Delahuerta - Tórtolas (Remixes) Folcore 145
Folcore Records website: https://folcore.org

About Tórtolas

The sound of Turtledoves fluttering above my house signals the arrival of good weather....
They return in spring and always fly to create the nest in the same place as the previous year. Their sound with a continuous rhythm inspires me tranquillity... calm... peace... a great gift in the times we live in.

Mû Mbana, composer and performer of multiple stringed instruments with which he spreads tones and aromas of Africa around the world. A native of Bolama Island in Guinea-Bissau, he grew up influenced by the religious chants of the women of the Brame (Macanha) and Bijagos (Bidjugu) ethnic groups. Mû is one of the people who pushed me the most to take this project forward, and he has also been in charge of the vocals on this track.

I was also lucky to have the collaboration of Theodoros Koumartzis on Greek lyre, and Sergio Di Finizio on electric bass. Cid Napalma, Wellington Coelho and Morgan Stern added percussion from Rio de Janeiro, Brazil.

— DJ Panko


The release is completed with an alternative version with vocals by Laizä, an artist from Los Barrios, Cádiz, based in Madrid, and remixes by the Colombian artist Ruido Selecto, the Galicians Terrae and the Catalan producer of Mexican origin MiRET.

Tórtolas (Remixes)

Tórtolas (feat. Mû Mbana)

It’s the first time I’ve truly appreciated autumn — its colors, its light, its atmosphere.
This month’s mountain walks gave me new vibes and feelings.
I created this EP to share those autumn emotions. Hope you’ll feel them too!

Amber falls

Air 672

JBL START UP REMIX

KonfettiKlub - Zauberbohne(Rodrigo Gallardo Remix)

https://soundcloud.com/steinfels
https://soundcloud.com/danielsteinfelsmusic
https://soundcloud.com/samihe_official
https://samihe.bandcamp.com

"pay what you want"

PREMIERE: Samihe - Low Rider (Daniel Steinfels Remix)[Tonal.]

taken off the upcoming artist album 'Noir' by Steve Bug - out Oct. 01

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.

The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.

The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Noir

Steve Bug - Tell Me Why

debut EP from a mysterious trio from Moscow

Laperosa

արոտ կանաչ | arot kanach

RELEASE INFO
ARTIST: ANBER
TITLE: “Jendayi EP”
FORMAT: MP3/WAV
LABEL: SHANGO RECORDS
CAT. No: SHNG091
RELEASE DATE: Late July
GENRE: Electronica/Downtempo/World/Organic House
COVER DESIGN: Freddie Wyatt

Born in the dark streets of Cairo, grown to the unforgettable forests of Santa Esmeralda, spending its teen years in Bombay and Tangier markets, mature into the deep spacey Jungle of Ghana we proudly present you a new label from the land of the pyramids: SHANGO RECORDS invites you to an unheard world music psychedelic trip: like through a colorful kaleidoscope we will melt down Indian and Pakistani Vibes, Arab-Tek and Oriental groovy vibes, Afro-Beat rhythms n' pieces, Cumbia Tropicana flavors and cosmic Ghetto-Latin vibes into forbidden sounds of frenzied electronic dancefloor rituals. Outside traditional paths these driving grooves and polyphonic structures take the adventure seeking dancer to Dionysian highs and places never been before.

HE HAD SLEPT about two hours when the daylight woke him and he looked at Jendayi sleeping easily and looking happy in her sleep. He left her looking beautiful and young and unspoiled and then went into the bathroom and showered and put on a pair of shorts and walked barefoot through the garden to the where he worked. The sky was washed, clean after the and it was the fresh early morning of a new day toward the end of summer. He started in again on the new and difficult story and worked attaching each that for years he had put off facing. He worked until nearly eleven o'clock and when he had finished for day he shut up the room and went out and found the two girls playing chess at a table in the They both looked fresh and  young and as attractive as the wind-washed morning sky. “She beating me again," Jendayi said. "How are you David?” The girl smiled at him very shyly. Anber fell asleep in a Gondola and awake under the hot shivering sun. This is his first offering for Shango Records. These two tracks are fluid as a paintbrush yet precise as a scalpel. Balint Boldizsar, Jonajosu, Jean Vayat and M.Age.Project are telling stories of “maybe” to Jendayi. 


1.Anber “Jendayi”
2.Anber “Isos”
3.Anber “Jendayi (Balint Boldizsar remix)”
4.Anber “Jendayi (jonajosu remix)”
5.Anber “Jendayi (Jean Vayat remix)”
6.Anber “Isos (jonajosu remix)”
7.Anber “Isos (M.Age.Project remix)”

Available Late July from selected major online retailers.
PLEASE SEND US YOUR FEEDBACK…..
https://soundcloud.com/shango-records
https://www.beatport.com/label/shango-records/49073
https://shangorecords.bandcamp.com/
https://soundcloud.com/anbermusic
https://soundcloud.com/balintboldizsar
https://soundcloud.com/jonajosu
https://soundcloud.com/jean-vayat
https://soundcloud.com/mageproject_artist
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Jendayi (Balint Boldizsar Remix)

Jendayi EP

3.Anber- Jendayi (Balint Boldizsar Remix)

Out Of Fashion since 1999 - Founded by @SteveBug
Landlord to @Sublease

Demo: demos@pokerflat-recordings.com.

We review every submission carefully, but due to the high volume we receive, we may not be able to respond to each one. If you don't hear back from us, please don't be discouraged and feel free to submit future songs.

Steve Bug - Tell Me Why

Poker Flat Recordings