1904-1

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YAMA YAMA (Il Est Vilaine Katana Edit)

Taken from “Saint Claude EP” out now through Because Music in partnership with Neon Gold Records.

Get Saint Claude EP here: smarturl.it/StClaudeEP
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www.christineandthequeens.com
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www.because.tv
www.neongoldrecords.com/

Tilted

Buy on iTunes

Christine and the Queens - Tilted (Paradis Remix)

Get Saint Claude EP here: smarturl.it/StClaudeEP
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www.christineandthequeens.com
Like Christine on Facebook: www.facebook.com/christineandthequeens
Follow Christine on Twitter: www.twitter.com/queenschristine
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www.paradis.fm
Follow Paradis on Twitter: https://twitter.com/paradisfm
@paradisfm
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www.because.tv
www.neongoldrecords.com/

Christine and the Queens - Tilted (Paradis Remix)

手のなかの鳥

Suddenly

Taken from the EP "Amparo Remix EP" out on Labrador in Europe and Cascine in the US on October 28.

Spotify: https://open.spotify.com/artist/16pdeeyke2dzEJXSj0MPft
iTunes: http://smarturl.it/mariausbeck
Vinyl: http://www.amazon.co.uk/dp/B01BTH8TMS

www.labrador.se
www.cascine.us

Amparo Remix EP

Maria Usbeck - Jungla Inquieta (Jensen Sportag Remix)

A cover of "Just Friends (Sunny)" by Musiq Soulchild we recorded live with James Berkeley in Brighton, UK.

Video available at https://www.youtube.com/watch?v=EUG9C3jC-Dk

You can check out more of James projects at:
https://soundcloud.com/yakulband
https://soundcloud.com/iamnewsome
Mastered by Wayne Sunderland

Just Friends

Watch Live Video

Just Friends ft. James Berkeley

No Pressure (prod. by Maths Time Joy)

MUSIC VIDEO: https://www.youtube.com/watch?v=R2AmXKDbSPo

SOULACOASTA is the title track from our latest release: https://soundcloud.com/closecounters/sets/soulacoasta

Artwork by Aaron "Champ" Ashwood
Insta: @champ_ashwood

Mastered by Wayne Sunderland for Suture Mastering

SOULACOASTA

MUSIC VIDEO

From the album No Fool Like An Old Fool available March 16th from Western Vinyl

Bandcamp: https://carolinesays.bandcamp.com/album/no-fool-like-an-old-fool
iTunes: https://itunes.apple.com/us/album/no-fool-like-an-old-fool/1337343096?ls=1&app=itunes
WV: http://westernvinyl.com/shop/wv164

No Fool Like An Old Fool is the sophomore LP from Austin via Alabama musician, Caroline Sallee, aka Caroline Says. Moving beyond the surf-folk foundations of her debut, on No Fool... Sallee loosens her earthly tether, allowing her songs to float to ever higher altitudes on clouds of loops, immaculate melodies, and hypnotic harmonies, as she sings about aging, the daily grind, and hometown stymie.  Moving to Austin in 2013 gave her a new perspective on her hometown of Huntsville, Alabama, which informed the overall vibe of the album. “I think leaving my fairly small hometown and then going back to visit it inspired the feeling I went for on this album. I observed that so many people I knew were content doing basically nothing. Or that they were scared to try to do anything or leave town, like they felt stuck there.” 

The first few notes of the Daniel Rossen-esque opener “First Song” dutifully establish the surreal and slightly tragic tone of longing maintained throughout the album. The curiously upturning melodies ride out on a rich ambient texture before “Sweet Home Alabama” cuts the fog with a crackling 60's soul loop that's charming and catchy enough to induce a cathartic laugh from the listener.  The brightness fades with the frosty and propulsive “A Good Thief Steals Clean,” which features lyrics inspired by the 1971 film Panic in Needle Park, and the idea of being in love with a heroin addict. “I tend to write from the perspectives of characters in dark situations, even though my songs may sound bright,” Sallee notes of her alluring juxtaposition of sunny production and grim lyrics.  She employs this dynamic again on “Rip Off,” a frenetically percussive song with lyrics inspired by an NPR story about a young Iraqi man who was killed in an ISIS bombing just before moving to NYC to become a professional dancer.  Inspired by Terrence Malick's Badlands and Bruce Springsteen's "Nebraska," the song “Black Hole" features multi-voice harmonies sung from the perspective of 50's spree killer Charles Starkweather.

