The two sound sources in this patch are the Cwejman PH-8 and QMMF-4. The four SIN outputs of the PH-8 are routed to the audio inputs of the QMMF-4. The four PULSE outputs of the PH-8 to the CM1 inputs of the QMMF-4.  The QMMF-4 is tuned to a chord and set to OSC SAT / LP mode.

A Turing Machine is locked into a pattern and its CV output goes through a uScaleII into the master frequency input of the QMMF-4. This creates the parallel chord patterns. The Turing Machine gets a clock from a Cwejman RG-6. This causes the sudden syncopes in some of the excerpts. 

The random SAW output of the RG-6 is routed to the PWM input of the PH-8. This creates the clicks and rhythmic bleeps. The random high output of the RG-6 is routed to the LEVEL input of the PH-8.

A midi keyboard is connected to Yarns and its pitch CV goes into the FM2 input of the PH-8. During the patch I play the keyboard and thereby change the frequency of the bleepy SIN loop that modulates the QMMF-4. I jump to a really high octave on the keyboard and FM-type bell tones or distortion appear, and if I play the lower octaves your hear the slow pulse bleeps.

I wiggle the PWM level on the PH-8 and lock the Turning Machine in different loops. 

The outputs of the QMMF-4 are routed to a MX-4S. The pan inputs of the MX-4S are slowly modulated by a PH-4 to create a nice stereo image of the 4 voices. The stereo outputs of the MX-4S go into a Neve 5059, Prism AD, and were recorded into ProTools.  A bit of limiting was done by Ozone 7, and some Adaptive reverb was added.

Stuck parallels

poly_mod