https://www.facebook.com/events/568853986579502/

English:
From obtuse angles to intense physicality, Peder Mannerfelt’s highly individual take on techno demands attention and consideration. While his many-sided body of work reaches back more than a decade, the Swedish producer’s current investigations in the field of experimental dance music are as prolific as they are unpredictable.

After a series of albums as Roll The Dice alongside Malcolm Pardon, he lent his production skills to Fever Ray’s acclaimed debut album and 2017’s Plunge and is currently busy exploring a new strain of techno-pop together with Pär Grindvik as Aasthma.

Working under his own name Mannerfelt’s sonic imprint can be most acutely felt. Accompanying  appearances on Voam, Hinge Finger, Numbers and more, he established his own label Peder Mannerfelt Produktions to carry the bulk of his output, and that of kindred spirits such as Klara Lewis, Code Walk and Sissel Wincent.

Peder Mannerfelt music is always rooted in the kinetic energy of techno even as it seeks to break down the genre’s rigid, illusory formulae.
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Español:
Desde ángulos obtusos hasta un físico intenso, la interpretación altamente individual del techno de Peder Mannerfelt exige atención y consideración.

Si bien su variada obra se remonta a más de una década, las investigaciones actuales del productor sueco en el campo de la música de baile experimental son tan prolíficas como impredecibles. 
Después de una serie de álbumes como Roll The Dice junto a Malcolm Pardon, prestó sus habilidades de producción al aclamado álbum debut de Fever Ray y Plunge de 2017 y actualmente está ocupado explorando una nueva variedad de techno-pop junto con Pär Grindvik como Aasthma. 

Trabajando bajo su propio nombre, la huella sónica de Mannerfelt se puede sentir de manera más aguda. Acompañando apariciones en Voam, Hinge Finger, Numbers y más, estableció su propio sello Peder Mannerfelt Produktions para llevar la mayor parte de su producción, y la de almas gemelas como Klara Lewis, Code Walk y Sissel Wincent. 

La música de Peder Mannerfelt siempre está arraigada en la energía cinética del techno incluso cuando busca romper las rígidas e ilusorias fórmulas del género.

Profile:
RA: https://ra.co/dj/pedermannerfelt
SC: https://soundcloud.com/the-subliminal-kid
IG: https://www.instagram.com/pedermannerfelt/?hl=es-la

Available on:

sptfy.com/medellinstyle
youtube.com/medellinstyle
apple.co/2NirUXY
soundcloud.com/medellinstyledj/sets/podcast
www.mixcloud.com/MedellinStyle/
www.deezer.com/es/show/657932
tun.in/pjCgO
medellinstyle.com/category/podcast

Peder Mannerfelt / MedellinStyle.com Podcast 067

#16YRS Rote Sonne by https://soundcloud.com/counterchange-inland
Podcast series by Club Rote Sonne from Munich, Germany - www.rote-sonne.com

For our 16th anniversary, we bring you 16 podcasts from 16 artists in our birthday month. We would like to thank all the artists who participated and also everyone who supported us.
We hope to see you on our dance floor again soon!
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Inland (real name Ed Davenport) is a British producer, DJ and founder of Counterchange Recordings based in Berlin. Known for his detailed and explorative techno, he’s released numerous EPs on his home label Counterchange (set up in 2013), and has appeared on Ostgut Ton, Figure, Infrastructure and Nonplus. In 2018 he released his debut Inland LP on Ostgut Ton sub-label A-TON, an Audio-Visual collaboration with conceptual artist Julian Charrière.
Enamoured with UK dance music culture in the mid 90s, the burning, illicit energy of early rave mixtapes left a huge impression. Mystical bootlegs recorded at mass gatherings in fields or late night Radio One transmissions captured on cassette – their eternal spirit was absorbed and cherished. Now more than 2 decades later, Davenport Channels that fascination and energy into everything he works on, from his own studio productions, to live shows and DJ sets, and the creative curation of Counterchange.

Davenport’s first wave of productions emerged in 2006, characterised by a string of technoid minimal house records on German labels Gumption and Liebe*Detail. That sound morphed into a moody, broken-beat hybrid that peaked with key releases such as ‘More Red Lights’ on UK label NRK in 2011 and his ‘Counterchange’ LP as Ed Davenport the following year. His modernist, minimal-music indebted releases on Maeve (‘Silver Walks’ EP, 2015, ‘Mendocino’, 2018) highlighted his unique skill for storytelling within sound.

Working closely alongside US artist Function between 2014 and 2017, the pair released the comeback record for Function’s classic Infrastucture label, with their critically acclaimed ‘Odeon / Rhyl’ EP and went on to compile the heavyweight ‘Facticity’ compilation, also teaming up with the timeless ‘Colwyn Bay’ in 2016.

