The Buenos Aires-based collective and imprint HiedraH Club de Baile is launching their second volume of Esquirlas compilations with a collection of electronic souvenirs from the bubbling Latin diaspora of music producers.

Read more on CxC 🔗couvrexchefs.com/en/jaijiu-yetaime-hiedrah-club-de-baile-esquirlas

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PREMIERE: Jaijiu - Yetaimé (HiedraH Club de Baile)

SALON PRESENTS: GIGI X STRANDED FM

Two classic cumbias for the rave.

"El Paso del Gigante" y "Conga y Timbal"
credits
released November 1, 2024

PRODUCCIÓN Y MEZCLA: KODEMUL
www.instagram.com/kodemul/

MASTER: IMAABS
www.instagram.com/imaabs/

COVER PIC: PROYECTOS BEBA
www.instagram.com/proyectosbeba/

FOTOS: DAVID MESA
www.instagram.com/leadventure/
license


Kodemul - El paso del Gigante

Musica original: MAJA
Remixes: Skyshaker, Lilen, Cimarrón, Okte, Lejía, Megabe Mercury, Genosidra, Glosolalia
Dirección creativa: Regina Ceii
Asistencia de dirección: Eugenia Sandoval
Diseño Gráfico: SMS
Diseño de CD: AXXA
Master: CHLO Beats
Label: Fractura

MAJA - SUPERSAW (LILEN REMIX)

I hope you like Kill Bill :)
This is my favourite scene from Kill Bill 2

Free download through Bandcamp

Mastering Assistance from https://soundcloud.com/s0lais

FREE DOWNLOAD

SURGEON WITH THIS SHOTGUN

Canino FM | Sofy Suars | 30 February 2025

Canino FM | Sofy Suars | 30 March 2025

U r listenign 2 @dilunar

Where there’s Part 1, there’s Part 2… and sometimes even 3.

The old world is collapsing—its structures fading, its borders dissolving. We are no longer just witnessing change; we are inside it, moving through the wreckage of what was and into the chaotic birth of what’s next. A new world is emerging in real time.

As everything shifts, we turn to sound—digging through the Vol. 4 submission folders, gathering fragments of memory, rhythm, and resistance to make sense of the moment. VOL. 2 is loading.

This is music for uncertain times—where irony meets feeling, nostalgia collides with speed, and the African side of things reminds us that rhythm has always been a force of survival and liberation. Polyrhythms spiral like broken timelines, edits twist the past into something unrecognizable, and bass shakes the ground beneath us.

But through all the chaos, one truth remains: we are one. Across continents and sounds, across generations and struggles, we move together. And in the end, freedom will win.




｡ﾟﾟ･｡･ﾟﾟ｡
ﾟN0FU7UR3　 nº4 VOL. 2 is coming


ig:
https://www.instagram.com/bigotesucio/
https://www.instagram.com/nofutureb3rl1n/
website: www.nofutureberlin.club
bandcamp: https://nofutureberlin.bandcamp.com/album/n-future-n-4-v-l-2

dilunar - Salsa!

AINES es un dj y productor local de Barcelona, guía sus sesiones con precisión y pasión, explorando la fluidez entre distintos géneros musicales que van des del downtempo hasta el bass pasando por distintos paisajes sonoros. Fundador de ANOMALIA, un proyecto que nace para darle una nueva mirada al club, resignificando la manera en la que habitamos este espacio.

tracklist curated by AINES & Jana la Fontaine, mixed by Jana:
1. Inês Malheiro  -  Overflowing - Deusa Náusea (Lovers and Lollypops, 2022)
2. Juli - Sentinelle - Natural Noise Machine (Egregore, 2024)
3. Jan Loup - In My Fury - In My Fury (Nerve Collect, 2024)
4. Andrae Durden - Pira - Pira (SPE:C, 2025)
5. Sha Ru - Energy Back - Circling The Vortex (Jupiter4, 2024)
6. Anna Ferrer - Voldria lo que voldria - Parenòstic (La Castanya, 2025)
7. James K - Hypersoft Lovejinx Junkdream - Hypersoft Lovejinx Junkdream (AD 93, 2024)
8. Dorsaf Hamdani - Atini nay wa ghanni (Accords Croisés, 2014)
9. Xades - Halftime - Vapour (Banoffee Pies Records, 2024)
10. Kelora - St Magdalene's Wood - Sleepers (True Panther/Virgin, 2025)
11. Astrid Sonne - Say You Love Me - Great Doubt (Escho, 2024)
12. Yetsuby - 1, 2, 3 Soleil - b_b (all my thoughts, 2024)
13. upsammy - Square to Sphere - Germ in a Population of Buildings (PAN, 2023)
14. XEDRA - Qualia - VITA (2023)
15. ophélie - Baby Steps - traversée 03 (traverse , 2024)
16. Nina Emocional - OG - FDM (Sonido Muchacho, 2025)
17. AINES - guapa<4 (Cycling Records, 2023)


