curator of IndieStonerRaps x OpenMinds


Lawless Inc. Recording Artist 
Booking/Contact bejay.music@gmail.com 

Rap / HipHop Artist from Phoenix Arizona. Signed to Crazy Cheatham Records. Favorite Recording Artists are Too Short, Esham, Mastamind, Rakim and Tyler Sllew. I feel my recordings touch the more philosophical aspects of the game and therefore result in what is heard in my rhymes.

Bringing you the Illest in Independent HipHop From Detroit City And around the world
982thebeat.com wednesday and thursday 8-10pmEST / 5-7pmPST
                              saturday 3-5pmEST / 12-2pmPST
Watch us on FB Live at Aaron Nieman @Facebook
Monday,Wednesday,Thursday 10-12pmEST / 7-9pmPST

(Prod.G-O)
Contact: producedbygio@gmail.com

Mixtape Coming Soon

Watch out for the latest news and trends in the world of music.

Boost Your Music / bit.ly/helping-to-hear

Bringing you underground gems daily. 
Contact us for promo!

Management/Bookings/Press 
joe@karma-london.com


If you’ve ever met Charlotte Devaney, you know she’s a force of nature, captivating, electrifying, and unapologetically herself. She doesn’t just bring energy to the table, she flips it, spins it, and sets it on fire. With outrageous positivity, razor-sharp attitude, and fearless creativity, Charlotte stands out in every room she walks into.

Whether she's dropping beats that demand attention, turning MCs into Holograms, or appearing in Hollywood films, Charlotte’s hustle is unmatched. A champion for women in the scene and a fierce advocate for hard work, she’s mastered the art of balancing music, business, and unfiltered fun.

Having spent half her life shaping the underground dance music scene, Charlotte Devaney’s explosive sets blend drum & bass, garage, house, jungle, and bassline, igniting dancefloors from Barbados to Bali, China to the USA, India, and everywhere in between. She’s brought her unmistakable sound and infectious energy to some of the world’s most iconic stages, including Creamfields, Glastonbury, Ministry of Sound, and Warehouse Project.

Beyond the clubs and festivals, she played a key role in helping draw crowds of over 50,000 at the landmark Freedom to Dance protest in 2021, marking the end of lockdown. She’s also redefined live performance with her unique Hologram Sessions, which have racked up over 5 million views and counting.

Guided by a deep belief in karma and fate, Charlotte’s journey has never played by the rules. From pirate radio beginnings to co-founding the legendary Narni Shakers , a trailblazing all-female crew who helped shape early-2000s drum & bass , her path has been unapologetically hers.

As both a producer and vocalist, Charlotte is one of the most versatile artists in the game. Her platinum-selling single Flip It with Snoop Dogg , which led to a global record deal with Capitol Records in the US , the viral anthem Girls, and genre-spanning collaborations with Fatman Scoop, Rich The Kid, Riff Raff, The Ragga Twins, MC Neat, and Lady Leshurr are just the tip of her bold, boundary-breaking catalogue. Her music has also featured in major campaigns for Rimmel, Netflix, Love Island, HBO Max, and more, along with a prominent placement on EA Sports FC 24 soundtrack, further solidifying her status in global music culture.

But music is only one part of her story. Community and culture are at the heart of everything Charlotte does. From launching the 180 Society to support women in D&B, to leading a viral PETA-backed campaign for her track Avocado, to running Karma London, her creative hub spanning music, artist management, multimedia, and even her own work as a director, she’s constantly pushing boundaries and creating space for others.

Her creative reach also extends to Hollywood, with a role alongside Simon Pegg and Megan Fox in the cult comedy How to Lose Friends & Alienate People, plus numerous other TV and film appearances as an actress.

As her sound continues to evolve and her influence grows, one thing remains crystal clear: Charlotte Devaney isn’t just here to make noise; she’s creating a legacy that will still resonate long after the music stops.

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