Last Days' (AKA Graham Richardson) music explores personal themes of stasis and flux, escape and acceptance. Growing up in Northumberland (UK), Richardson pursued music sporadically, before shifting his focus to study graphic design. In February 2006 he was discovered by the n5MD imprint, resulting in the release of Last Days debut album Sea shortly after.
With an approach both abstract and melodic, lo-fi and hi-tech, and despite its largely digital origins, Last Days' music sounds all-together human - n5MD

Albums
Sea (2006)
These Places Are Now Ruins (2007)
The Safety of the North (2009)
Satellite (2013)
Seafaring (2017)
Fragments (2019)
----------------------
Contribution to 'Disquiet Vol.2' charity compilation, curated by Keith & Hollie Kenniff (2017)
Contribution to 'Late Night Tales / Jon Hopkins' (2015)
Contribution to 'For Nihon' (2011)
Self-titled EP as 'St Kilda' (2009) free to download from lastdaysmusic.co.uk

UM:LAUT is a live platform for artists and labels availing themselves of various musical traditions, realising ambitious and unique projects regardless of genre boundaries. The series' focus lies on the experimental range between classical and electronic instrumentation, composition and improvisation, club and concert hall. Considering itself an open stage for cooperations between artists of different disciplines, UM:LAUT aims to present music in dialogue with other art forms – music giving impulses to film, video, photography, installation, dance and performance.

World (excluding EU/UK) bookings:
regina@frontporchproductions.org

EU/UK bookings:
john.qujunktions@gmail.com

self-taught musician & multi-instrumentalist since 2008. since 2010, monolyth & cobalt has been released on some labels such as Kesh recordings, Audio Gourmet, Twice Removed Records, Time Released Sounds, Unknown Tone Records and eilean rec.

edition project focused on some dialogues between some visuals artists and music artists which works with 3 publishings by year dispatched in 2 physical imprints: a disc (vinyl/cd) and a fine art book.

Releases :
https://www.eilean-records.com/tatsuro-kojima-eilean-rec
http://www.audiobulb.com/albums/AB063/AB063.htm
http://www.audiobulb.com/albums/AB039/AB039.htm

KARA-LIS COVERDALE
...

Grafts//
https://boomkat.com/products/grafts 

Sirens // 
http://www.umor-rex.org/portfolio/ur078

Aftertouches // https://sacredphrases.bandcamp.com/album/aftertouches

A 480 // https://ctatsu.bandcamp.com/album/a-480

Bookings
regina@frontporchproductions.org

https://www.kara-liscoverdale.com/

what is yr idea 
klis.coverdale@gmail.com

Disgraced physicist. 
Relic.   
Shut in.  
Daniel K. Böhm.  
Best known for causing the reactor meltdown in Wüttenschlesig. He now lives on an abandoned cotton farm near Spur, Texas.
I met Daniel in 2006. 
His room was unusually warm.  Womb-like.  I remember layers of wallpaper, peeling, flaking, floating down to settle on a book or a pile of magazines. There was a cat drawing in the warmth of an amplifier.   Faint sounds warbled through a speaker.
 In the corner,  9 feet of audio tape lay in a magnetic nest.  A coffee table sat in the center of the room, overflowing with maps, circuits,, half empty coffee mugs and scraps of mathematical equations. 
In dim light. He rocked as he spoke. He still wore the lab coat.
At each visit he would bestow tapes.  artifacts.  Wobbly spools rattled inside the cassette enclosures.  
He was a minor curiosity.  I met him only the one time.   He scrawled an almost illegible signature, making me executor of his estate. It consisted solely of recordings.  
After time, the tapes began to reverberate with meaning.  
He’s gone now. 
Here are his tapes.
https://bohm.bandcamp.com/



Dragon’s Eye Recordings is a digital imprint based in Los Angeles and curated by artist and composer Yann Novak. Emphasizing the elevation of marginalized voices in experimental music, our catalog represents a range of sounds, processes, identities, and practices. Since 2005, we’ve published over 100 works of sound art and experimental music with a focus on ambient, field recording, drone, electroacoustic, and acousmatic music. As an independent label, we work to build community for our artists and listeners searching for somewhere to belong.

Clients :

NHK, Dentsu, Hakuhodo, NDC, Recruit etc..

Tatsuro Kojima is following