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Never Ending Winding Roads

Ähnliche Tracks: SVT128 – Niko Schwind feat. Heartbeat – Perfect Fit [Full Track | 128kbit/s]

This Is Steve Bug

Distorted Beauty Feat. Danique - Scream -Original - out may 2014 - prcptn004

Get SVT128 - Niko Schwind – Perfect Fit here: 
➟ iTunes: http://bit.ly/1mJ5NDY
➟ Beatport: http://btprt.dj/1j3dx5I

PreOrder Niko Schwind's upcoming album 'Grippin World' here: 
➟ Amazon: http://amzn.to/StTDWC

Artist: Niko Schwind feat. Heartbeat
Release: Perfect Fit
Label: Stil vor Talent
Catalogue No.: SVT128
Release: 09.05.2014

Selected Feedback: 
BBC Radio One - ace
Noir – Nice release.
DJ Tennis – Proud Remix.
Kellerkind - Perfect fit into my set!! love the original and the niko schwind remix is so great for the club!!
Kruse & Nuernberg – AWESOME!
Shir Khan - With the artwork this can only be a winner. Niko Schwind is my fav artist on SVT.
Grizzly - Nice One
Nhan Solo - Yeeeeeah, nice one, gonna play it loud and proud tonight!

SVT128 – Niko Schwind feat. Heartbeat – Perfect Fit [Full Track | 128kbit/s]

Beatport: http://btprt.dj/11Zgb5j

Artist: Olivier Weiter
Title: Takkie EP
Cat.: Einmusika034
Label: Einmusika Recordings

Release Date: November 26th , 2014

It’s deep, reflective techno, it’s a noise rocker, a high quality release. Let’s celebrate claps and serious baselines, mystic synths and the club life.

Welcome Olivier Weiter on Einmusika Recordings with his „Takkie EP“. Like his Dj Sets this release creates an adventure. Big floor apt, dark and constantly forward - it’s a trippy ride till the end. „Takkie“ is the main title, strong and nasty, it will blow your mind away. Experimental and deep comes „Tell Him“ on the B-Side. A rolling baseline, a lithe rhythm, a carefully used voice, only in the background. Let’s dance & dream and get crazy when the break is bringing you back to summer emotions.

Of course we have a topping: Einmusik did an impressive remix of „Takkie“ with typical big spheres and his own attitude. So ready for some new dutch techno?

Einmusika
Website: www.einmusika.com
Soundcloud: @einmusika-recordings
Facebook: www.facebook.com/einmusika

Olivier Weiter - Tell Him

♬ Klick für mehr und zum Download ☞ http://trndmusik.de/2016/01/sam-gokus-beduerfnis-fuehrt-zu-temper/

Follow us on YouTube ☞ www.youtube.com/c/TrndmusikDe

Im Herbst letzten Jahres hatte @samgoku nach einigen Clubbesuchen das Bedürfnis, einen darken Clubtrack zu produzieren, der neben dem Groove noch eine gewisse Atmosphäre rüberbringen sollte. „Eine bestimmte Inspiration für diesen Track hatte ich nicht, wobei ich weiß, dass einige meiner Lieblingsproduzenten wie zum Beispiel &ME, Super Flu oder Midas 104 meinen Stil sicherlich geprägt haben.“ (...)

Free Download ♬

Sam Goku - Temper

🚨🚨I proudly present my first release within a remix contest of Dario D`Attis & David Aurel's track called Cuéntame.
Feel free to hit the like or repost button! :-)

Yours sincerely,
Jack

🔺follow me on instagram: https://www.instagram.com/jackrhodes.official
-
@dario-dattis-1 @david-aurel-ch @schoolofsound-ch
-
- mixed and mastered in the own studio

✅ Support on Spotify!

Cuéntame (Jack Rhodes Remix) - Dario D`Attis & David Aurel

taken off the upcoming artist album 'Noir' by Steve Bug - out Oct. 01

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Steve Bug, one of the world's most renowned artists in the electronic music circuit, presents his fifth and most mature longplayer. "Noir" doesn't deny its roots, but expands the usual spectrum and invites the listener to an exciting listening pleasure.

The title is ‘Noir’. The cover is dominated by the filmic aesthetics of light and shadow. The title evokes a world of shady transactions and secret crimes. Most of the tracks emit a suitably dark and moody atmosphere, with at least three directly referencing the film noir genre – From the well-known classic ‘The Spiral Staircase’, to more obscure ‘Somewhere in the Night’, and ‘The Seventh Victim’. Is ‘Noir’ a concept album? Origi- nally it was planned that way, but in the end Steve found the concept too rigid.

"I play all over the world on a constant basis, and always come back with different impressions", says Steve Bug. "Accordingly, this changes the music that I produce. I’ve had the idea to make a concept album for some time, but on the other hand, that’s not the way I work. My music expresses my moods, and of course, they are always changing. "

The material for the new album was created over a period of three years, which makes its consistency and coherence all the more amazing. The mood is dark, spooked. Over the relentless beats and basslines ghostly sounds swirl and conspire. Although all the pieces are driven by head-rushing beats, ‘Noir’ is more than ever, a listening album. "If I had worked longer on the album, I probably would have replaced even more of the dance tracks with listening tracks", says Steve. "I think a lot of albums in dance music are not convining as albums - more a collection of tracks, than a coherent whole."

‘Noir’ is definitely different. Although the film noir concept isn’t carried through completely, it infuses the spirit of the record in a way reminicent of the sci-fi obsession of Jeff Mills or Carl Craig. In fact, ‘Noir’ could soundtrack a 21st Century ‘Blade Runner’ - tracks such as the pre-re- leased single ‘Those Grooves’ and ‘No Adjustments’, with their evocative spoken word texts, play in to a vision of an apocalyptic-dystopian disco.