Simultaneously, since 2013, Davenport’s own Counterchange label has notched up over 13 releases – the idiosyncratic ‘Solstice’ EP (2013) a blueprint for the Inland sound. Primarily a home for his own productions, the label has also put out music from contemporaries like Boddika, BNJMN, Cassegrain & Tin Man, Magna Pia, Distant Echoes and Pharaoh & Yogg.

In February 2020 Inland released the Stream State compilation, his biggest project to date, combining exclusive tracks from over 20 artists in a vibrant 4 x 12’’ package and DJ mix on Counterchange. Featuring long-time colleagues and personal heroes like Efdemin, DJ Skull, Joel Mull, Peter Van Hoesen, Mark Broom and many more, Ed also selected tracks from Berlin based artists Jamaica Suk, Johanna Knutsson and Fred Mann, and welcomed back BNJMN, P. Lopez and Distant Echoes to the label. The compilation was launched with release parties at FOLD London in collaboration with Codeword, Nitsa Barcelona, Vurt Seoul, Contact Tokyo and more, before the 2020 pandemic put an extensive tour to a halt.

A collaboration with Swiss artist Julian Charrière, the debut Inland LP ‘An Invitation To Disappear’ (A-TON LP 05, 2018) translates Davenport’s soundtrack for Charrière’s gallery-based video installation into eight tracks of rhythmically intricate electronics and spectral techno. Tracking through a palm oil plantation toward a totemic soundsystem on full blast, the LP and Film were debuted live to a full house at Berghain in September 2018.

INLAND

16YRS Rote Sonne | Inland

Alchemy Summer Festival 2021

ALYA L at Alchemy Summer Festival 2021

Welcoming Malcolm Flex to the ZEMENT podcast series was long overdue. Thus, it's an even bigger pleasure to finally feature this great new talent and truly wonderful person. The Berlin based DJ channels his approach to club music into what he calls 'Techno Soul'. And there couldn't be a better term to describe his unique form of story telling, as his mixes expand into soulful journeys that sonically display nothing less but the experience of human life. Deep and mystic, highly energetic to euphoric, cheerful, melancholic, heart-warming: Malcolm Flex puts himself into the music, allowing his listeners to feel the full bandwidth of emotions.

Check him out: @malcolmflexin

ZEMENT podcast 023 | Malcolm Flex

My next guest on Yax Invites is Adelaide techno veteran, Ben Alibi, who has kindly prepared an interesting write up to support his mix for the series below.

Good records offer an insight into another existence - be it here on Earth, or the far flung reaches of our imaginations. Speaking personally, the valuable ones are usually something I continue to find something new in and are as appreciated being played right through, or mixed as a portion in a set. 

When DJing, I feel the focus should be on the music itself; I've only ever used two sources at once and I like to believe that in some ways there's fewer places to hide when it's just you and two tracks. Knowing how to juggle three (or more) decks well would be awesome though! 

I always go back to hearing Jeff Mills play over two nights, during the mid 90's. Night one was his 3-turntable power mix - which was amazing to watch first-hand! However, night two was performed on two decks only, whereby it felt to me like the level of intensity and audience involvement was counter-intuitively higher. Furthermore, it seemed like the track selection went deeper and everything being aired reached its full potential. 

As such, I believe a DJ's role is simply to work productions together, so as to best highlight the standout parts of each track simultaneously - anything more, or less, only detracts from what should be at the core of it all; individual human expression, through techno music. 

This mix has plenty of personal old favourites - tracks that we (my generation) would associate with a night out in Adelaide during the early 90's. I'm old enough to remember this period fondly and with good reason as Adelaide, South Australia truly was the underground techno capital (outpost) of Australia - if not the southern hemisphere - primarily due to being the base for the formative label, Juice Records. 

The current generation of contributors should certainly feel proud of our foundations, but crucially, remember that so much has changed. We're totally just a grain of sand on a beach now, but something big has been achieved here before, so it's certainly possible again.
 
From my perspective, if there's one thing to take from our history here, it's that we be totally confident in our unique way of doing things as that's core to our sustainability; moreover, it's what someone on the receiving end 'buys into'. 

Again, with the sentimentality... but buying records back in the day was like being a tourist - you were taking a ride on someone else's reality. Every point in the globe, every scene within a point, had its own sound and this was a big part of the attraction that techno music originally held. In essence, I wish to continue being part of the movement that (re)focuses on sounding like Adelaide, for us to then communicate outwardly with. 

I love what we had, but I love where we might go next, even more. 

I hope that you enjoy listening to this selection as much as I did laying it down. N.B. keep an ear out for the new (and some unreleased) music within from DMZ and Antony Coppens, on Juice Records.

https://soundcloud.com/squaremile
https://soundcloud.com/user-533127389-978665150
https://www.mixcloud.com/benAlibi/
https://juicerecords-australia.bandcamp.com

Yax Invites #057 - Ben Alibi

In this episode of Patch Notes, Rush records a 30-minute performance in her studio that covers the full range of her musical style, moving from bleepy, minimalistic techno through warmer dancefloor sounds before finishing on an emotive ambient note.

