"Temple of Urania" is an audiovisual project by three Polish artists (Justyna Banaszczyk, Darek Pietraszewski, Tomek Popakul), based on an art residency that took place just before the outbreak of the pandemic on the Channel Island of Jersey. The final form of the installation was informed by the experience of pandemic isolation in 2020 and an attempt to find an alternative way of presentation – one that would exclude the collective nature of concerts or clubs, while still offering a space for the actual reception of an audiovisual work, ‘live’ and offline.

The project, inspired by the extraordinary life and work of the artist couple Claude Cahun (b. Lucy Schwob) and Marcel Moore (b. Suzanne Malherbe), who lived on Jersey during the Nazi occupation, will be presented in two versions: as a travelling multi-channel audiovisual installation (premiere: 13-15/08/2021, Sanatorium of Sound Festival, Sokołowsko) and a 28-minute film released by Pointless Geometry on a limited, collector’s VHS tape (premiere: 21/10/2021).

The rich oeuvre of the two forgotten artists, which inspired the Polish trio to create Temple of Urania, includes Les Jeux uraniens (‘Uranian Games’) – Claude Cahun’s controversial, unfinished and unpublished manuscript, surrealist photographs, poetry, collages, and above all the absolutely pioneering philosophy, which accompanied the artists in life and art. Preceding the emergence of terms such as ‘gender’ or ‘non-binary’ by more than 40 years, Cahun sought in her works a space free from divisions, experimenting with her body, appearance and sexuality. ‘Masculine? Feminine?’, she wrote in Aveux non avenus (‘Disavowals’). ‘It depends on the situation. Neuter is the only gender that always suits me’.

Temple of Urania is an homage of sorts to Cahun and Moore, an attempt to draw attention to their unique art and the need to introduce them to the avant-garde canon. Another of its objectives is to create a temple, a portal to a non-binary world, a space for meditation and communal experience – a shared existence. The temple of Urania is also a temple of love governed by Aphrodite Urania, who in Greek mythology symbolised mystical, spiritual and astral love – love beyond borders. Temple of Urania is the fruit of 18 months of work, a collective process prolonged through the pandemic that engulfed the world right after the artists returned from Jersey to Poland. As a result, the work has a deeply personal dimension – it is the result of many hours of discussions, a sense of frustration caused by the impossibility to meet outside the online sphere, and a portal for the artists themselves, a space of pleasure, peace, fulfilment and comfort. A projection of a world imagined by Claude and Marcel, which even today – 100 years later – remains in the sphere of surreal dreams.

The temple created by Banaszczyk, Pietraszewski and Popakul is free from divisions, transporting the viewer to the world imagined and advocated by Claude Cahun and Marcel Moore.

making of: https://youtu.be/KaA8Y2ZLLC0  
AV installation documentation: https://youtu.be/bv6ZH_0YCFg

Temple of Urania -  Banaszczyk/Popakul/Pietraszewski (POINT#42) - VHS soundtrack excerpt

Limited edition of 50 copies / C-33 cassette
POINTLESS GEOMETRY 2021 / POINT#43

releases December 6, 2021
pre-order:
https://pointless-geometry.bandcamp.com/album/misty-picture-lens-blossom

Recorded, mixed and mastered by Misty Picture
Artwork by Julita Goździk / instagram.com/julitagozdzik

This album is an ode to point and click graphical computer adventures from the early 90s and their successors, and the utopian hypertext, scholastic attitude contained therein, a world of mechanical contraptions, teleportations to mysterious worlds, self contained ideal spaces...

Misty Picture is the collaborative project of Enchanted Lands and Wim Dehaen, exploring the alluring dimension of soundfonts, CG environments and digital ambience.

Enchanted Lands is a producer based in Prague, Czech Republic. Her work consists of digitally manipulated sound material, evoking ethereal landscapes, impossible beautiful harps and lush textures. Her debut EP was released on the Genot Centre label, netting her a newcomer of the year award at the Vinyla award. Her debut full length album, Cryptic Island Eco-Sanctuary was released as a digital file and game environment on the forward thinking Quantum Natives label.
Wim Dehaen is a chemistry researcher and trackmaker based in Prague, Czech Republic. He is the co-founder of the Genot Centre label and over the years has done various releases, also under alter egos such as BENELUX ENERGY and Mango Object. His interests include: dsp, systems and dance music subcultures.