‘Noir’ is very much an electronic album. Richer than its predecessor, these tracks easily transcend the merely functional - Steve Bug has in- jected the harmonies with serious emotion. Avoiding the trap of many house music producers, Steve has resisted the temptation to throw in an album full of live instrumentation, explaining: "the results have never convinced me. You have to find musicians who understand repetitive music, otherwise the whole thing is so watery." ‘Poison of Choice’, with its sensational guitar solo, is the exception - and the result of a techni- cal difficulty. Due to non-compatible plug-ins, access was blocked to a sample, and Steve ended up asking his mixer Hannes Bieger to play the guitar chords. While the recording was made, the idea to add the solo happened and the results were so good they ended up defining the track. Two of the standout tracks involve sublime vocals from performers Steve has a strong affinity for. Emilie Chick, the Portland born, genre- scrambling rising star brings a femme fatale’s touch of jazz to 'Moment of Ease'.

The aforementioned 'No Adjustments' with its driving, edgy groove and out of control synth, is enhanced by the spoken word exhortation to just let the beats flow - the unmistakable work of the Foremost Poet Johnny Dangerous.

Aside from that, Steve Bug has always recorded everything on his own – and similarly, developed his distinctive harmonic knowledge by himself. "I have no training as a musician - I taught myself about harmonies. When I realised that many of my heroes in electronic music, whose mu- sic always seemed so rich, was done with the help of others, I have al- ways been a little disappointed". In this respect Steve can be proud about the fact that his experience producing the intricate and exceptional ‘Noir’ was achieved on his own.

From the driving opener ‘Tell Me Why’ to the emotional closing track ‘The Seventh Victim’, Steve Bug has crafted a rounded, atmospheric al- bum that throws a long and impressive shadow over most contemporary dance albums.

Noir

Steve Bug - Tell Me Why

I hear you feat. Black Soda

www.facebook.com/stevebug/
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The electronic musician and Poker Flat founder’s contemplative new stu-dio album takes in minimal house music, moody techno and effervescent breaks across 11 unique tracks. 

Acclaimed producer, DJ, label owner and musical pioneer Steve Bug’s influence on the musical landscape is, at this stage in his career, well documented. With roots in Germany’s legendary club scene and fans around the world thanks to his enviable catalogue of releases, the influence of his label Poker Flat, and his famously exemplary DJ sets, Steve is a singular artist with a lucid and passionate approach to his craft. 

His previous LP Paradise Sold alongside Langenberg was released in 2018 to critical acclaim, and described as “elegantly euphoric” by Mixmag. Never Ending Winding Roads is an entirely solo release however, with much of it produced during the months of enforced isolation due to the coronavirus pandemic. Many of the track titles reflect Steve’s headspace during this time, with themes of solitude, contemplation and reflection brought to the fore perhaps more than with any of his previous work. 

Steve’s formative musical years were spent during Germany’s techno and acid house heyday, with his love for a perfect groove as apparent now as it was back then. His DJ skills and a keen, innovative ear led him not down the typical path of the early nineties trance and harder dance scene, but instead towards a fresher, hybrid sound–merging stripped deep house, tweaked out acid and more minimal forms of techno and electronic music: a strand of music he fiercely champions to this day. 

Steve Bug: “My mindset when making Never Ending Winding Roads was completely different to any other project I have embarked on. I didn’t have to tour, and instead could focus 100% on writing music without having the dancefloor as a constant influence. This allowed me creative freedom to explore a range of styles and emotions, and as a result, it is the album I feel most satisfied with to date”.
With 11 brand new tracks, Never Ending Winding Roads is a meticulously produced and deeply engaging electronic album; one that explores various shades of house, techno and broken beat with Steve’s celebrated attention to detail and consummate originality. 
Album opener Lucid Loops perfectly sets the tone, immediately ensnaring you with a hypnotic, undulating synth line and a faintly menacing undertone thanks to hushed, discordant strings and unnerving vocal stabs. This atmosphere of quiet paranoia permeates many of the tracks on Never Ending Winding Roads, most explicitly in the sinewy groove and sketchy, panic-inducing synth line of Locked Away In My Head. 

This album more than perhaps any other in his career sees Steve experi- menting with broken beats, to incredible effect. Tracks like A Conscious Machine and Electro Harmonix are melodic, emotionally rich cuts: burst of radiant optimism that juxtapose beautifully with the album’s darker moments. 
Elsewhere tracks like Yellow Snake find Steve exploring deep, dubby territory, while album closer Upon Mountains is a cosmic, arpeggiated masterpiece: an 8bit computer game soundtrack reimagined as a poignant electro ballad.

Lucid Loops

Steve Bug - Ludic Loops

A Conscious Machine

Steve Bug - A Conscious Machine

The Awakening

Steve Bug - The Awakening

The Clock Is Ticking

Steve Bug - The Clock Is Ticking

Electro Harmonix

Steve Bug - Electro Harmonix

Locked Away In My Head

Steve Bug - Locked Away In My Head

Low Blow

Low Blow (Bug vs. Hawtin)

Resilience

Out Of Fashion since 1999 - Founded by @SteveBug
Landlord to @Sublease

Demo: demos@pokerflat-recordings.com.

We review every submission carefully, but due to the high volume we receive, we may not be able to respond to each one. If you don't hear back from us, please don't be discouraged and feel free to submit future songs.

Steve Bug - The Awakening

Poker Flat Recordings