This track released for the open remix project by :zoviet*france about his new soundwork "Hidden-by-the-Wall" commissioned by Green Croft Arts as part of its Collision and Conflict project.

More on :zoviet*france:
https://soundcloud.com/zoviet-france/sets/hidden-by-the-wall-open-remix?fbclid=IwAR23eVCF-8yRxJ3BPAw3kh5poKlArMhxfqr8chJf62vwLgqG1_yf2JoEYXo

More on Collision and Conflict:
www.greencroftonthewall.com/collision-and-conflict

The recordings are made available under creative commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) (creativecommons.org/licenses/by-nc-sa/4.0/)

Inside Ice Wind Fence, Oak Leaves Dropped Into Horsetail Ponds At Walltown Sur Rêve

Title track for the album 'aloveunknown'
https://theblackdiamondtrain.bandcamp.com/

a love unknown

Youtube video: https://youtu.be/1XYnyF2a7SY

Ayer estuve allí
Moria en la playa del sueño
Donde te conocí
Y pude verte de nuevo

Fuimos arena y sal
En un mar de recuerdos
Fuimos el mar y el cielo
Rompiendo nuestros cuerpos

Vaciando nuestras almas
Fundidas en un beso
Supimos que el tiempo pasa
Ardiendo los recuerdos

Fuimos arena y sal
En un mar de recuerdos
Fuimos el mar y el cielo
Rompiendo nuestros cuerpos

Ahora estamos rotos 
Tenemos una herida abierta
Que transforma nuestras fotos
En sombras del mañana

Fuimos arena y sal
En un mar de recuerdos
Fuimos el mar y el cielo
Rompiendo nuestros cuerpos

Fuimos arena y sal
En un mar de recuerdos
Fuimos el mar y el cielo
Rompiendo nuestros cuerpos

Lyrics:
Yesterday I was there
Moria on the beach of sleep
Where I met you
And I could see you again

We were sand and salt
In a sea of memories
We were the sea and the sky
Breaking our bodies

Emptying our souls
Fused in a kiss
We knew that time passes
Burning memories

We were sand and salt
In a sea of memories
We were the sea and the sky
Breaking our bodies

Now we are broken 
We have an open wound
That transforms our photos
In shadows of tomorrow

We were sand and salt
In a sea of memories
We were the sea and the sky
Breaking our bodies

We were sand and salt
In a sea of memories
We were the sea and the sky
Breaking our bodies

La playa

Jon Roffe joined Cooper and Taylor to discuss Deleuze and a Post-Kantian examination of markets and pricing. Time, inscription, all prices being derivative, and much more.

Jon Roffe teaches philosophy at the Melbourne School of Continental Philosophy. He is the author of Gilles Deleuze’s Empiricism and Subjectivity (Edinburgh University Press, 2017), Abstract Market Theory (Palgrave, 2015) and Badiou’s Deleuze (Acumen 2012). He is the co-author of Deleuze’s Philosophical Lineage II (Edinburgh University Press, 2019) and Deleuze’s Philosophical Lineage (Edinburgh University Press, 2009), Practising with Deleuze (Edinburgh University Press, 2017) and Lacan Deleuze Badiou (Edinburgh University Press, 2013), and co-editor of a number of volumes on 20th-century French thought.

https://philpeople.org/profiles/jon-roffe

https://mscp.academia.edu/JonRoffe

Support us on Patreon:

https://www.patreon.com/muhh

Twitter: @unconscioushh

Jon Roffe - Deleuze and Abstract Market Theory

This week’s prompt: A John Cage chord (E5 A#4 E4 D#4 Db3 C3) meant to be as slow as possible, in a 3 minute loopable drone, for potential inclusion in a music fest. 

https://llllllll.co/t/disquiet-junto-project-0554-cage-chord/57579/32?u=baconpaul

The chord is strange. Sort of a Cm7b9 with a wrong note voiced in a blatantly hostile fashion. And the idea took me to a place which is not appropriate for a music festival, or looping, or droning, or maybe even human consumption. I’m not sure. This one may be bad. For the first time in a while I’m really not sure whether to hit the upload or the trashcan.

But it calls on a lot of sounds i’ve been experimenting with around synthesis and feedback, instability, and random structure.  And all the voices (voices? sure I’ll go with voices) here have those characteristics. And what the heck. The communities are friendly so toss it out there. 

Mechanics: A stack of 6 or so Surge XT instances in Logic with a lot of patching, a lot of automation, and a bit of compression on the back.