soundcloud.com/wimdehaen
soundcloud.com/enchantedlands

Misty Picture - Rainwater Capture / POINT #43

From album jablkagruszki - "Sea life"
releases April 20, 2022
pre-order: https://pointless-geometry.bandcamp.com

Music and mix by Joanna Szczęsnowicz / @jablkagruszki
Recorded in Łódź, 2021
Mastered by Nagy Roland / @fausto_mercier
Artwork and design by Piotr Szczęsnowicz / www.instagram.com/trszcz

Limited edition of 60 copies / C-29 cassette
POINTLESS GEOMETRY 2022 / POINT#46

jablkagruszki - Dm2 / POINT#46

From album Ryterski - “Gaymers’ Cheatsheet”
Releases October 24, 2022
Pre-order: https://pointless-geometry.bandcamp.com
Limited edition of 60 copies / C-55 cassette
POINTLESS GEOMETRY 2022 / POINT#50

Music by Rafał Ryterski / www.rafalryterski.com
Recorded in Warsaw 2021-2022
Mastered by Fausto Mercier / @fausto_mercier
Artwork by Joanna Dyba / www.instagram.com/hyper_matter

“Gaymers’ Cheatsheet” was born in the realms of camp. It’s pretty obvious from the 1st notes of bubblegum-like, fluorescent energy explosions. It is also quirky and hyperpop - from the first to the last second. It’s an ode to the frivolous, queer and colourful domain. It almost feels like RYTERSKI exploded it out of his very own body in the shape of a spectacular rainbow. The sound of it is very far from what we assume to be “contemporary music” (remember Rafał Ryterski has exactly this academic background as a composer) and what we love about it is that it feels like the manifesto of boundless creative freedom and imaginative sound design taken to the highest hights. Please don’t forget it’s also the tribute to RYTERSKI’S fav video games. For example Blacephalon is a Pokemon. Its slender torso and wide hips are yellow with alternating blue and pink stripes - and maybe that’s the best blurb for this piece of music.

Gaymers’ Cheatsheet

Ryterski - Blacephalon / POINT#50

From album OPLA - "GTI"
Releases > February 1, 2023
Listen & buy > https://pointless-geometry.bandcamp.com
Limited edition of 60 copies / C-55 cassette
POINTLESS GEOMETRY 2023 / POINT#51

Music by Hubert Zemler & Piotr Bukowski www.facebook.com/oplaband
Recorded in Wołowiec 2022
Mixed by Hubert Zemler & Piotr Bukowski
Mastered by Fausto Mercier / @fausto_mercier
Artwork by Adrian Jaszczak

OPLA is the duo of Hubert Zemler and Piotr Bukowski. In their music they reinterpret traditional Polish dances, such as the "oberek". On GTI, their album for Pointless Geometry, you can hear oberek phrases and tripartite metros embellished with electronic sounds. They create a plastic, surreal world rooted in deep traditions of folk music.

OPLA - YPN / POINT#51

From album Bakblivv - "Piece of Stone"
Releases > pre-order 16.05 / premiere 23.05.2023
Listen & buy > pointless-geometry.bandcamp.com
Limited edition of 60 copies / C-30 cassette
POINTLESS GEOMETRY 2023 / POINT#52

Music by Bakblivv / @bakblivv
Recorded in Warsaw 2022-2023
Mastered by Fausto Mercier / @fausto_mercier
Artwork by Kamil Kukla / @kamilqkla

Bakblivv is a musical alias of Ernest Borowski, a queer intermedia artist, producer, and DJ from Poland.
His latest album, "Piece of Stone," is a stunning embodiment of the possibilities of contemporary post-club music. Through mesmerizing glimpses of multilayered soundscapes, the album invites listeners on a sonic journey that imagines a world yet to come. Each track on the album is a vivid imagination of ecosystems of (im)possible agencies. Born from a place of utopian dream of being-together, the album serves as a non-linear narrative.