PODERÍO FM#17 w/ AINES @dublabBcn 6.6.25

fallo

Edén

Amapola

"1973" Ep by @sueugakamau PRE-SALE Available on Bandcamp!

ESP
Hay años que arden como heridas que no cicatrizan. Años dolorosos que quedan marcados a fuego en la historia de los cuerpos y territorios. Años que son difíciles de pronunciar y obligan a tragar saliva para nombrarlos. Años que escuecen cada vez que se los recuerda. 1973 es uno de ellos. 1973 es también el nuevo Ep de @sueugakamau en colaboración con @la-favi y producido por el sello de Hiedrah Club de Baile.
En un continente que vuelve a arder de rabia, el dúo californiano decide buscar en los intersticios de su propia historia negra y latina. A través de voces prestadas, ritmos olvidados e identidades borradas tejen un relato que conecta a esa América Latina que resiste y un pueblo afroamericano enardecido. 1973 es caricia y lágrima, es un sonido familiar que persiste a los golpes, es la exploración de un territorio que resiste, conjura y se enciende. Desde Santiago de Chile hasta Dallas, desde el Conurbano bonaerense hasta Oackland, California. Un sonido lleno de sombras que agita la respiración y se introduce en los engranajes vivos del capitalismo, y desde ahí se torna una lamida en aquellos lugares intimos a los que pocas veces llegamos. Se baila con un escalofrío que recorre el cuerpo y con una lagrimita en la punta de los labios. En medio de ese rugido de tambores y maquinarias, la voz de La Favi se mueve entre los sudores de quien escucha. Es un susurro húmedo que transmuta en un reclamo de justicia sexual, mientras la palabra de Allende, que surge entre transmisiones de radio entrecortadas y bombardeos, se transforma en baile, y el baile en grito en protesta. Sueuga Kamau compone una pieza desobediente, un ritmo lleno de disturbios que resiste balas, pandemias y tiranos, una invitación revoltosa a explorar nuestros propios estallidos.

ENG
There are certain years that will always live on; wounds that refuse to heal. Painful years that stick with us like a fire burning into the history of our bodies and territories. Years that are difficult to speak. Years that re-ignite, each time they are uttered. 1973 is one of those years. 1973 is also the new EP from Sueuga Kamau in collaboration with La Favi and produced under the Hiedrah Club de Baile label. In a continent that’s once again boiling with anger, the duet from California decided to reexamine the gaps of their own Afro-Latinx Heritage. Through lent voices, forgotten rhythms and erased identities they weave a tale that bridges the unyielding Latin America and the enraged african-american people.
1973 is both loving touch and sorrow, a familiar sound that forcefully persists, the exploration of a territory that resists, conjures and keeps going. From Santiago de Chile to Dallas, from the outskirts of Buenos Aires to Oakland, California. A sound filled with darkness that stirs up your breathing and gets between the living cogs of capitalism, and from there it turns into a gentle caress in those intimate places we rarely reach. You dance to it with chills throughout your body and a tiny tear in the tip of your lips. In the midst of the roar of drums and machinery, the voice of La Favi moves through the perspiration of the listeners. It’s a damp whisper that mutates into a demand for sexual justice, while the words from Allende, that surges between broken radio transmissions and air strikes, transforms into dance, and then into an outcry. Sueuga Kamau composes a disobedient piece, a rhythm filled with riots that endures bullets, contagions and tyrants, an insurgent invitation to explore our own detonations.

Text by Pabli Balcazar

"1973" contains a sample of the final political speech of Salvador Allende before Pinochet´s military intervention (public domain).

Composed and produced by @sueugakamau
Artwork by Jusomor
Master by @imaabs (Modo Estudios)
© 2020 Hiedrah

1973

Sueuga Kamau - 1973

📡 emitiendo para destacar producciones, altamente FLINTA* 
~ cada mes en dublab BCN