Do To Me

Solomun feat. ÄTNA - Prospect (Carl Craig Island Mix)

Catalognumber 23 – what else is to say? While we’re feeling the spirit of William S. Burroughs blessing this very vinyl-enigma, &ME went particularly mysterious ways to transcend the category ‘dance track’ for this one.
The meditation through bass had been the major discipline of some of his latest cuts, but what you’ll find on this A-side, one could certainly call the perfection of somnambulistic peaktime-fever. The way he’s kneading the lower frequencies, how he’s channeling the expansion and decay of bass must inevitably lead to some aroused moaning. Good vocal-selection, for that matter! Then there are those tension building synths and a staccato-frenzy in the break that might be the ultimate ecstasy-trigger of the season.
“Locust” on B comes in with some smoothly looped E-guitar-coolness, adding whispering hi-hats and a comparatively rich percussive architecture. But then again: rolling bass barrels like a signature and a defence breaking build up that’s ensued by liberating pressure compensation in mighty breaks. Two demonstrations of understated and sophisticated peaktime-emphasis, so to say. Or differently put: a flawless double-A-side.

&ME - After Dark (Preview)

out now on beatport, bandcamp, spotify & vinyl 12"

I Hate You

STILL LIVING IN SLAVERY
RELEASE DATE	2014-09-08
LABELS	                Baobab Music
CATALOG #	        BBMCD001

Mr Raoul K - Sene Kela feat. Laolu (Mr Raoul K & Laolu Version)

Little beat

Hola a Tod@s ,esta es la tercera obra de el album The Beginning ,es un viaje interestelar a las dunas de Osiris evocando sentimientos de nostalgia ,como todas las de este álbum muy melódica y envolvente, es una versión Deep House de la obra original aún no publicada.

The Beginning

Dunes of Osiris

Buy On Apple Music

Noisy Nois - Dunes of Osiris (Deep Mix)

https://www.facebook.com/solidemusik
https://www.facebook.com/D.Y.Amusic

https://dya-music.bandcamp.com/album/do-it

D.Y.A - Do It

What To Do EP

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What To Do

Here we go with Keinemusik's newest release - it is already number 47 and going by the lovely title "Hand In Hand". Speaking of, let us just give you a hand real quick and elaborate on this. The label is actually turning ten years in 2019. That is ten years of quite a few buzz making records within the back catalogue, ten years of priceless memories on the road, in the studio or somewhere in-between and above all, ten years of doing things hand in hand. So therefore the release to celebrate the occasion simply needs to carry this name. The idea is pretty basic: everyone of the label's mainstays is handing in a tune. Rampa is starting things off on the A-side with "For This" - a collaborative effort together with Berlin born and London based singer Chiara Noriko. It is a track rich in contrast, laying down a roughly shaped foundation featuring a swirling bass and shimmering synthnotes, but then suddenly enriched by harmonies and topped off by Chiara's yearning croon. Safe to say, the rather emotively charged frames of a clubnight have been waiting for this. Then there's Reznik - up to this point being in the picture as the DJ only fella - chipping in "Schuhu's Groove". A cut that indeed delivers a good amount of grooving energy. And at the same time, a bright tune that's switching beat patterns and indulges in Neo-Disco- leanings and funked up synth arrangements. &ME is opening side B with "Fairchild" and yet another sophisticatedly laid out floor epiphany, showcasing his ability to shape monolithic yet soulful peaktime masterpieces. Here he introduces staccato synths on top of a stoic groove, that are being shrouded by a pending note and then ultimately enlightened by pads and an instantly infectious piano melody. And finally we find Adam Port on B2, pursuing his knack for lost African treasures. Once again he finds the source material in an old traditional by Quim Manuel O Espirito Santo. Port's edit of "Eme Lelu" seeks to update the original in some of the rhythmic patterns and create a whole new dramaturgic, floor tweaked build up, yet he leaves the original's cheer- and playful nature untouched. Cheers to Analog Africa for providing the original composition

Do To Me

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