Piece of Stone

Bakblivv - I Saw The Sun In The Sand / POINT#52

From album Paweł Kulczyński - "Biosignatures"
Pre-order 22.09.2023 / Premiere 02.10.2023
Listen & buy > https://pointless-geometry.bandcamp.com
Limited edition of 60 copies / C-43 cassette
POINTLESS GEOMETRY 2023 / POINT#54

Music by Paweł Kulczyński / @pawel-kulczynski / https://pawelkulczynski.com
Mastered and mix by Paweł Kulczyński
Artwork by Ernest Borowski / www.instagram.com/bakblivv

The album is a part of the ongoing "Biosignatures" series of compositions and performances exploring sonic boundaries or interconnections between human-made soundscapes and receding or adapting nature within the climate crisis context. Field recordings collected along the banks and bridges of Wisła river in Warsaw, including utilizing electromagnetic or seismographic sensors and hydrophones, serve as the foundation for this performance. It spans from presentation of modestly altered recordings to highly processed audio or data-driven sound synthesis and everything in between. From far-away urban soundscapes to micro-sounds produced by flowing water, from ice and vegetation to birds, amphibians, and insects, all the way up to electromagnetic noise of city infrastructure and heavy bridge resonances.

The project was carried out under the artistic scholarship of city of Warsaw.

Paweł Kulczyński is both a musician and sound artist who specializes in creating sound installations, building instruments, and working with field recordings. He employs multichannel sound synthesis, projection, and composing strategies in his work and is particularly interested in the social and spatial contexts of music, the phenomenology of the audiosphere, acoustics, random events, and conceptualism. Recently, his compositions have featured motifs of mass extinction and planetary mourning. He has performed at prominent festivals in Europe and overseas, including CTM Berlin, Unsound in Kraków, New York, Toronto, and Bishkek, as well as Primavera Sound and recently at Gwangju Biennale.

Biosignatures

Paweł Kulczyński - Anomalous Regularity / POINT#54

From album LOUFR - "FEARS"
Preorder 27.01.2024 / Premiere 03.02.2024
Listen & buy > https://pointless-geometry.bandcamp.com
Limited edition of 60 copies / C-35 cassette
POINTLESS GEOMETRY 2024 / POINT#55

Music and mix by LOUFR (Piotr Bednarczyk) / @loufr
Mastered by Fausto Mercier / @fausto_mercier
Artwork by Aleksandra Ołdak / https://www.instagram.com/aleksandra_ou

LOUFR is a solo project by the Polish composer Piotr Bednarczyk. His work focuses on intermedial chamber and electronic music. In his sonic endeavors, he explores the spaces of sound design, seeking sounds and structures characterized by a subjective, strong physical, and emotional impact. The non-musical content woven into his compositions revolves around global changes inevitably leading to the collapse of the world.


FEARS is the third album by Piotr Bednarczyk under the pseudonym LOUFR. The compositions of the Polish artist have resonated in numerous concert halls across Europe, and this time his work finds its home in Pointless Geometry, a label showcasing the most intriguing domestic electronic music.

LOUFR occupies an exceptionally stable position between contemporary music, hyperpop, and deconstructed club sounds. FEARS is a melancholic album, distinctly human despite the high degree of vocal processing and electronic instrumentation. This contrast is palpable from the very beginning, as emotional vocals collide with an almost trap-like beat. The album is not devoid of moments of true beauty, as evident in "269," a track built around a catchy, sung phrase. The title of this composition serves as a kind of manifesto, referencing the number of a calf rescued from a dairy farm by activists.

FEARS explores the extremes of sonic spectrums, juxtaposing delicate piano strikes with industrial noise and string instruments with a creaking synthesizer. Whether shrouded in electronics or warmed by organic instrumentation, all layers resonate with each other in an incredible, engaging harmony.

FEARS is a unique auditory experience—sharp, unconventional, and avant-garde in some places, while warm, inviting, and familiar in others. Bednarczyk's voice carries this paradox, emotional yet bathed in mechanical processing. The music of the Polish artist resonates with the disintegration of the world but does not relinquish hope. If it is to assist us in anything, it is in navigating through difficult emotions. And FEARS accomplishes this with finesse.

FEARS

LOUFR - 269  / POINT#55

https://pointless-geometry.bandcamp.com/album/ssri-ssri

Limited edition of 60 copies / C-59 cassette
unlimited digital version
POINTLESS GEOMETRY 2024 / POINT#57

releases April 29, 2024

SSRI - Mysterious duo (Sandra Mikołajczyk and Igor Gadomski) from the center of Poland, is a band whose activity isn't easy to define but often delving into the darker fringes of dub. Their music is often described as a genre of underwater reggae, likely influenced by the distinctive industrial sound of Łódź and a heavy use of reverb effects. They draw inspiration from the city and its distorted concept of tropical nature.

As residents of Radio Kapitał, hosting a show inspired by mental states and the circumstances of their creation, they bring an additional context and depth to SSRI's music.
Their debut album, set to be released on April 29, 2024, by Pointless Geometry.

