BIO // "Please help to make the world you're livin' in better". Something must have been hidden in this Chemical Brothers all time favourite "Surface to Air". Music opens the mind and soul, connects people to a level only music can do. Dancing through these vibes over the past years, it has been a baseline through Pommes' mind and a mode of life. To share joy, happiness and love in everything you do, with the most powerful weapon we have in hands: MUSIC. Although "POM" might reflect to the bassline of a track, melodic tunes do the trick and are base for every Pommes' late nite dancefloor experience. Expect a blend of detroit house, techno and spacedisco, feeding your innerself and the world around you and make it a better place.

BOOKING: lander@bylando.be

BIO:

‘What a DJ does is this: he knows music. The DJ knows music better than you, better than your friends, better than everyone on the dance floor or in the record shop’ (…) ‘A truly great DJ, just for a moment, can make a whole room fall in love’. (from Last Night A DJ Saved My Life, Bill Brewster & Frank Broughton)

Much – too much, some might say - has been said and written about the rise and the role of the disc jockey, but in their epic, insightful and well researched history, Brewster and Broughton tell it like it is: it’s the music, stupid! 

But HOW exactly does a DJ make a whole room fall in love? Alas, there’s no simple way to explain, even for a dedicated stalwart of Belgian night life such as Thang. 
Born and bred in Ghent, a fertile breeding ground for world renowned spinners such as 2manydjs and The Glimmers, Thang offers up some key understandings: first up, you need a certain level of empathy. 
A DJ must ‘feel’ a room, as they say. They are right. 
Second, balance is key. Give and take. Teasing and crowd pleasing. No balance, no dynamic, no party. 
Third, versatility. Very important, this one. A good DJ always has a plan B, plan C and a plan D. Be prepared, but also be prepared to boldly go where you haven’t been before. Every weekend offers a different story.

‘To be a good DJ you must develop the hunger’, Brewster and Broughton write in their book. Thang agrees. The hunger to smell new flavors well beforehand, the hunger that brings water to your mouth when discovering a lost collection of dusty vinyl, the hunger to dig into the past and revive old jams. Teasing and crowd pleasing are not a question of ‘or’, but of ‘when’. Obscure disco dubs next to high energy r&b next to slow motion techno next to Blondie next to a vintage rave classic, next to the next, rising on the horizon club banger? Anything goes, it’s all about the balance. And versatility. And… You get the picture.

Over the years, since his starting days around 1998-1999, Thang has built up quite the versatile résumé. From his residency days in the once notorious now defunct Culture Club, to festival slots such as Pukkelpop, Laundry Day, and WeCanDance, to releasing and remixing tunes under the Villa moniker (together with his production buddy François Demeyer – their unofficial rework, six years ago, of Adele’s ‘Rolling in the Deep’ racked up a staggering 4.3 million plays on Soundcloud so far), curating his personal ‘Relax’ playlist on 22tracks.com, and, more recently, playing petite but quality clubs such as Antwerp’s Kelly Palmer, being part of the team behind the new Ghent hot spot Kompass (and it’s techno concept ‘1988’), and landing a new residency with ABSTRKT, a collective organising art and music events in Belgium. Together with veteran promotor and onetime mentor Oliver Tjon, teaming up as Darkroom DJ’s, Thang also hosts ‘Luid, Vuil, Traag’ (‘Loud, Dirty, Slow’), a club night of slow techno, rave and a musical mish mash the duo have christened ‘now beat’. 

After almost 20 years tuning in to dance floors everywhere, the hunger in Thang is far from satisfied. 
And so, the beat goes on.


Written by Jonas Boel

Previously Los Angeles–based, Jeniluv has been moving communities for decades. They’ve gracefully defied fixed identity—DJing for more than twenty years as Jeniluv, producing as Psybody, and founding the Psychicbody label.

A true event architect, Jeni has a long history of breaking talent and shaping culture through forward-thinking curation and imaginative branding projects such as Making Shapes, Who is Jack, The Dusk Camp, Surround, and The Yard warehouse. Their productions are known for an unmistakable atmosphere—big on feeling, authenticity, and that ephemeral “epic vibe.”

Since the early ’90s, Jeni has believed deeply in the purity of the dance floor and the transformational relationship between music and community. They hold onto that raw warehouse spirit while also digging enthusiastically into the contemporary underground, navigating global electronic scenes with curiosity and heart.

Jeni thrives on creating magical, human connection, trusting in intentional selection and the craft of DJing to guide dancers through journeys of mind, body, and spirit. Their programming tells stories—taking risks, expressing truth, and tapping the energy of the room.

Now semi-retired from the modern rave circuit—with its commercial edges and social-media fatigue—Jeni has rooted themselves in a more intimate scene. They currently hold a monthly residency, Ojai House Music Club, in the small mountain valley of Ojai, California, where tacos, mezcal, Klipsch sound, and skilled guest selectors set the tone.

Enjoy.

Electronic music is in our DNA, and we cover the full musical spectrum ranging from disco to house, from intelligent dance music to techno, and everything in between. At DGTL, we differentiate with balanced programming. By giving talent a platform, we can develop our own headliners and form long-lasting relationships with artists from early on.

DGTL builds bridges between music styles and genres, aiming to blend different audiences and cultures. Our line-ups are a combination of the power of our global DGTL brand, and all the beauty that local cultures hold. We want to be inclusive for every gender, sexual orientation, origin, color and country. Everyone always should be and feel welcome at DGTL.

With DGTL Records we build on our festival’s musical theme of an evocative cross section of the sounds and styles; showcasing forward thinking, cutting edge artists. Besides this, the label also functions as a platform for newcomers. This results in the creation of a coherent selection of music with a true family vibe; we want artists to feel connected to the label, the people behind it and to the other artists. 

Our in-house label DGTL Records emerged from the DGTL festival brand and has a single focus on music and community. It combines both upcoming talents together with established artists, bringing unique music and cross-over sounds that both add to the electronic music spectrum.

Jeroen Delodder (aka Sheridan) is a DJ, a collector and an entertainer.
Dances whilst playing.

Studio Brussel radio shows 
Kiosk Radio shows (vinyl only)

Gigs & dates: follow Fakebook & Instascam

Fooled around at Fuse, Ampere, Club Vaag, Contrair, 10 Days Off, Bonnefooi, Cirque Magique, Voltage, Charlatan, Tomorrowland, Petrol, We Can Dance, Piaf, Extrema Outdoor, Abstrkt, Forty Five, Kluboteka Czworka Polski Radio, Bagger, Los Niños, Lafayette, Mo'Juice, Belmondo, Pingwing, Kelly Palmer, Hebbel Am Ufer Berlin, Magic, PRVT Sessions, DE Studio, Avenue L, Club 69, a Russian wedding in Ufa, Kissinger, XOYO London (for like 4 songs!), Libertine Supersport, Durch Die Nacht, Diskoteka, that surf bar in San Vicente (for like 3 summers!), Club Stuk, 3FM, ...

@studiobrussel

"emailsheridan@gmail.com"
bookings: http://www.kurious.be/artists/sheridan/

http://hollandpatrick.com/
MGMT: hi@hollandpatrick.com
NA: jordan@akissofdeath.com
EU/UK: kalle@pitchandsmith.com 
AUS/ASIA: steel@proxyagency.co

Pommes is following