Steve Bug

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Afroman - Crazy Minimal Rap (Mihai Pol Edit)

15 years old (never released) from my small flat in Paris 18em....... I found it on an old hard drive — a tribute to Lil Wayne I had completely forgotten about our vibe from 2000 in Paris ..i think its cool 🚆 
Its part of the Time Travel Chronicles (Bandcamp)

Buy The Wav 

Terence :Terry: "Killed Twice" (Tribute 2 Lil Wayne) 160bps/mp3

> @jaime-ibarra-vel-zquez
> @sonido-wey

Is not that we are completely supersticious, is just that cycles exist, they start, and they finish. This EP means so much energically, lots of changes into the world right now, vibration, consciousness. Let's see who's in the same frequency. Our creator and curator shows and axposes himself deeply and in a no better transparent way possible.

Mixed by 343 Studio.
Mastered by Pheek.

PREMIERE: Jimbo - Baila Con Secuencia [SW003]

💠 Support the release:
https://perceptionrec.bandcamp.com/album/countless-perceptions-3
https://www.beatport.com/release/countless-perceptions-3/5142073

🌀 Follow the artist:
https://soundcloud.com/user-833546956
https://www.instagram.com/illegalmusiq_

🌐 Follow the label:
https://soundcloud.com/perception_records
https://www.instagram.com/perception_rec
https://www.facebook.com/pg/PerceptionRec
_______________________________


👁‍🗨 Premiere request: 
rayzeh.premieres@gmail.com


_______________________________

Follow us here:
🟠 SoundCloud - https://soundcloud.com/rayzeh
🟣 Instagram - https://www.instagram.com/rayzeh.music
🔵 Facebook Page - https://www.facebook.com/rayzeh.records
🔵 Facebook Group -  https://www.facebook.com/groups/rayzeh
⚪️ Bandcamp - https://rayzeh.bandcamp.com/
🟢 Spotify - https://open.spotify.com/playlist/3eFABSjmmvtFfwAbm69SIh

PREMIERE: ILLEGAL (IL) - Rainy Sunday [PRCP013]

Label: Pirka
Artists: Surrender Discipline
Format: Digital
Cat. Number: PRK038
Title: Flow Mechanics EP
Release Date: August 2025

@surrenderdiscipline
@pirka-avh

Premiere: Surrender Discipline - Drifter [PRK038]

Late Checkout

The _NRV series arrives with another exquisite vinyl of their signature sound, this time diving deep into the Russian underground to welcome Za__Paradigma who crafts 2 original tracks decorated with hypnotic layers, deep textures and a refined groove.

To close the record, a stellar remix from Cezar Lazar transforms Planeta Extrasolare into an 11 minute odyssey that weaves intricate percussion with delicate orchestral flourishes to highlight his distinctive minimal vision.

Buy this record: https://www.juno.co.uk/products/za-paradigma-nrv-008-vinyl/1105374-01/

Buy on Juno

PREMIERE: Za__Paradigma - Pianeta Extrasolare (Cezar Lazar Remix) [_NRV]

Label: Golden Gate Club Records
Artists: Isaac Elejade, Rei Calero
Format: Digital
Cat Number: GGCR042
Title: Stop Scrolling EP
Release: 26.09.2025

@golden-gate-club-records
@isaacelejalde
@reicaleromusic

Premiere: Isaac Elejalde, Rei Calero - No Recess [GGCR042]

💠 Support the release:
https://metronomeimprint.bandcamp.com/album/gudj-vortex-ep-incl-cirkel-square-masupilami-remixes-mtrn005

🌀 Follow the artist:
https://soundcloud.com/user-gudj
https://www.instagram.com/maxgudj

🌐 Follow the label:
https://soundcloud.com/metronomerecords
https://www.instagram.com/metronome.records

_______________________________


👁‍🗨 Premiere request: 
rayzeh.premieres@gmail.com


_______________________________

Follow us here:
🟠 SoundCloud - https://soundcloud.com/rayzeh
🟣 Instagram - https://www.instagram.com/rayzeh.music
🔵 Facebook Page - https://www.facebook.com/rayzeh.records
🔵 Facebook Group -  https://www.facebook.com/groups/rayzeh
⚪️ Bandcamp - https://rayzeh.bandcamp.com/
🟢 Spotify - https://open.spotify.com/playlist/3eFABSjmmvtFfwAbm69SIh

PREMIERE: Gudj - Unnamed [MTRN005]

> @maxjacobson
> @chippychasers

The morning was crisp and clear. The Hague was only just beginning to stir, but someone had already found their rhythm. Plate had a list of addresses saved in his notes — potential spots for their future vinyl store. Real plans, of course, called for a bit of luck and beautiful views: linden trees whispering along the canals, a sea breeze full of encouragement, distant seagull calls, and the soft clang of trams.

First stop: Denneweg — a street that felt like a page from a design magazine, nothing but showrooms, galleries, antiques, and wine. A realtor in a light shirt was already waiting by the door of a former barbershop: a clean rectangular space with high ceilings and floor-to-ceiling windows. Great foot traffic. A storefront that seemed to come alive in front of the observer’s eyes. Plate could already hear the music playing, see visitors flipping through records in search of something unique.

Next came Papestraat — louder, and somehow closer to heart. A three-story building next to the city’s best coffee spot. Until recently, it had housed a small shop of handmade goods. It was the kind of place you could work, drink tea, and build a little corner lined with shelves and turntables in. The classic Dutch staircase alone was enough to inspire joy.

The day hadn’t gone in vain. Plate came home with photos of two key locations. One looked like an album cover, the other like a B-side you want to play over and over again. Needle smiled at what she saw. Somewhere between those two streets, their next chapter was quietly going underway. 

Mastering by Pheek.
Artwork by Jubilee.

PREMIERE: Max Jacobson - Antiumals (feat. Adamo Ryan) [CC24]

FOLLOW: http://www.facebook.com/pokerflat.rec
FOLLOW: http://www.facebook.com/pages/steve-bug/8517364710

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.
The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amaz- ing.	The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.
The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Noir

Steve Bug - Poison Of Choice

Out Of Fashion since 1999 - Founded by @SteveBug
Landlord to @Sublease

Demo: demos@pokerflat-recordings.com.

We review every submission carefully, but due to the high volume we receive, we may not be able to respond to each one. If you don't hear back from us, please don't be discouraged and feel free to submit future songs.

Steve Bug - Poison Of Choice

Poker Flat Recordings

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