"City Of Dance"

Lyrics:
Dancin' through the city (Do it)
Groovin' with the lights (Alright)
Can't stop movin' feet, feet
From morning to the night (Let's go)
The beat controls my way, way
It's how we live our life (Feel the vibe)

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump, jump
Watch me slide (Move it now)

No walkin' in this town (Check it)
Only steps that flow (You know)
Dancin' to the beat, beat
With rhythm in the show (Let's go)
Every street's a groove, groove
In sync, we all just flow (Take a bow)

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump, jump
Watch me slide (Prove it now)

In the city lights, we can't stand still
Movin' every night, dance is our thrill
Everywhere you see, steps are the deal
In this jangle life, rhythm we feel

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump, jump
Watch me slide (Move it now)

From rooftop to the ground (Jump in)
Movin' with the beat (So neat)
Shufflin' side to side, side
On every urban street (Oh yeah)
A city made to groove, groove
Where life's a constant beat (Feel the heat)

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump
Watch me slide

City never sleeps (No way)
Dancin' through the night (Alright)
Every pulse and beat, beat
Invites us to take flight
In this groovy place, place
We'll move until the light (Feel the vibe)

Now watch me step (Feel it)
Now watch me glide (Okay)
Now watch me jump, jump
Watch me slide (Move it now)

#pop #janglepop #newwave
#AIMusic #luefh

While utilizing AI generation for initial concepts (pictures, album art, lyrics, musical foundation), this music is the result of extensive and documented human creative direction, editing, and production. Manual and complex AI-prompting shaped the raw material. Lyrics underwent significant manual editing for narrative, flow, and emotional impact. The core musical composition was refined through human arrangement choices. The production involved intensive manual mixing and mastering: multi-stem editing, stem correction, octaving, precise cuts, gain staging, dynamic balancing, low-frequency mono processing, pocketing and boosting energy points, bass excitation, sculpting bass harmonics, detailed sound design, effect application, side-chaining, compression, multiband dynamics, tempo fine-tuning, equalization for clarity and reduction of muddiness, loudness optimization, panoramic placement, frequency analysis, targeted high/low-frequency cuts, and LUFSi correction.

City Of Dance (AI-aided)

The Luxembourg Signal - 2.22

"Got My Back to the Wind" is based on a night out I had where I found myself at the casino till the late hours of the morning. I pieced together moments and characters from the night as inspiration for the song and based the narrative around a larger-than-life main protagonist - a sharp dressed, martini-drinking gambler with attitude, rolling with the big time players.⁣
⁣
The character finds himself winning effortlessly and thinking he can do no wrong. Draped in woman, with pockets full of money, and completely out of his mind, he eventually stumbles out of the casino in the early hours of the morning looking for the next adventure. ⁣
⁣
"Got My Back to the Wind" is the high before the hangover.

⁣- Geoff

Hold Me Close Hold Me Tight

Got My Back to the Wind

The Fear

PRIVATE LINK - please do not share
Release 12th February 2021

Why Don't You Realise

"Come Here" by Wy, to be released January 20th. From new album "Marriage", out May 7th via Rama Lama Records, pre-order at https://www.ramalama.se/store

Available on Spotify, Apple Music, Tidal etc.: https://ffm.to/comehere

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Wy - Come Here

Cosmopolis

drugs x boys x drugs

The meaning behind this song is something I've chosen to remain a mystery. Being a music artist in 2021, we’re encouraged to share every little detail about our lives with our audience. While this has opened up many opportunities for artists to have unique and personal interactions with fans - something which we encourage and take full advantage of in Crystal Cities - there are some things that perhaps should be kept to ourselves in order to set boundaries and protect and respect the privacy of other people... In this instance, I want the context of this song to be left up to the listener’s own interpretation.

- Geoff

Jenny, How Were We to Know?

Jenny, How Were We To Know?

“Resistance,” the 2nd single from Yo Kinky’s debut EP (out 02/28/21), finds the duo exploring a more delicate yet simultaneously strong and confident mood. With Unish’s spaced-out, rockabilly-tinged guitar bouncing through the song’s driving, hypnotic layers of sound, they paint a sonic landscape that yearns for much-needed intimacy in a time of social distancing and isolation. As Wight’s vocals float above the surface, singing “Love is all we breathe” and “Swing me off my feet,” she transports the listener to places of rich yet strange beauty. “Resistance” alludes to keeping sanity amidst chaos with the warm and hopeful delivery of “Sight got back/I feel different/A flicker in the distance,” and finding contentment from the small things in life: “Everybody’s just around the corner now/Everything I need is just a short walk down the street.” This follow-up is sure to leave listeners with a sense of triumph against all odds.

Cosmopolis

Pleasure Heads