Patch featuring two Cwejman VCO-6’s and a BLD. VCO A’s PWM SAW output is routed into a MMF-1s. The MMF-1s is in 12db lowpass mode, saturation knob on 4, compression ration 3:1. The pulse output of VCO B is routed to the sync input of VCO A. One output of a D-LFO is the functioning as master clock, the other output (synced) is modulating the PWM Saw of VCO A.

The Saw output of VCO B is routed to a MX-4S, two pulse outputs of the Turing Machine control the level, this creates the short accented notes. The Sine output of VCO B is also routed to the MMF-1s (audio input 2). This creates the lower octave sine-type bass.

A Turning Machine is locked into a 16 or 32 note pattern, the pitch CV goes via a uScale to both VCO’s. The D-LFO is routed through a MI Branches and providing clock for an ADSR-VC2. The outputs of the ADSR are creating random accents on the MMF-1s via the VC1 and VCA/mix inputs.

I wiggle the input levels of the two VCO’s on the MMF-1s. This varies the sine-type bass of VCO B and PWM Saw of VCO A. I also wiggle the Saw pulse width on VCO A. This moves the sound from almost brassy to chorus like.
At some points I drop in a low repeating bass note from a BLD. The BLD is triggered by one of the clock outputs of the Turning Machine.
Tracked in one take directly to ProTools, cut to make it less boring, and bit of reverb (Adaptiverb) and limiting (Ozone) added.

Calling Steve

poly_mod