Finding time to record while working three jobs was no easy task, and her living situation didn't make it any easier.  Sallee explains "I lived in a disgusting mildewed basement apartment that was like living in a gross cave. My landlords were a crazy old couple that lived above me, and it was like living inside of a drum. I could hear their footsteps, and their dog’s footsteps, and a lot of the time it just sounded like they were throwing things on their floor. It was so hard to find a perfectly quiet time to record. I recorded all my loud stuff (amped guitar, drums) during the day, and had to do quieter stuff like vocals late at night."  The hurdles she navigated to record naturally led to ad hoc recording techniques, and endless sonic experimentation, often leading to her use of the computer as an instrument.  She remarks “I did a lot of recording in a state of exhaustion from working so much. I was so worn down that these songs were able to just come through.”  No Fool Like An Old Fool is a fine soundtrack for this kind of liminal state, honest in its weariness, glad to be done with the day, carrying itself into tomorrow with a bleary-eyed sense of wonder and hope for the future.  A tireless worker, and a wellspring of creativity, whatever Caroline Says, we will be listening.

No Fool Like An Old Fool

Caroline Says - "I Tried"

Sabrina Claudio - "Don't Let Me Down Ft. Khalid" out now.

Download or stream here: https://lnk.to/DontLetMeDownso

Follow Sabrina Claudio
Facebook – https://www.facebook.com/SabrinaClaudioMusic
Twitter – https://twitter.com/SabrinaClaudio
Instagram – https://www.instagram.com/sabrinaclaudio
SoundCloud - https://soundcloud.com/sabrina-claudio

http://www.sabrinaclaudio.com/

Don't Let Me Down / All To You

Don't Let Me Down ft. Khalid

Fujiya & Miyagi on Audiotree Live (Session #2)

Knickerbocker (Audiotree Live Version)

Was blessed to feature on this @yakulband remix by @psalm-trees

Make sure your sure to check Yakul out, one of my favourite bands right now, lovely neo-soul from Brighton.

<3

Stream Now

Yakul - Realigned (Psalm Trees Remix Ft.Benaddict)

Good Love (Radio Edit) Master

What Brought You Today

'This Time’ is the lead single from the upcoming BirdyHop EP, ‘The Well’ - due April 2019. The song began life as a simple string motif after watching an inspired performance by Nitin Sawhney at the Globe Theatre. The melody quickly began to develop into something completely different, after layers of guitar and drum patterns were added. The mood of the emerging song dictated the vocals, which were written as a meditation on the struggles and heroism of the ordinary person.


’The Well’ is the result of an 18 month period of creative collaboration, reflection and discovery. The musical arrangements are as diverse as the lyrical themes, including classical orchestration, drum & bass patterns, glam rock guitar, and retaining the brothers' distinctive harmony vocals. Despite its eclectic approach the Well retains an honest and familiar emotional thread.

The Well

This Time

See Sun

After the very well received debut album Repetitions (Letters to Krzysztof Komeda), focusing on the lesser-known works of the legendary Polish composer EABS will release their full length album ‘Slavic Spirits’ on Astigmatic Records.

 

This time EABS did not directly address the legacy of the Polish school of broadly understood popular music masters. At the same time, the musicians kept in mind that such legacy is, in a sense, the capital of the past which adds up to identity and builds the future. Thanks to these concepts, the ensemble decided to listen even more intently to their inner voices. Enabling EABS to avoid the obsession of imitating a more Western sound.

 

The fast-paced life on tour and the desire to expand the line-up with a soprano saxophone and flute eventually played by Tenderlonious did not allow for quick studio manoeuvres. Thankfully, time has only worked in favour of this material. The band was already incredibly harmonious while implementing all the assumptions during the recordings. The compositions have matured and evolved even more.

 

Inspired by deliberations of many musicians, but also historians, journalists, writers, and even psychotherapists, new compositions began to appear rapidly, pouring out of the band’s spirit and imagination. The material is also an attempt to radically break out of the status quo of national mythology which currently steers the collective imagination of the Polish society. The musicians turned to Slavic mythology and Polish demonology, while pondering upon the contemporary spiritual condition of Poles. The enigmatic “Slavic melancholy” remains the main inspiration for the following album, as the band tried to extract it from their own DNA.

1904-1

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