Having set up the Cwejman RES-4 and QMMF-4 for AB-testing the resonance modes I couldn't help but also record some wiggling. 

Here's the patch info:

Pamela's Workout is the clock master, the Turning Machine (extended) creates the rhythm. The outputs of the Turning Machine ping the Cwejman RES-4 and Cwejman QMMF-4 (in BP res mode). Both are tuned to fifths. 

A Klee sequencer modulates the fifths of the QMMF-4. A Modcan Quad LFO modulates the frequency bands on both RES-4 and QMMF-4. This is causing the modulation you hear in-between the 'theme' .

One of the outputs on the Pamela pings a Cwejman MMF-1 and creates the ostinato woodblock that comes in and out

Two outputs on the Turning Machine trigger a bass-drum and high-hat on a MI Peaks.

Everything is recorded in one take, there is no multi-tracking. The levels between the layers are done on the fly on two MX-4S's. A D-LFO and PH4 are auto-panning the RES-4, QMMF-4 and high-hat.

The only thing I've done afterwards is edit the rather long excerpts into something potentially slightly less boring.  

Cwejman RES-4 and QMMF-4 patch

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Cwejman RES-4 and QMMF-4 patch

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