So Good EP: smarturl.it/SoGoodEP

Get the February 15 EP here: 

Digital: http://smarturl.it/feb15 
Vinyl: http://smarturl.it/feb15lp
Spotify: http://smarturl.it/feb15spotify
YouTube: https://youtu.be/9PAxxJQVSko 

NAO - Back Porch

Slow Accordion Day ver2

SpaceBlender is an experimental reverb that lets you create unreal and imaginary spaces – shapes, textures, and tones otherwise impossible in the real world.

https://www.soundtoys.com/product/spaceblender/

SpaceBlender Testing (Latch)

Departure.

선데이서울 Ep.1

불을 밝혀줘

A collection of demo tracks for RePro-1 Firebird.

RePro-1 Firebird

Army of One - The Unfinished

In the fitness studio a lycra-clad, sweat band-adorned crowd readied themselves to sweat away the stresses of the day. In single file they made their way into the room, greeted by the loud vibrations reverbarating from the speakers in each corner. The windows of the room slowly began to cloud up as bodies began to writhe around the room, losing control in time to the rhythms of the music. There was never any clock watching during these sessions, this was a different kind of work out.

The second instalment of the Sameheads’ bi-annual compilation series puts the spotlight on the artists who frequent the Berlin-based "bar/club/playground/space/collective/cult/whatever’s musical mavericks". The EP features tracks from An-i, Franz Scala, Alexander Arpeggio & Marlene Stark, Epsilove & Ohlandy, Anklepants and Umlaut! who deliver a bunch of oddball bangers.

PREMIERE: Alexander Arpeggio & Marlene Stark - Fitnessstudio [Sameheads]

Listen on Spotify: fanlink.to/cnfsdx

Written by Nakala
Produced by Brad Baker 
Co Production by Scottie Thompson 
Artwork by Yukari Ochi 

Lyrics:
Am I the one who drives ya crazy
Girl when we text you stay up later
Am I the one to change ya whole mind
Am I enough to make it all mine

So come on tell me the details
Am I making your dreams real
Do you think that you could fall 
Ima show you what I’m good for 

What would you do if I make a move
How would you feel if I told you the truth 
Stuck between two and what you do 
But ever since you said you’re curious I’m confused 

I been day dreaming bout kissing you
Up around ya neck and take you back to my room
Lay you on your belly in the middle of the bed
Lifting up ya hips and from behind I give you head
I just let my mind run away with the scene
Give it ten minutes then back to reality 
Look around the room and we happen to lock eyes
You give me a smile and I’m wondering what’s on your mind 

So come on tell me the details girl
Am I making your dreams real
Do you think that you could fall 
Ima show you what I’m good for 

What would you do if I make a move
How would you feel if I told you the truth 
Stuck between two and what you do 
But ever since you said you’re curious I’m confused 

Know just what I wanna do but babe I got a girl that leaves me confused
Hearing what you saying and although I got a girl you know I want you 
Know just what I wanna do but babe I got a girl that leaves me confused
Hearing what you saying and although I got a girl you know I want you

Nakala ~ Confused

https://www.youtube.com/watch?v=deC7K3UVwaY&t=2929s

MixMixTV GO project

"PLEASURE, JOY and HAPPINESS," AVAILABLE FROM DAY END RECORDS (DE-002).

STREAM: https://ffm.to/rlembdx
VINYL: https://dayendrecords.bandcamp.com/

eddiechacon.com

https://www.instagram.com/eddie_chacon_

https://www.instagram.com/johncarrollkirby

https://www.instagram.com/dayendrecords

Eddie Chacon experienced proper, peak-nineties acclaim in the soul duo Charles and Eddie: they scored a global No. 1 in 1992 with “Would I Lie To You,” appeared three times on Top of the Pops, and featured on soundtracks from True Romance to Super Mario Bros.. Their crooning style was clearly pop-ready, but undeniably reverent: the pair first met when Eddie noticed Charles carrying a vinyl copy of Marvin Gaye’s "Trouble Man” on a New York subway train.

By that time, Chacon had already been navigating music in interesting ways, all the way back to his teen garage rock band with the late Cliff Burton (Metallica) and Mike Bordin (Faith No More). In the late ’80s, he released a full-length on Uncle Luke from 2 Live Crew’s label and signed to Columbia as a solo act. He was a working artist, always popping up in unexpected places: through the course of his career, Chacon would write, sing, or produce ten Top 40 hits around the globe.

In the words of Mac DeMarco: “Eddie Chacon is planet earth’s number one musician. Yesterday, today, and forever.”

Years ago, Chacon retired from music for a second calling as a fashion photographer and creative director. In an interview at the time, he said, “I was fortunate to have a 35-year music career and felt that there wasn’t that much more for me to say or achieve.” Very thankfully, that’s no longer the case. Private experiments, far from the major-label center he once frequented, began to feel urgent and new. “There’s nothing more exciting for me than getting to start from the beginning again,” he says today.

“Pleasure, Joy and Happiness” will be available July of 2020 on the boutique Los Angeles-based label Day End Records. This is a thoughtfully considered album of quiet, confident R&B: it doesn’t jump out at you, but rather gets in you. Produced by John Carroll Kirby, the like-minded artist and collaborator with Frank Ocean and Solange Knowles, it features restrained percussion from Kanye West’s Sunday Service drummer Lamar Carter. Celestial soul as a break from chaos, these are quietly challenging songs as timeless as they are contemporary.

“What a rare and cool challenge it was for me to help Eddie re-emerge after a long hiatus,” says John Carroll Kirby. “I was excited to produce a record for him that captured the chill, laid-back wisdom and easy vocal mastery he has that you don’t see that much these days.”

Lead single “My Mind Is Out of Its Mind” finds a deep groove to try and contain spiraling heartbreak, while the sweet and wobbly “Trouble” balances the delightful near whisper of the title track “Pleasure, Joy and Happiness.” But even the project’s lightest moments feel sincere and mature. Altogether: a truly unifying release, coming from a man who’s earned the right to share such a regal, romantic sound.

“I used to think to myself,” Chacon says, “if I ever make a record again, I’d want it to be a record you’d have to be my age to make.”

SpaceBlender Testing (Latch)

Plukk