03 Marshmallow Man

There are two kinds of music, one that heals you'r soul and the other who animates it

Denver DJ here with a broad taste and ear for mixing thematically similar music together (You won’t define my genre 🤪). I absolutely LOVE music and I aim to play music based off of love, fun, and individual freedoms/awareness. You can hear it! 😜💜 Give me a follow to see me improve with more practice, better equipment, and time to do it all. ;D Happy listening

Idk if I'm gonna continue writing/DJing.
If you're still here listening and jamming, I am forever grateful.
I pour my heart and soul into my songs and sets, but it doesn't always hit the right spot for everyone. I just hope that what I've released makes an impact on someone's life, whether it be tears or laughs or both.

If you are reading this thank you so much for the support. I appreciate each and every one of you <3

-ATOMIZED

Rich with bold brass and hypnotic percussion, Polyrhythmics' latest album, Caldera, showcases the instrumental eight-piece's impossibly tight grooves and virtuosic musicianship as they tear through a singular blend of funk, soul, psychedelic rock, R&B, progressive jazz, and Afrobeat. Calling to mind everything from Antibalas and the Dap-Kings to The Meters and Fela Kuti, it's without a doubt their strongest work to date, merging the infectious power of their live show with a sleek and nuanced studio sophistication. 

Named for the smoldering crater left after a volcanic eruption, Caldera was written during a band retreat to rural Oregon, where Polyrhythmics embraced truly collaborative songwriting for the first time during a marathon session in the shadow of Mt. Hood (itself an active volcano). The resulting album is a blistering declaration from a band that's progressed beyond the sum of its influences to come fully into its own. From the downtempo, Afrobeat trance of "Stargazer" to the triumphantly anthemic, high-octane pump-up funk of "Marshmallow Man," Caldera is instrumental music at its best: emotional, evocative, mesmerizing. On "Cactus Blossoms," Polyrhythmics craft an eerie, retro gem straight out of a 70's film score, while the trippy effects and wah-wah guitar of "Goldie's Road" suggest a psychedelic journey (or perhaps a bad trip), and the shuffling "Vodka For My Goat" draws on Stax soul while hinting at BB King's merger of the blues and jazz. It's an eclectic collection, tied together by the melding of eight distinct musical voices coming together as a cohesive whole.

The record follows the Seattle band's stellar third album, Octagon, which earned them tour dates around the country along with plenty of critical acclaim. The Stranger dubbed Polyrhythmics a group to watch, hailing their "sophisticated slinkiness and expressive brassiness," while WNCW praised their "modern afro-psycho-beat blend," and the Seattle Times dubbed them "funk maestros." The band was invited to perform live on influential Seattle NPR station KEXP, shared bills with everyone from Snarky Puppy to Booker T, and played massive festival stages including Bumbershoot, High Sierra, and Vancouver International Jazz Fest.

Polyrhythmics are:
Ben Bloom: Guitars, Grant Schroff: Drums, Nathan Spicer: Keys. Lalo Bello: Percussion, Karl Olson: Percussion, Jason Gray: Bass, Scott Morning: Trumpet, Elijah Clark: Trombone, Art Brown: Sax and Flute