Music by SSRI: Igor Gadomski & Sandra Mikołajczyk
www.instagram.com/s__s__r__i
radiokapital.pl/shows/ssri
Master and mix by Adam Badí Donoval / www.instagram.com/adambdonoval
Cover by Weronika Mendrek / www.instagram.com/mendrekweronika

SSRI

SSRI - BEEEEEEAT / POINT#57

https://pointless-geometry.bandcamp.com/album/dawno-temu-sacralia

Dawno Temu - Solo project of Agnieszka Bykowska, Polish sound artist and producer. While balancing between ambient, drone and minimalist music, she creates unique sonic sceneries centered around layered synth waves with elements of electroacoustic. Having spent nine years in Bydgoszcz, PL she has crossed paths with the improv scene. Played numerous shows across Poland, including appearances at festivals. Her main sources of inspiration are the notion of time, spirituality and emotional corners of human nature.

linktr.ee/dawnotemu
www.instagram.cwom/davnotemv

SACRALIA is the second LP from Polish sound artist and producer Dawno Temu.

Living within the realms of fast-paced reality we're bypassing the essence of "being fully in the moment". While so much dependent on the notion of time itself, we're sharing a collective fantasy of making the time dependent on us - to pause it, outstretch it, turn it back in order to experience something once again. Dawno Temu approaches that concept with both severity and sensitivity in her compositional process.

Each of six tracks on the album is like a ceremonial object for the performative aspect of careful observation that finds its fulfillment in rapture and emotionality. These objects in their historical meaning have been utilized as a means for establishing or maintaining communication between the sacred (the transcendent, or supernatural) and the profane (the secular, cause and effect). Rather than trying to fit a doctrine Dawno Temu celebrates subjective experience of the individual, points in time and space that are carrying an idiosyncratic, empirical gesture with them: light reflections, moments of pause, sources of pleasure - which are actually common experiences, bound with human nature - and sonically reinterprets them as manifestations of “the sacred” among “the profane”.

The sound of SACRALIA is raw and ascetic; euphoric, but full of reverie. Balancing between wide and dense, Dawno Temu carves her own path in drone and minimalist music. Meditative repetitiveness of structures, slowly evolving and dissolving form the frame of SACRALIA which leaves a room for serenity and reflection in both: herself and the listener. Improv strings ensemble, featuring guest appearance of Antonina Car and Joanna Szczęsnowicz (jablkagruszki) in EVERY PAUSE STRIVES FOR ADMIRANCE, together with synthesizer mimic chanting of a litany where all instruments gently pass each other by and only occasionally synchronize to speak with one voice. In her work process on SACRALIA, Dawno Temu focused on conjuring up certain feelings during long and immersive recording sessions with two synthesizers. This way, slowly forming unique shapes and imagery, she developed a somewhat emotional bond with the instruments, reminding of Éliane Radigue and her composing approach.

Composed and recorded by Dawno Temu (Agnieszka Bykowska) between 2022/2023 in Wrocław and Poznań
Track EVERY PAUSE STRIVES FOR ADMIRANCE composed and recorded by Dawno Temu (synthesizer), Antonina Car (improvisation on violin, baritone violin, cello), and Joanna Szczęsnowicz (improvisation on violin)
Mixed by Dawno Temu
Mastered by Adam Badí Donoval / www.instagram.com/adambdonoval
Artwork: Krzyś Bykowski, Iza Roko
www.instagram.com/krzys418
www.instagram.com/_zulaxo

SACRALIA

Dawno Temu - EVERY PAUSE STRIVES FOR ADMIRANCE (FEAT. ANTONINA CAR, JOANNA SZCZĘSNOWICZ) / POINT#56

SSRI - FLETUWA / POINT#57

Track from album: Hubert Kostkiewicz - "Four Guitar Solos For Bemma Bar"
POINTLESS GEOMETRY 2024 / POINT#58
Pre-order date: 11.11.2024 / Release date: 21.11.2024

https://pointless-geometry.bandcamp.com
Limited edition of 90 copies / C-27 cassette

Recorded by Hubert Kostkiewicz / @hubertkostkiewicz
https://hubertkostkiewicz.bandcamp.com
https://www.instagram.com/discomfort_booking
contact: discomfortbooking@gmail.com

Recorded live at Bemma Bar, Wrocław 6.10.2023 
Recording, mix and mastering by Maciej Pyziak
Artwork by Ewa Głowacka / https://www.instagram.com/ewa.boyka

Hubert Kostkiewicz - guitar and a modest kit consisting of two effects and a looper.

