Hot Like Sauce Rustified Remix - Pretty Lights

destiny's child - say my name (rad max remix)

All rights go to FKE IMGE & Jason Leech.

FKE IMGE: 
www.fkeimgemusic.com 
www.facebook.com/fkeimge 
www.x.com/fkeimgemusic
 www.instagram.com/fkeimgemusic
www.soundcloud.com/fkeimgemusic
 www.youtube.com/@fkeimgemusic

Jason Leech: 
www.jasonleechmusic.com 
www.facebook.com/jasonleechmusic 
www.x.com/jasonleechmusic 
www.instagram.com/jasonleechmusic 
www.soundcloud.com/jasonleechmusic
www.youtube.com/@jasonleechmusic

Stream/Buy

FKE IMGE & Jason Leech - Fusion

Obviously I do not own the rights to any of these beautiful tracks. Just had one of those days and it led to this. I truly hope anyone who comes across this, enjoys it, remembers to cherish what’s right in front of you, and be kind. The message doesn’t have to die. ❤️

Journey Through an Era

SwAy presents their sophomore album, Beyond Duality. 

The duo accurately describes SwAy as “progressive electronic soul rock – whatever that is”. Beyond Duality establishes a new chapter in SwAy's career, with everything from multiple collaborations and remixes with friends to all new experimentation with previously unexplored genres and styles of music. 

Jamie and Andrew’s diverse knowledge and experience with music shine through in each SwAy production, and this album is no exception. An incredible ability to fuse organic and electronic music is the basis of SwAy's sound, and this album celebrates it in the best possible way. 

Follow SwAy: 
philosrecords.com/family/sway/ 
www.facebook.com/SwayMyName 
soundcloud.com/swaymyname

Download/Donate

SwAy - Know Tomorrow

A couple weeks ago Pretty Lights (Derek Vincent Smith) left a couple tapes inside the Euclid Record store in New Orleans for his fans to find, after they were found, I sampled them and created this with my main man, Will Loftus, Enjoy.

Foul Child (Pretty Lights Euclid Tapes Remix)

Tune in and experience select hand-picked improvised “Flips,” culled from our 2016 journeys from Episodic Festival stops, and shows from our West and California runs.

Derek on “Flips”…

“We ended up devising something we call ‘flips.” We’ll start with a produced song, and everyone has a philosophy for playing on top of the produced songs. Alvin has acoustic drums that he’ll play on top of it, and we also have drum triggers for electronic drum sounds so we can get a produced sound from the live kit. When I call a ‘flip’ everyone knows that I’m about to filter out the produced track. When the produced music disappears, the live musicians completely switch their sound to something that’s more electronic. Borahm will drop into a synth bass, Alvin will switch to an electronic kick and an electronic snare. It’s like a quick crossfade. It allows us to go from the produced track, with the band accentuating it, to a fully live band without losing something…It’s completely improvised but we’ve put a lot of time into making sure they know, stylistically, where the bounds are.”

https://www.youtube.com/playlist?list=PLRI0bqhn-Vebh0JS-KlZsloeAarOCEIdP

Download:
http://www.mediafire.com/file/aph7quars6rkm71/Pretty_Lights_Flips.zip

Pretty Lights :: Flips

Out Of Time Monologue (Flip) - 10/08/16 - Nashville, TN

Big thanks to the team, Chester Pink, Andrew Kuebel, Chicago Brass Coalition, Parris Flemming, Kromuh, Pete "Cloudz" Maldonado, Robert K Recordings, Harmonize Clothing.

Signal Theory

Download

When They Call

Into The Unknown

instagram: www.instagram.com/yenny.music/
twitter: twitter.com/yenny_music

Three of Pentacles

Some summer fun in Wisconsin! Summer Set '15 Recreation. Upper Midwest make some noise!!!!!!!!!!

Summer Set - 8.14.15

Tune in and experience select hand-picked improvised “Flips,” culled from our 2016 journeys from Episodic Festival stops, and shows from our West and California runs.

Derek on “Flips”…

“We ended up devising something we call ‘flips.” We’ll start with a produced song, and everyone has a philosophy for playing on top of the produced songs. Alvin has acoustic drums that he’ll play on top of it, and we also have drum triggers for electronic drum sounds so we can get a produced sound from the live kit. When I call a ‘flip’ everyone knows that I’m about to filter out the produced track. When the produced music disappears, the live musicians completely switch their sound to something that’s more electronic. Borahm will drop into a synth bass, Alvin will switch to an electronic kick and an electronic snare. It’s like a quick crossfade. It allows us to go from the produced track, with the band accentuating it, to a fully live band without losing something…It’s completely improvised but we’ve put a lot of time into making sure they know, stylistically, where the bounds are.”