FACT_Patch Notes_Dasha Rush _Live session

Tracklist:
01. Kuroi - Climate
02. Plants Army Revolver - Pales Teen
03. JSSL - Frames
04. Stefan Vincent - I Would Give Anything to Feel Nothing
05. Device Control - The Watchfull (Dispar Vulgo Remix)
06. Truncate - Model 1
07. Tripeo - Anipintiros #5 + #8 (Exium Mash Up Remix)
08. Doka- Bliss
09. Lewis Fautzi - Sinister
10. Yan Cook - Bell
11. Kessel - Kelva
12. Distant Echoes - Master Blaster
13. Jonas Kopp - Blackbird
14. Spherical Coordinates - SCBPA - 24
15. Mono.xID - Asphyxiate
16. Niereich - Placebo Effect
17. Slam - Factory Music (Planetary Assault Systems Remix)
18. 400 PPM - Lean Manufacturing
19. NX1 - NX1_07-21

www.polegroup.net
www.facebook.com/polegroup
www.twitter.com/PoleGroup

PoleGroup Radio/ Doka/ 09.01

Curated by DSH #108: Pris

Deep Space Helsinki guest mix show. Airing on FM and stream every Friday at 22.00 EEST (21.00 Berlin, 20.00 London).

TRACKLIST: Secret

Curated by DSH #108: Pris

Well 5th Dayers, we have no doubts this is going inject a big, bad-ass dose of pure energy into your day. Step forward Masafumi Take, Tokyo based DJ, producer and founder/co-owner of Katharsis Recordings and the man behind podcast #103!

It’s the ultimate pleasure inducer to bring you the creative flair and musical vision of artists around the globe, each contributing something unique and original to the 5th Day stream to keep it thriving in all the right ways, and this right here is major example of the originality we speak of!

Joining the likes of Valentino Mora, Giorgio Gigli and Refracted on local line-ups, beautifully complimenting an abundance of solid talent to have emerged out of Japan, Take represents a thriving underground scene which is making a name for itself as one of the best in the world.

Thank you for putting love and energy into this mix Masafumi! <3

Soundcloud: soundcloud.com/masafumitake
Facebook: facebook.com/MasafumiTakeOfficial/

On The 5th Day Podcast #103 - Masafumi Take

Reclaim Your City 411 | Ryan James Ford (Berlin)

Responsible for an array of choice slabs on the likes of Clone Basement and Dub Series, MDR, Answer Code Request Rec., TRIP and his own imprint SHUT, Canadian-born / Berlin-based DJ and producer Ryan James Ford has been trading extra-solid 4x4 wares for the past half decade with a consistency one can only marvel at. Cross-pollinating strains of dub, industrial, atmospheric techno and more abstract rhythmic forms, RJF keeps on expanding techno’s faux-dogmatic firepower towards broader, open-source horizons, all the while breathing fresh air across a scene too often inclined to rest upon its stagnant bed of hard-earned laurels.

Soundcloud: bit.ly/RJF_SC
Facebook: bit.ly/RJF_FB
Instagram: bit.ly/RJF_INSTA
Discogs: bit.ly/RJF_DC
Bandcamp: bit.ly/RJF_BC
Resident Advisor: bit.ly/RJF_RA

Reclaim Your City  

Reclaim Your City 411 | Ryan James Ford

Winter lockdown live techno set with the Moog Matriarch, Cirklon, Roland TB-303 + TR 09, Niio, Jomox, Strymon & Toraiz running through a classic Mackie 8 Bus.

Subscribe to my YouTube channel for more studio sessions and full video

Matriarch All-Hardware Live Cirklon Techno Session [audio only]

Spanish techno music platform rooted in Asturias, Spain’s north side. Established in 2004, well known by its raw, muscular, mental & grey sound.

PoleGroup Artists:
Birth of frequency (@birthoffrequency)
Conceptual (@conceptual2020)
El Joven Prisionero
Exium (@exium)
Jonas Kopp (@jonas-kopp)
Kessell (@kessell)
Kwartz (@kwartz)
Lewis Fautzi (@lewisfautzi)
Nørbak @norbakmusic
Oscar Mulero (@oscarmulero)
P.E.A.R.L. (@p-e-a-r-l)
Pfirter (@pfirtermusic)
Reeko (@reeko)
Refracted (@refracted-music)
Ribé (@musicribe)
Selección Natural
Spherical Coordinates
Tensal (@tensal)

PoleGroup Radio/ Doka/ 09.01

PoleGroup

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