This album is dedicated  to Bemma Bar as much as to any place we create to play and learn about new music, nurture community ties and host each other. Without a club infrastructure, there is no live music and without live music, an important aspect of social life disappears. We need a new cultural policy that responds to the problem of the vanishing of non-commercial spaces. We need somewhere to create and cultivate our culture.

Four Guitar Solos For Bemma Bar

Hubert Kostkiewicz - Guitar Solo 1 / POINT#58

Track from album: Strzał w kolano - "s/t"
POINTLESS GEOMETRY 2024 / POINT#59
Pre-order date: 11.11.2024 / Release date: 21.11.2024

https://pointless-geometry.bandcamp.com
Limited edition of 60 copies / C-35 cassette

Strzał w kolano is Jakub Majchrzak – piezo amplified classical guitar and its preparations.
@jakub-majchrzak-768431408
https://jakubmajchrzakmusic.tumblr.com
https://www.instagram.com/jakub_majchrzak_soundandvideo
https://www.facebook.com/jakub.majchrzak.sound.video

Recorded, mixed and mastered by Szymon Szwarc
RUDAX, Toruń, January-April 2024

Artwork by Ewa Głowacka / Jakub Majchrzak
https://www.instagram.com/ewa.boyka

Track "Pomylono Wklęsłość Z Wypukłością" composed for Canti Spazializzati #15 in Wrocław on October 2023, originally performed in octophony.

Strzał w kolano is a solo project that began with a concert in Lisbon back in 2017 and has recently been revived. The foundation of this project is a classical guitar (tuned quarter-tone) connected via a piezo microphone to separate guitar amplifiers. The signals emanating from the amplifiers are given distinct identities through horizontal and vertical processing or static manipulation within the texture of the sounds themselves.

Conceptually, Majchrzak is captivated by grappling with structures that are unstable, necessary, and unattainable—both controllable and beyond control. For him, composing serves as a method for pinpointing the paradoxes within composition, while improvisation tests the resilience of those paradoxes. It is a way of shaking the structure, acts of self-vandalism performed on the evolving grammar of the piece over time. All this in defense of the digressive nature of musical flow.

Strzał w kolano - Pomylono Wklęsłość Z Wypukłością / POINT#59

Track from album: Gary Gwadera - "Far, far in Chicago. Footberk Suite"
POINTLESS GEOMETRY 2024 / POINT#60
Pre-order date: 11.11.2024 / Release date: 21.11.2024

https://pointless-geometry.bandcamp.com
Limited edition of 100 copies / C-43 cassette
The material is also released in an audio-video version on VHS cassette. The visual side was created by Darek Pietraszewski (Copy Corpo).

Music composed, performed, recorded, edited and mixed by Piotr Gwadera
Recorded in Łódź, August/September 2024
https://www.instagram.com/gary_gwadera
@gary-gwadera

Mastered by Paweł Cieślak (Hasselhoff Studio) 
Artwork and design by Jakub „ Hakobo” Stępień
https://www.instagram.com/hakobo
Conceptual collaboration – Hanna Szczęśniak (Polish Radio Folk Centre)

The publishing partners are:    
KODY Festival of Traditional and Avant-garde Music
ROZDROŻA Centre for Intercultural Creative Initiatives
Polish Radio Folk Centre

