Excellent beats and experimental IDM vibes ✨

hypnotic, driving and intricate!  Very nice :)

Très belle réalisation! 👍🏻 👏 🎶

Big 808 vibes! Minimal but full of character — that title is genius 😂🔥

Derensix83

In a sentimental mood.
Thanks to @Rosindust who, with her talent and versatility, always interprets each of my pieces in such a brilliant way. A source of inspiration and an incentive to my creativity.

Here the other collaborations with Tatiana: soundcloud.com/francescocartocci/sets/grazie-tatiana

Composition and all arrangements: Francesco Cartocci

Nostalgia

Nostalgia - with Rosin dust

Cast of Characters:

Mistermark – @user-432503709 – Mark – drums, VST upright bass, electric vibraphone, horns, high organ in the last section, percussion (shaker, hand claps), production, editing, mix, and composition

TexMex Shaman– @texmex-shaman –Stephen– Fender Custom Shop Tele Thinline electric guitar and mastering

J.J. Terrell-- @j-j-terrell—JJ-- organ, electric piano, synthesizer

Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – PRS semi hollow body electric guitar


This song began its life some 20 years ago recorded on Mark's old skool keyboard workstation as a bass line and drum beat, accentuated by a synth melody playing over some electric piano. It sat as that basic version until just recently, when Mark had gotten into horn arrangements, and wanted to try some out, thus creating the impetus for reviving this old tune. Plus, he wanted to get the Eclectic Collective to play the guitar and keys parts on it for a little extra jazzy pizzazz.
  He turned it over to the rest of the EC gang with a pretty clear vision of what he wanted structurally. Stephen was first up, adding his driving guitar to the fist part of every verse. Josh deftly chimed in with the response line in every verse. JJ then came into the mix last and sprinkled his magic electric piano and other keys throughout. After all of our parts were in the can, Mark went to work dutifully editing and mixing what you hear as the final product. Stephen then did his pro mastering work on it to add a little bit more shine.
 This was a lot of fun to put together. It doesn't feature all of the EC, but the other guys will be on many upcoming creations. We hope you enjoy listening to this as much as we enjoyed creating it.



Clyde's Glide (Eclectic Collective)

Come what may.
Wind in his face.
Ice in the rain.
Omega shelf.
Edge of the land.
The whole mass shifts.
It may as well be the edge of the galaxy.

These thoughts, roads, pathways: a fallacy
a carefully contrived anomaly.

Breeze of her passing above his grave.
The flowers hang in droves
while the dew bends them back down
to their beginnings.

Words by Riley Robinson

Come What May

Mama

Getting Lame

https://open.spotify.com/track/3wgmgKv7Owh6U3LErUfZ8L?si=84192f5ae13d4e2b
https://youtu.be/CX9RlID2v5M

The Moment Of Truth (Now on Spotify)

RiZLiX - Break Yo Body

Voici une version solo du morceau 'Rosewood'
Aussi disponible sur Bandcamp : https://matzizrecords.bandcamp.com/album/rosewood

Vous trouverez également une version alternative en collaboration avec l'excellent Jörg S ( joerxworx ) au sax que nous sommes très heureux de vous présenter.

Lien vers son profil : https://soundcloud.com/joerxworx
Lien vers la version en collab : https://soundcloud.com/joerxworx/rosewood-2

Impatient d'avoir vos retour ❤

Rosewood - Solo version - (Collaborative alternative version with Jörg S on Sax in description)

Watch the video on Youtube:
https://youtu.be/6GddW1wd7bw
https://youtu.be/qGpChduIXzU

Only Silence Remains

Image created by me.
https://www.deviantart.com/leehon/art/Productivity-1159208167

Working With Entropy

Another example of a previously uploaded song, but with just one track isolated - the horns. The original, full song was performed by the Eclectic Collective, and written & sung by our multi-talented friend Ken. This is a condensed version of the horn section I had written for the chorus, which includes VST trumpet (x2), saxophone, and trombone.  Here's the original, full version of the song:
https://soundcloud.com/k2andthe3/happy-ever-after

More goodies in the "ISOLATED TRACKS" playlist:
https://soundcloud.com/user-432503709/sets/isolated-tracks

(image created using ChatGPT 4o)

Happy Ever After (ISOLATED horns)

A Kind Of Longing EP

A Kind Of Loving

https://www.youtube.com/watch?v=IBqdYPQaIzU

noxpox - DARK MARMALADE

Neon Night Fever

Greetings to the SoundCloud community! Gratitude to you all for your artistry and culture of kindness. 💕 

Due to life circumstances, I've had to step back from singing, but have decided to pull this song from the vault. 

I've been sitting on this one for more than a year, held back by the usual crippling perfectionism. I've decided life's too short to waste time hiding art, when it might possibly bring joy to someone else, so here it is in its imperfect glory. All vocals sung by myself - but I take no credit for the wonderful writing and arranging - please see credits below:

This is an amazing SATB choral arrangement of "I Love You" by Billie Eilish. Credit is due to both Billie Eilish O'Connell and Finneas O'Connell for the words and music, as well as Julia Dollison and Kerry Marsh for the choral arrangement. I came across it years ago, while working with a (fabulous) high school jazz choir. I fell in love with the crunchy harmonies, but had trouble deciding what colours I wanted for the instrumental part, which is part of the reason why it's sat in the vault for so long. 

In this particular choral arrangement, the instrumentation calls for piano, but here, I split it into a digital electric bass line, and electric piano. I kind of liked the funky, ethereal sound of it, but I wasn't sure if there was something else that might sit better against the SATB vocals. I'm curious, and open to hearing suggestions for other instrumentation options. Folks who know me know that I've got some experience with singing, but I am out of my league when it comes to arranging and recording, so I know there's always room for improvement.  

In this era of auto-tune, I would encourage listeners (and myself!) to embrace the imperfection of real, un-corrected vocals. Art doesn't have to be perfect to have value... right? I hope to convince myself...  🙃

Lyrics: 

It's not true
Tell me I’ve been lied to
Crying isn't like you, ooh
What the hell did I do?
Never been the type to
Let someone see right through, ooh

Baby, won't you take it back?
Say you were trying to make me laugh
And nothing has to change today
You didn’t mean to say "I love you"
I love you and I don't want to, ooh

Up all night, on another red-eye
I wish we never learned to fly
Maybe we should just try
To tell ourselves a good lie
Didn't mean to make you cry, ooh

Baby won't you take it back?
Say you were trying to make me laugh
And nothing has to change today
You didn't mean to say "I love you"
I love you and I don't want to, ooh

The smile that you gave me
Even when you felt like dying

We fall apart as it gets dark
I'm in your arms in Central Park
There's nothing you could do or say
I can't escape the way I love you

I don't want to, but I love you
Ooh

I Love You (Billie Eilish cover - SATB choral arrangement)

pasquale maassen - tape session 1

e+ . .. ..... O .......... o ......... 0 ....  .  . . .:::e+
e+ . ..  ..... /I\ ........ /I\ ........ /I\ ...      .  . . .:::/I\
e+ . .. .…../\ ......... /\ ......... /\ ....     .  . . .::://

my world is yours

Heavy Punk Rock 'n' Roll band turns into Synthwave nowadays! Brand NEW album "Ultraviolet Cosmos" available NOW!
https://shockthealgorithm.bandcamp.com/album/ultraviolet-cosmos

Getting Lame

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