warehouses and festival stages alike, weaving AI‑enhanced sound design into high‑impact, emotionally charged dance-floor anthems.

He began as an obsessive music fan, dissecting grooves from house and techno legends. Over time, he founded Great DJs of the World Records, crafting peak‑time grooves that blend vintage analog warmth with cutting‑edge AI manipulation. Alongside his partner Chance Palmer DJ, Smiley has produced tracks that marry rolling 808 bass, vault‑breathing reverb, precision side‑chain pumping, vocoded vocal hymns, and razor-sharp synth stabs—soundtracks for both sweaty rave basements and midnight sunrise balconies.

What sets Smiley apart is his pioneering use of AI in the creative process: a collaborator in the studio, a sonic muse in his rig. He uses stem-separation tools to sculpt invisible harmonics, prompt-engineering magic to shape emotive chord progressions, and time‑coded automation to evoke euphoria in every crescendo. His music isn’t just heard—it’s engineered for transcendence, psychological impact, and enduring resonance.

Corey’s tracks have earned support from DJ tastemakers and radio hosts worldwide, while his live sets fuse technical prowess with raw energy. Whether remixing a future‑rave VIP drop or delivering an unreleased techno dub steeped in Berlin grit, he’s building a legend with clarity of vision and depth of purpose.

Beyond music, he’s an active lecturer and thought‑leader in the intersection of AI and creativity, consulting with labels and cultivating workshops that demystify futuristic tools. Though rooted in underground authenticity, his artistry is marked by mainstream-level polish, structural mastery, and psychological insight—not hype, but crafted intent.

Follow Corey James Smiley for access to exclusive drops, behind-the-scenes studio insights, and a journey into the sonic frontier. Bookings, collaborations, or label inquiries: corey@smileyrecords.com / ChancePalmerDJ@gmail.com.

Owner / DJ / Promoter @ JD4D & JD4D Records [https://www.facebook.com/JesusDied4Dubstep]

I'll try to follow all my  followers back... unless you don't have a profile picture.
Art by:
http://knorestylz.deviantart.com/art/trippy-37862179
http://i-guyjin-i.deviantart.com/art/mech-head-288216626

BROKEN BEATS, GOOD VIBES, AND HEAVY DROPS. 
Founded by @reidspeed & Alexander Rosson in 2009.
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Reid Speed - Ride It (Reboot) [Preview]

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