Media patron:  
Dwójka – Polish Radio
℗ 2024 Polish Radio
© all right reserved

“It’s nothing else but a Chicago-style oberek!’ – that was my first thought when I heard the compilation ‘Bangs & Works’, an album that introduced the footwork style to a global audience. At first I was drawn by the triple, syncopated rhythm, based on the iconic sounds of the Roland TR-808 drum machine. My musical explorations have long been centering around triple rhythms of rural Poland. The clash of this archaic, distinctly Polish form with the freedom of the underground, electronic sound from the Black suburbs of Chicago seemed to aesthetically hit the perfect spot. As an anthropologist - dreamer, I also imagined that the presence of a triple rhythm in Chicago – the largest hub of the Polish diaspora in the USA – was not a coincidence. It was a result of a meeting between our native musical tradition and the musical sensitivity of the Black community in the United States. I must admit that this hypothesis was, and still is, purely my musical dream, unsupported by any scientific evidence. However, regardless of the actual roots of this fascinating phenomenon known as footwork, it is hard not to notice certain correlations between footwork and the Polish oberek tradition. This is in both cases music rather meant for dancing than for listening. It’s supposed to present a certain musical and rhythmic challenge to dancers, who can test themselves in a fun-oriented setting, where competition is an integral part. In Polish villages, these are traditional battles of village bands, while in Chicago, they are footwork battles in underground clubs. Both in the oberek and footwork, the most important are a sense of community, energy, and excitement built around dance, accompanied by a characteristic triple pulse.
Therefore, the footberk suite “Far, far in Chicago”, is intended as an imagined musical journey through time and space, where the Polish oberek and Chicago footwork find a common ground in dynamic, triple rhythms. I aim to show that the syncopated rhythm of the mazurka (or of the oberek) can sound just as contemporary and bold as the beats created for Chicago dancers. The composition is meant to be an auditory tribute to both cultures’ dance spirit and their sense of community. It is an attempt to capture the emotions that accompany both footwork dancers and participants of rural dance parties – spaces where music and dance become tools of self-expression.
To connect these two seemingly distant worlds I use a specially designed rhythmic machine. At its heart lies a rural jaz, with build-on Lem-esque pads packed with samples from the TR-808 and TR-909, as well as other electronic sounds."

Far, far in Chicago. Footberk Suite

Gary Gwadera - II. Battle („kasowanie”) / POINT#60

PREORDER! VINYL LP / CASSETTE / DIGITAL
https://pointless-geometry.bandcamp.com/album/mi-osz-k-dra-their-internal-diapasons

POINT#62 marks 10 years of Pointless Geometry on both the Polish and international scene. This release is particularly special, as it is also our very first vinyl. Over the past decade, we've been pushing boundaries, experimenting with sound, and building a community around adventurous music. And we're not stopping here—this is just the beginning of a new chapter. We’re excited to take our catalogue to new heights in the years to come. Thank you for being part of this journey!

MIŁOSZ KĘDRA "THEIR INTERNAL DIAPASONS"

Composition, recording of the pipes by Miłosz Kędra
Recorded in Poznań 2024
Mix by Miłosz Kędra & Julia Bartczak
Mastering by Piotr Rychlec
Artwork by OGMILAN G1
Photography by Tobiasz Brakoniecki
Pointless Geometry 2025

Miłosz Kędra - airborne / POINT#62

from FOQL BLACK MARKET GOODS
Full album: www.pointless-geometry.bandcamp.com

POINTLESS GEOMETRY 2015 / POINT#01
polish audio/video cassette label
reased 07 March 2015
Limited edition of 35 copies / C40 cassette

Music by FOQL - Recorded 2012-2015 / www.nzld.pl
Mix and mastering RNA2 Studio 2015 /@rna-jg
Cover design by Darek Pietraszewski

Side A
1.BLACK MARKET GOODS 4:33
2.ACID DELIGHTS 5:35
3.BLANK CHART 5:51
4.CONNIE, CORINE, CAIRO 2:28

Side B
1.FLAMES OF SERAPEION 4:08
2.FREE DI(V)E 3:13
3.MELIKA 4:42
4.CELESTIAL COLD 5:54

Jeśli chcecie kupić kasetę, albo inny fizyczny nośnik który wydajemy, to zapraszamy do kontaktu mailowego (pointless.label@gmail.com) albo przez nasz profil na Facebooku. Jest też możliwość odbioru paczki w Warszawie. Wersje cyfrowe znajdziecie na naszym Bandcampie.

If you want to buy a cassette write us on Facebook (www.facebook.com/pointless.geometry.label) or contact us via e-mail (pointless.label@gmail.com)

FOQL - MELIKA / POINT#01

https://pointless-geometry.bandcamp.com/album/foql-bug-poems

releases November 6, 2025

Composition, voice & production by Justyna Banaszczyk aka FOQL / soundsfoolish.com

Recorded in Łódź 2025

Saxophone in A2 by Marcin Garncarek, vocal & additional synth in A4 by Tomek Popakul, drums in A6 by Piotr Gwadera, vocal in B1 by Kasumi Ozeki, in B2 vocal by Xenon & saxophone by Natan Kryszk, percussion and vocal in B4 by Szymon „Pimpon” Gąsiorek, vocal in B6 by Edka Jarząb – love to you all <3

Mix and mastering by Adam Badi Donoval / www.instagram.com/adambdonoval/
Artwork, layout and photography by Tomek Popakul / www.instagram.com/astmad00m

Special thx for Darek and Miłek <3

Pointless Geometry 2025 / POINT#65

The album Bug Poems was realized with the support of an Artistic Scholarship from the City of Łódź.

