It's a testament to how much I've romanticized Sherlock Holmes to imagine him playing this tender and melancholic song while thinking of John. ❤️

Beautiful song! It fit perfectly with the story, I wish I could listen to it on Spotify 💖

Original Text: https://archiveofourown.org/works/31145867/chapters/76962161
Rating: Mature
Summary: After the disastrous reveal at the Landmark, John tells Sherlock there can be no excuse for what he’s done, and no forgiveness. Sherlock leaves London and starts a new life, and not even the British Government knows where.
It’s up to John to track him down and make things right, with a trip around the world and a clue only John would recognize.
Music: Ravens by Richard Lacy and Sonia Slany

Ride On

Ride On music Ravens

Laddie, lie near me

I hardened my heart for fear of ruin

Fandom: Sherlock Holmes
Rating: Teen and Up
Summary:  After Reichenbach, during his hunt to overcome Moriarty's network, Sherlock is captured and tortured, in Serbia.
While Mycroft spends a month working overtime to find his brother, with agents reporting back and an extraction team in place, John's world is turned upside down, after a surprise delivery shakes his foundations. He is forced back into the world of Sherlock Holmes, completely unprepared to face the consulting detective.
The extraction is only the beginning for these three men as they face the consequences of past actions.
Original Text: https://archiveofourown.org/works/26768002/chapters/65298505
🧡on AO3:
Music: Extraction by randomwordsonpaper

Extraction

4 Rescued

The Expansion of Infinity

In 2019, after releasing my single Distant Visions, a fan reached out and said:
“Almost sounds like something from a second interstellar suite.”

That one sentence stirred something in me. It took me back to The Maestoso Interstellar Suite—a work I originally released in 2006 and expanded into a double-disc experience for its 10-year anniversary in 2016. I began to ask myself: Is there more to explore in that soundscape? Could there be a continuation—not a sequel, but a new frontier?

At the time, I had also released a companion version of the suite: a more accessible, “radio edit” style reimagining called Singularities. It wasn’t just a shortened take—it was a different perspective. Like looking at a galaxy from another angle.

And now, Singularities has found its true home—as the next entry in a new, ever-evolving musical journey.

Welcome to Infinity

Infinity is more than a project. It’s a living archive. A space where reinterpretations and original compositions coexist. Ambient. Orchestral. Space-driven. Timeless. It has no definitive ending—only a series of unfolding volumes, each offering a glimpse into the same emotional cosmos from a different light.

Infinity Volume II – Singularities

This volume reintroduces the material from The Maestoso Interstellar Suite through a reframed lens: shortened, accessible, and arranged to stand on its own as individual pieces. If the Suite was a continuous voyage, Singularities is the constellation map—each track a star with its own identity, orbiting the same emotional core.

Originally created as an alternate listening experience, this version of Singularities now shines as a fully realized volume within Infinity. It respects its source material while offering something more focused—more immediate—without losing depth.

Where It’s Going

The Infinity series continues to grow. Each volume refines, reimagines, or reaches beyond what came before. And there’s more to come:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

With each step, I revisit and reshape ideas I once thought complete. And with every new piece, I get closer to the sound I’ve always heard in my head—now finally possible with the tools I have today.

Maybe it’s unconventional. Maybe it’s a little obsessive.
But that’s Infinity—and it’s not supposed to end.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity2BC  

Movement X (General Relativity)

Contemplation

A man is tasked with recording every life the world has forgotten.
He writes in silence, cataloguing names that no longer belong to anyone. Each page becomes a gravestone; each word, a confession. The further he writes, the less of himself remains.

The One Who Catalogued the Dead is a requiem for memory and faith, a story about devotion in the face of decay, and the cost of carrying the voices of the lost.

These tracks echo that descent: from quiet noir reflection (God Doesn’t Answer Here), to the fragile pulse of remembrance (While He Was Sleeping), to the storm of resistance (Safe in Silence), and finally to the cosmic bridge that binds all worlds (Nexus).

Haunting, introspective, and achingly human, this is the sound of someone writing until their own name disappears.

God Doesn’t Answer Here

Based in Queensland, Australia
email: Podfixx@gmail.com
Formerly recording under the name Lockedinjohnlock, the change to Podfixx facilitated and reflected a broadening of interests!

Ride On music Ravens

Podfixx

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