New Zealand's leading electronic music radio station.

Auckland - 96.6FM
Wellington - 104.5FM
Queenstown - 96.8FM
Dunedin - 100.6FM

FΔM 
TEXT ME +1 (626) 469-5267

https://keychain.club/deorro

Insta/Twitter: @DEORRO

Management:
berman@prodigyartists.com
ben@prodigyartists.com

Bookings:
UTA | North and South America
ben.hogan@unitedtalent.com
​
Primary Talent | EU
paul@primarytalent.com
​
UTA | Asia
david.gordoni@unitedtalent.com

UTA | Rest of World
ben.hogan@unitedtalent
carlos.abreu@unitedtalent.com

Fat Freddy's Drop’s pirate soul train, resolutely independent, worldwide.

Formed in 1999 in Wellington, New Zealand our sound draws inspiration from almost every part of the black music lexicon. Soul drenched vocals and jazz harmonies collide with tape delays and echo chambers, underpinned by a rhythm section as comfortable laying down a throbbing, techy soundscape as they are a swampy blues stomp.


Alison Wonderland architects a world of her own design as its chief author, creator, and voice. The Sydney-born and Los Angeles-based singer, songwriter, producer and DJ first emerged in 2009, and since then her sound has quietly inched towards mainstream ubiquity as the sonic sorceress received the “Highest Female DJ Billing Ever at Coachella” label, captured #1 on the Billboard Top Dance/Electronic Albums Chart twice consecutively, headlined sold out arenas around the globe plus headlined stages at the biggest festivals in the world, and to date has clocked upwards of 500 million streams.

Wilkinson is one of the UK’s most beloved and successful electronic artists. Hailing from South-West London, his first insight into making music came aged 9 when his parents bought him a drum kit. After performing in bands across the UK from the Birmingham NEC to the local old people’s home; everything changed at 14 when
he discovered his passion for dance music. In his final year at college he bought his first production equipment, turned his bed-room into a studio and started a journey that would take him around the world.


After cutting his teeth on legendary drum & bass labels Ram Records & Hospital, Wilkinson would release a run of hit singles like 'Tonight', 'Take You Higher’ and 'Too Close' which cemented hum as one of the most exciting new producers within UK dance music. He had early chart success in the UK Top 40 with his singles 'Half Light',
‘Dirty Love’ and ‘Hopelessly Coping’. Everything changed with the release of his iconic 2013 record ‘Afterglow’, which became a top 5 hit in the UK, sold over 3 million copies, racked up over 500 million streams and became certified triple Platinum in the UK.


To date Wilkinson has sold a mighty 6 million singles and garnered over one BILLION online streams! He’s released three extremely successful solo albums, ‘Lazers Not Included’, ‘Hypnotic’ and ‘Cognition’. The latter released on his own label Sleepless Music became the most successful drum & bass album for over a decade,
charting at #1 on the OCC Official Dance Chart and at #3 in New Zealand’s album charts. The record included two Top 40 hit singles ‘Here For You’ with Becky Hill and the BBC Radio 1 A-List playlisted ‘Used To This’ with Issey Cross.


As well as solo he has amassed a hugely successful discography of hits, including a 2020 collaborative album with fellow Drum & Bass titan Sub Focus, remixes and collaborations with the likes of Rag N Bone Man, The Prodigy, Ed Sheeran, Chase & Status, Wretch 32, Naughty Boy, Laura Mvula and Becky Hill. 


He’s won ‘Best Single’, ‘Best Album’, ‘Best Video’, ‘Best Producer’ and ‘Best Live Act' at the National Drum & Bass Awards, not
to mention the VEVO Viewers Award at the MVA’s. Remarkably he’s also been playlisted by BBC Radio 1 17 times!


On top of his insane release history, Wilkinson has also built a hugely successful live career by consistently touring around the world over the past decade. He’s sold out a remarkable three headline shows at the iconic Brixton Academy, played headlining sets at some of the world’s premiere festivals including Glastonbury, BBC Radio 1 Big Weekend, Reading & Leeds, Creamfields, Snowbombing, Pukkelpop, Sziget, Rhythm & Vines and EDC Las Vegas among many others, held down multiple Ibiza residencies at Amnesia and toured around the world from New York to New Zealand.


In the last year Wilkinson has gone from strength to strength, releasing a string of huge singles including ‘Shine On’ with American dance music superstar Kaskade, ‘Balance’ with newcomer North which spent 10 weeks on the BBC Radio 1 Playlist and official remixes for Calvin Harris, John Summit and KETTAMA. 


For 2025 he shows no signs of slowing down with his two shows at Outernet London selling out in an hour, his biggest NZ festival show ever to over 17,000 people, plus his biggest ever headline show at Alexandre Palace on Nov 8th!

Once transmitted through speakers and into the airwaves, music belongs to the people. The audience ascribes meaning and significance to songs and ultimately absorbs them for life.

By the same token, SIX60 belong to listeners. The history-making award-winning New Zealand quintet—Matiu Walters [vocals, guitar], Marlon Gerbes [keyboard], Ji Fraser [lead guitar], Chris Mac [bass], and Eli Paewai [drums]—stir rock, reggae, funk, and pop together with a twist of kiwi roots music and Maori instrumentation. Invoking this spirit and Kiwi roots, their latest music and next evolution showcases traditional Maori instruments such as Pūtātara and Pūkāe (stone and long trumpets), Bone Kōauao (Bone Flute), and Karanga Weka (Stone Flute). “We want to take our Maori culture and put it into a mainstream radio world,” exclaims Matiu. “There are only a handful of people in the world who can play these instruments, and we felt getting them into a mainstream album could give them a chance to stay alive.”
Over a decade before breaking records and selling out stadiums back home or signing to Epic Records stateside, the boys then welcomed the world into their musical ecosystem and set a career precedent in 2008 while still students.

“At University of Otago, we shared a flat at 660 Castle Street in Dunedin, New Zealand,” recalls Matiu. “We originally didn’t name the band. Instead, our first college fans gave the band the name by calling us the ‘SIX60 Boys,’ which evolved into SIX60. We adopted this philosophy into our albums. The fans add the final touches and have naming rights over things we do. The songs aren’t done until the audience has them. So, the album doesn’t really have a spirit or a name until the crowd consumes it.”

As such, SIX60 engender a rare level of devotion from fans, bordering on downright phenomenal. The group’s 2011 full-length, SIX60 (I. The Gold Album), bowed at #1 on the charts in New Zealand and eventually went septuple-platinum. SIX60 (II. The Colours Album). saw them reclaim the top spot on the charts in 2015 and go quintuple-platinum. To date, New Zealand single sales exceed 1 million as global streams surpass 200 million and counting. At the 2018 NZ Music Awards, they garnered “Best Group” in addition to five other honors.

A year later, they made history. Performing their biggest show to date, they sold out Western Springs Stadium in New Zealand and became “the first New Zealand Act to Sell 50,000 Tickets to a Show at the Stadium” (They repeated the same feat for 2020!). The gig proved to be a major milestone both professionally and musically.

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