FOQL - Bugkiss / POINT#65

POINT#65 FOQL "Bug Poems" 

Justyna Banaszczyk aka FOQL works across many fields — as a composer of theatre music and radio plays, but also as a solo artist, turntablist, and cassette DJ under the alias Głupiec. Unable to find a clear place for herself, she identifies with art brut, though she sometimes speaks of working-class experimental music. She is interested in the independent music scene as a form of social glue. For her, artistic practice is a vehicle for survival.

She used to play the violin, but music school quickly clipped her wings, and it took her a long time to find her own language. She started out in noise projects, went through the rite of passage of the club scene, and is currently drawn to the radio play as a genre. 

FOQL - Owady świecące (feat. Xenon & Natan Kryszk) POINT#65

from ASTMA - KONIEC ANTROPOCENU
listen and buy full album (digital / cassette): www.pointless-geometry.bandcamp.com

Music and mix: ASTMA / https://soundcloud.com/caithsith
Artwork and Design: Kevin Murf / https://soundcloud.com/come-in-3
www.mrufig.tumblr.com

POINTLESS GEOMETRY 2016 / POINT#11
polish audio/video cassette label
Released 01 August 2016
Limited edition of 50 copies / C60 cassette

ASTMA - WHAT HUMANS CAN LEARN FROM SEMI-INTELLIGENT SLIME / POINT#11

from MACIEJ MACIĄGOWSKI - DGGDRM
listen and buy full album (digital / cassette): www.pointless-geometry.bandcamp.com

Music and mix by Maciej Maciągowski / @mmaciagowski 
Recorded between December of 2016 and January of 2017 
Master by Jarosław Grzelak (RNA2) / @rna-jg 
Artwork and Design: Copy Corpo / @darek_pietraszewski

POINTLESS GEOMETRY 2017 / POINT#19
polish audio/video cassette label
Release date: 3.07.2017
Limited edition of 50 copies / C35 cassette

MACIEJ MACIĄGOWSKI - DOBBY DIGITAL / POINT #19

from FISCHERLE - BEARD & PARACHUTE
listen and buy full album(digital / cassette): www.pointless-geometry.bandcamp.com

Music and mix by Mateusz Wysocki / https://soundcloud.com/fischerle
Additional audio sources by Justyna Kociszewska (B1), Patryk Pietras & Gosia Słomska (A4), Paper Cuts (A3) 
Mastering by Michał Wolski / https://soundcloud.com/michalwolski
Artwork and design by Copy Corpo / www.facebook.com/copycorpo 

POINTLESS GEOMETRY 2018 / POINT#21
polish audio/video cassette label
Release date: 17.01.2018
Limited edition of 50 copies / C34 cassette

FISCHERLE - COMB AMONG THIEVES / POINT#21

from DUY GEBORD - ʤ
listen and buy full album(digital / cassette): www.pointless-geometry.bandcamp.com

Music by Duy Gebord / Radek Sirko / http://duygebord.bandcamp.com
Recorded, mixed and mastered in 2017  
Artwork by Nerka / http://audilesnow.bandcamp.com 

POINTLESS GEOMETRY 2018 / POINT#23
polish audio/video cassette label
Release date: 17.01.2018
Limited edition of 50 copies / C34 cassette

DUY GEBORD - HATING ALL MUSIC / POINT#23

From FAUSTO MERCIER - BALLROOM OF RECUR
Listen and buy full album(digital / cassette): www.pointless-geometry.bandcamp.com

Release date: 1.12.2018
Limited edition of 50 copies / C35 cassette

Music by Nagy Roland / https://soundcloud.com/fausto_mercier / https://web.facebook.com/faustomercier
Recorded in Pécs, Hungary 2018
Mix and master by Nagy Roland
Artwork by Stachu Szumski / www.stachuszumski.tumblr.com

POINTLESS GEOMETRY 2018 / POINT#30
polish audio/video cassette label

BALLROOM OF RECUR

Fausto Mercier - 7 - X Stellarator / POINT#30

https://soundcloud.com/fausto_mercier live from V/A #29 - 01.12.18 Warsaw / Poland
> https://www.facebook.com/events/174256650183019
The concert took place during the premiere of the cassette FAUSTO MERCIER - BALLROOM OF RECUR / POINT#30 relased by Pointless Geometry.
> https://pointless-geometry.bandcamp.com/album/fausto-mercier-ballroom-of-recur
Artwork by Copy Corpo / https://www.facebook.com/copycorpo