Feedback on Cage's Chord (disquiet0554)

Come Home Ijon Tichy

This week Taylor and Coop discuss Freud's Mourning and Melancholia. The discussion includes threads on libidinal economy, depression, narcissism and more.

Support us on Patreon:

https://www.patreon.com/muhh

Twitter: @unconscioushh

Instagram: @unconscioushh

Mourning and Melancholia

Christopher Satoor joined Coop and Taylor for a discussion of FWJ Schelling's The Ages of the World.

Christopher's Links:

https://yorku.academia.edu/ChristopherSatoor

https://twitter.com/aufgehendeRest

https://www.youtube.com/christophersatoor

Christopher Satoor - Schelling and The Ages of the World

Coop and Taylor return to cover Anti Oedipus Chapter 4, Introduction to Schizoanalysis. This episode will cover sections 1. The Social Field, 2. The Molecular Unconscious, and 3. Psychoanalysis and Capitalism.

Anti Oedipus Playlist:
https://soundcloud.com/podcast-co-coopercherry/sets/anti-oedipus?si=5205bc8ed5f34f5e87aa11428428f368&utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing

Support us on Patreon:

https://www.patreon.com/muhh

Twitter: @unconscioushh

Anti Oedipus Seminar 9

This week Coop and Taylor take a crack at Deleuze's Kant's Critical Philosophy. We cover the famous phrase, "time is out of joint", the categorical imperative, the law, and much more.

Support us on Patreon:

https://www.patreon.com/muhh

Twitter: @unconscioushh

Deleuze: Kant's Critical Philosophy

In place of the moderns’ imperious command to push ever plus ultra, philosopher Bruno Latour urges us to burrow into our Earthbound condition. The direction is not ever going forward, ‘plus ultra’, but inward, ‘plus intra’; back home (Tresch, 2017).

From the earth we are born, and to the earth we shall return. Part of this neverending cycle, we are bound to reap and to sow; to take and to give; to live in equilibrium with our surroundings. Not as mere inhabitants of our planet, but as beings conceived from the same primordial energy as our planet.

Given this realisation, this remembrance; there is no distinction or dissimilarity in stating that this album is an ode to – and is inspired by – nature, as opposed to articulating that this music is an expression of the self, an externalization of affections, thoughts and sentiments. They are one and the same – nature and the self. We are part of nature, and nature is us.

To truly bring ourselves into harmony with the natural world, we must return to seeing humanity as part of it. The fates of humanity and nature are intertwined. Let this idea be a starting point for the listener; to indulge in the chaotic and the ordered, the constructed and destructed, in tranquility and disturbance; the opposing forces that create the oneness of natural and, thus, human ‘be-ing’.

This Principle of Polarity is represented in this music, as are the other six Hermetic laws: The Principle of Rhythm or Vibration, The Principle of Harmony and Balance, The Principle of Resonance or Attraction, The Principle of Correspondence or Analogy, The Principle of Cause and Effect, and The Principle of Spirit or Mentalism.

Pilgrimage to Pleroma - MMVH


"It is true without untruth, certain and most true:
that which is below is like that which is above, and that which is above is like that which is below; by these things are made the miracles of one thing.
And as all things are, and come from One, by the mediation of One, So all things are born from this unique thing by adaption.
The Sun is the father and the Moon the mother.
The wind carries it in its stomach. The earth is its nourisher and its receptacle.
The Father of all the Theleme of the universal world is here.
Its force, or power, remains entire,
if it is converted into earth.
You separate the earth from the fire, the subtle from the gross, gently with great industry.
It climbs from the earth and descends from the sky, and receives the force of things superior and things inferior.
You will have by this way, the glory of the world and all obscurity will flee from you.
It is the power strong with all power, for it will defeat every subtle thing and penetrate every solid thing
In this way the world was created.
From it are born wonderful adaptations, of which the way here is given.
That is why I have been called Hermes Tristmegistus, having the three parts of the universal philosophy.
This, that I have called the solar Work, is complete."
[The Emerald Table of Hermes, new translation from Fulcanelli 1964: 312.] 

credits:
Released January 19, 2020

Music, mixing and mastering by Pilgrimage to Pleroma
Sampled music originally created by Contemplatron (1), CatTrumpet (3) and ॐ OM (1, 2)
Original coverphoto by Gert Stockmans, lay-out by Sam Coussens
Special thanks to Chiaran Verheyden

all rights reserved

Jon Roffe - Deleuze and Abstract Market Theory

Machinic Unconscious Happy Hour

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