Stream/Download:  https://catclyde.ffm.to/been-worryin

Follow Cat Clyde
http://catclydemusic.com/​
https://www.instagram.com/catclyde/​
https://twitter.com/CatClyde​
https://www.facebook.com/catclyde​
https://open.spotify.com/artist/7oRT0...​

Follow Jeremie Albino
https://www.patreon.com/jeremiealbino​
https://www.jeremiealbino.com/​
https://www.instagram.com/jeremiealbino​
https://www.facebook.com/jeremiealbino

Blue Blue Blue

What Am I Living For

Cat Clyde & Jeremie Albino - What Am I Living For

Amede, 31, is a vocalist from East London with 20 years of experience recording, performing and writing music. His career highlights include touring with Nightmares On Wax, working with M.I.A. and featuring as a a backing vocalist on Jess Gylnn's hit single, One Touch. However, Amede's most notable work was seen with House Gospel Choir, where he stood out as one of the integral member of the choir.

In 2014, Amede became one of the founding members of House Gospel Choir, going from strength to strength, electrifying festivals across Europe, Australia and Singapore Grand Prix in 2018! Notable works include, touring with DJ Annie Mac in 2018, Featuring on the BBC Gospel Christmas Shows in 2017-18 with Beverley Knight, Gregory Porter, Tom Jones & more, and the BBC Proms: David Bowie Tribute in 2016!

Amede has also received some training in theatre performance which he has utilised in audition for Thriller, and serving the touring show, Magic Of Motown.

If you wish to contact Amede, please email: contactamede@gmail.com or, call: 07493369200.

I Am You - Nightmares On Wax - Performed by Amede, live in Nuremberg, Germany)

Filter System

Wet Leather

Mostly Sonny - It Takes Two

Mostly Sonny - A Bowl Full Of Salt

Next To You- Poolside

Christian's Fingers

New cool track, free  DL. I gonna work on an EP, with this style.. Don't forget to share if you like !

L'Orbeat - You're My Girl

Giant Panda Guerilla Dub Squad "New Speedway Boogie" from the album COUNTRY. Released January 31, 2012.

BUY ALBUM
► iTUNES: http://smarturl.it/9t9mru
► AMAZON: http://amzn.com/B006TE2S6K
► GOOGLE PLAY: http://ow.ly/XJssi
► CD / VINYL: http://ow.ly/XJsuU

http://LivePanda.com

Buy iTunes

New Speedway Boogie

Ikebe Shakedown, the self-titled album from the Brooklyn-based band, plays with elements of cinematic soul, Afro-funk, deep disco, and boogaloo in all the right ways.  After spending a few years together the group, named after a favorite Nigerian boogie record (and pronounced “ee-KAY-bay”), delivers a driving set of tunes featuring a mighty horn section anchored by tight, deep-pocketed grooves.

“Right now in cities across the globe, there are plenty of great Afrobeat revivalist bands aping the sound and groove of Fela Kuti’s legendary sound.  Yet, surprisingly few of the new groups have strayed from an orthodox interpretation of the genre or done much real innovation…Ikebe Shakedown is here to change that.  The band takes signature Afrobeat elements—big unison horns, slinky bass lines, tight little guitar licks—and blends them with tasty grooves culled from ’70s-style horn-driven funk”. – Marlon Bishop, WNYC

The Ikebe debut for Ubiquity Records sees the band push their globally-informed sound and eclectic approach to tune-writing into new territory. “Self-titling the album is a way to introduce the audience to the many facets of the band — to provide a more complete understanding of what we do,” bassist Vince Chiarito says.  “Our sound has grown to incorporate our influences without overtly representing any one in particular.  It just sounds like us,” he adds.

Most of the rhythm section met at Bard College, and the band rounded-out and officially formed when everyone settled in Brooklyn in 2008.  From there, Ikebe has emerged as a compelling voice on the progressive local scene.  After a run of dates around NYC, the band recorded their debut 7” single and the EP, Hard Steppin’, which was released on Colemine Records in 2009,receiving high praise from critics and fans alike.  The group was invited to record at Dunham Studios with producer Tom Brenneck and at Killion Sound in Los Angeles, home of engineer Sergio Rios of fellow Ubiquity act, Orgone.  “The studios share a lot of similarities — the tracks were all cut live to tape with minimal use of headphones and overdubs.  This basic approach allowed us to dig in and really focus on getting dynamic performances,” Chiarito explains.

The old school mentality to recording spills over in lush, laid-back, and soulful funk joints like “Kumasi Walk” and “No Name Bar,” where the multi-layered horn section plays off a cavernous backing track of slick drumming, spacey Hammond organ, and nimble guitar riffing.  The cinematic soul sound is warm and deep, with the 7-piece band sounding more like a larger ensemble as increasing layers leap from the tape.  At the other end of the BPM counter, on “Tunjunga,” the band build a gritty African disco jam boasting a floor-filling percussion section, adding seductive guitar licks and an irresistible bass-line to set the horns ablaze. “Tame The Beats” is pure fire — bold melodies and heavy rhythms propel the song, with Meters-esque breakdowns providing only brief respite from the action.

Wet Leather

Polyrhythmics

Related tracks