Fausto Mercier - Live V/A #29

B side of cassette from THE POINTLESSNESS OF NIEMY DOTYK MIXTAPE
Mixtape by Niemy Dotyk (Miłosz Cirocki) / www.soundcloud.com/niemydotyk
Recorded at Wilda, Poznań 2019
Artwork and design by Michał Maliński / www.instagram.com/mlekoyo

POINTLESS GEOMETRY 2019 / POINT#31
polish audio/video cassette label
Release date: 02.03.2019
Limited edition of 99 copies / C90 cassette

Listen and download for free or buy(pay what you feel) full digital album: www.pointless-geometry.bandcamp.com
The cassette is not in regular sales. Just for special occasions - follow us on facebook to know but if you really want to have it write to us email.

THE POINTLESSNESS OF NIEMY DOTYK MIXTAPE

THE POINTLESSNESS OF NIEMY DOTYK MIXTAPE - side B / POINT#31

From album IZANASZ - PSYKEDELAR Vol. 2
Listen and buy (digital / cassette): www.pointless-geometry.bandcamp.com

Music by Jan Palatý / www.izanasz.bandcamp.com
Recorded in Prague throughout 2017 and 2018
Mix and master by @izanasz
Artwork and design by Izanasz / https://www.izanasz.com

POINTLESS GEOMETRY 2019 / POINT#32
polish audio/video cassette label
Release date: 17.04.2019
Limited edition of 50 copies / C48 cassette

IZANASZ - Þátturinn / POINT#32

From album PASZKA - ROZMNÓŻKA
Listen and buy  (digital / cassette): www.pointless-geometry.bandcamp.com

Music by paszka / www.instagram.com/pa.szka / www.facebook.com/paszka-216507042243881
Recorded in 2019
Master by paszka and Duy Gebord
Artwork and design by Dorotka Kaczmarek / dorokaczmarek.tumblr.com

POINTLESS GEOMETRY 2019 / POINT#36
polish audio/video cassette label
Release date: 01.10.2019
Limited edition of 50 copies / C28 cassette

Rozmnóżka

PASZKA - POWIERZCHNIAKI  / POINT#36

From album Qba Janicki & Obsequies - Autolysis
Listen and buy pre-order (digital / cassette): pointless-geometry.bandcamp.com

Music by Music by https://soundcloud.com/obsequies and https://soundcloud.com/qbajanicki
Recorded in Recorded in CSW U-Jazdowski, Sokołowsko Laboratorium Kultury and Beursschouwburg 2018/2019
Mastering by https://soundcloud.com/fausto_mercier
Artwork and design by Obsequies / www.instagram.com/sadobsequeen

Release date: 22.06.2020
Limited edition of 80 copies / C33 cassette

Autolysis

Qba Janicki & Obsequies - Gleam / POINT#38

From album - julek ploski - Human Sapiens Ep 
Listen and buy (digital / cassette): www.pointless-geometry.bandcamp.com
Watch the special video for this track > https://youtu.be/Qj4K-ldZpSk

Music by julek ploski / www.julekploski.pl / @fllat
Recorded in 2017-2020 Warszawa, Olsztyn
Mastering by Nagy Roland / @fausto_mercier
Artwork and design by julek ploski

Release date: 23.11.2020
Limited edition of 50 copies / C-29 cassette

Human Sapiens Ep

julek ploski - My True Life  / POINT#40

From album - julek ploski - Human Sapiens Ep 
Listen and buy (digital / cassette): www.pointless-geometry.bandcamp.com
Watch the special video for this track > https://youtu.be/JP80-vtVKzQ

Music by julek ploski / www.julekploski.pl / @fllat
Recorded in 2017-2020 Warszawa, Olsztyn
Mastering by Nagy Roland / @fausto_mercier
Artwork and design by julek ploski

Release date: 23.11.2020
Limited edition of 50 copies / C-29 cassette

julek ploski - My Music / POINT#40

https://www.thewire.co.uk/audio/tracks/unlimited-editions-pointless-geometry

https://www.dwutygodnik.com/artykul/11779-rozszczelnianie-kultury.html

Pointless Geometry

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