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Antoine Clamaran - Mechanical Drums (Long play)

Atlas 3I is a cinematic instrumental by 3.1, inspired by the mysterious interstellar object that captivated the world. Blending ambient textures, deep bass, and evolving soundscapes, the track sonically explores the awe, wonder, and fascination evoked by an enigmatic object passing through our galaxy.

125 BPM (v7)

3I/Atlas

KWAME

Live at the Ziggodome 2016

Soul & Supremes Medley (It's Your Thing / Reflections / Baby Don't Change Your Mind / Dancing in the Street / You Keep Me Hangin' On / I Can't Help Myself / You Can't Hurry Love)

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Martin Landsky (@ martinlandsky) is no stranger to those with an ear for the finer sounds of electronic music. His discography is a journey through many styles and yet more influential labels - from Mobilee and Systematic, through groove-laden cuts for Upon You, and on to his long association with Poker Flat Recordings that goes back to 2001.

Even with that legacy, 'Being Me' is among his strongest for the label - a tough dancefloor work out loaded with mischievous intent and a swirling, narcotic urgency. 

The Dub Remix reconfigures the track elements into a more dubwise version - space and echo play an increased role, leaving ample room for each element. The third track, 'Norway' - revolves around a crisp and funky groove and sparking, icy synths that cut their way through the mix.

Tracklisting
01. Being Me (Main Mix) 
02. Being Me (Dub Remix) 
03. Norway

PFR193 
10 November 2017 
4250382435396 
Poker Flat Recordings

Martin Landsky - Being Me (Main Mix)

Dandi & Ugo - Break Bass - Original Mix - Evil Things Music Groups

Drumcode has become a label synonymous with some of the most-cutting edge and forward-thinking techno over the last 20 years. Their artists include both emerging and established names, and one of those well recognised is Enrico Sangiuliano. Now announcing the very first concept album of his career.

The prolific Italian producer has been catapulted into the limelight after the runaway success of his past releases, and now Biomorph is born. 

A very special concept album designed to take the listener on a journey of evolution. A musical adaptation describing how biological and technological advances over numerous generations of time have all started from the same first step in our own biological journey.

Divided into 4 parts, Organisms opens with atmospheric tones, gradually blending complex textures and timbres to begin the evolutional process. The beginning of this section combines full sounding arrangements before stripping it all back to basics. From here it dissolves into the atmosphere. Organisms then progresses into a break-beat influenced, down tempo track using synths to add complexity to the straight, broken rhythms.

Galactic, futuristic elements are found in both tracks in Cosmic Forces. Upbeat, groovy, electronic synths resonate, before ‘Hidden T’ brings the tension to get things pumped up with stratospheric swirls and twirls to lay down one of the most mind meltingly deep drops.

Metamorphosis is mysterious, its opening beat is a deep and piercing tone that sends the listener into a sensory awareness of their surroundings before breaking into a fully charged, techno track, with Enrico’s trademark sounds and textures.

All evolution has an ending.

Two Probabilities shows the positive, starting out evocative and emotional, with a gentle harmony, gazing towards a ‘New Dawn’. On the other side of the spectrum lies the negative. This is influenced with a rhythm that articulates the beat of death, mathematical, cold and metallic in texture, it shows the unsustainability of its nature, with a hectic, anxious break beat influenced ending.

The digital version also features a bonus track; 'A Further Existence'.

Biomorph

Enrico Sangiuliano - Hidden T - Drumcode - DC190 [II - Cosmic Forces]

Deep melodic and summer-like - we say welcome @julian-wassermann with his organic and absolutely groovy “Elysion“. A track full of dreamy chords and a long lasting hookline. While the piano is swinging you feel the power of the bass line and the hypnotic build up. While “Genesis“ is more easy and made for the sunny dancefloor , “Surreal“ comes with a darker attitude and some shuffling sounds which end up in a hands-up break.

Elysion

Julian Wassermann - Surreal (Original Mix)

Artist: Christopher Kah 
Title: RE: SOURCE 01
Label: Highwav
Catalogue Number: HW001RS
Release date: October 2018 
Format: Digital 
Distro: Label Worx 

Anyone who’s encountered Christopher Kah’s sounds over the years will know all too well that he’s a multi-talented multi-instrumentalist. 
A true innovator in his field, Kah is a man who takes great pride in ensuring his music is presented in a truly unique format. 
His latest endeavour is RE: SOURCE, a concept where “every track” he explains, “is created with minimum resources”. 
This all comes to light quite brilliantly via his latest, RE: SOURCE 01. Featuring four original tracks, the release also comes backed by four individual videos which demonstrate the producer’s grand knack for live production.

Kicking off matters is the sounds of ‘Blade’. 
Like much of this EP, it’s produced using the Roland TR-8S in conjunction with another of his weapons of choice, the Elektron Digitakt. 
A grandiose and foreboding track with shades of UR at its core, this is trippy techno of the type often emitted from the genre’s godfathers straight out of Detroit.

‘Machine’ is a raw, minimal cut that’s laced with acid from the get-go. Full of muffled vocal patterns, it’s a thoroughly uncompromising spectacle that never lets its guard down for a moment. 
A hypnotic track that’s most definitely suited to peak-time pastures, it’s sure to decimate any dancefloor its let loose on. 
‘Extent’ is next up. A track that ups the ante even further, it’s characterised by its big room capabilities and dramatic overtones. 
Like much of Kah’s best work, it’s not one for the faint of heart, and has already proved a highlight of the French producer’s much-loved live sets.

Culminating the release is the sounds of ‘Warcry’. A gnarly track that’s notable for its restless sheen, it’s full of tantalising claps, snares and a heaving, chugging vibe that ensures the release signs out amongst a general feeling of euphoria. 
A truly captivating release, Kah’s latest is sure to find favour with in-the-know techno heads especially.

RE:SOURCE 01

DHS Premiere: Christopher Kah - Blade  [Highwav]

Echoes

Out Of Fashion since 1999 - Founded by @SteveBug
Landlord to @Sublease

Demo: demos@pokerflat-recordings.com.

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Martin Landsky - Being Me (Main Mix)

Poker Flat Recordings

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