What a great Blues song.  That'll keep them together.

Corpus Christi Carol by Benjamin Britten
Nadia Selvaggi, voice
Dean Bradshaw, piano
Remixed 2023
Benjamin Britten, in full Edward Benjamin Britten, Baron Britten Of Aldeburgh, (born November 22, 1913, Lowestoft, Suffolk, England—died December 4, 1976, Aldeburgh, Suffolk), leading British composer of the mid-20th century, whose operas were considered the finest English operas since those of Henry Purcell in the 17th century. https://www.britannica.com/biography/Benjamin-Britten

The Corpus Christi Carol

Lully, lullay, lully, lullay,
The faucon hath borne my make away.

He bare him up, he bare him down,
He bare him into an orchard brown.

In that orchard ther was an hall
That was hanged with purple and pall.

And in that hall ther was a bed:
It was hanged with gold so red.

And in that bed ther lith a knight,
His woundes bleeding by day and night.

By that beddes side ther kneeleth a may,
And she weepeth both night and day.

And by that beddes side ther standeth a stoon:
Corpus Christi writen thereon.

http://www.luminarium.org/medlit/medlyric/corpuschristi.php

Corpus Christi Carol by Benjamin Britten *Old Church Recording

I want to try to get a natural and relaxed sound without clutter. The flowing guitar (arpeggio) supported by  double bass and lot of the melody interest is also in a higher bass register.  Lots of acoustic tones. Subtle drum beats give movement and push.  Sometimes more is less?  What do you think?

Light On A Stream

An ensemble of three sounds:
https://freesound.org/people/Koops/sounds/17871/
https://freesound.org/people/abbahoot/sounds/221649/
https://freesound.org/people/ragamuffin/sounds/186363/

Sound Ensemble #15

Ustera

music : Deepman   @deep-man-2-121969062
some words and voice : Luciole Langevine
thanks to the unknown artist who painted the picture I used for the visual

Réveille toi
T'as plus le choix
Regarde un peu autour de toi
T'as plus le choix
Réveille toi

Le Choix - Feat Deepman

Field recording taken in Vibo Marina (Italy) by IB
Violin improvisation and vocals on the beach by https://soundcloud.com/ida-di-vita
Sono-poetry, sound effects and mixing by IB

Excerpt #2 from my in progress new poetry book:

'And then there’s failure. Again and again.
A sandcastle torn down right before it falls.
Because it’s stinging to see it washed in with the tide
blown away or stamped over by someone else.
It’s always been an elsewhere with an unnatural
push to end.    

Failing failing failing and failing again.
It’s the cost of regret and choices
deferred that burdens us.
Getting old and realising that
we haven’t shared our lives.
The gusts of wind clearing fast
the air when fall starts.

Trying, trying, trying and trying again.
So mortal the doubt of being defeated 
the discomfort, the weakness.
If only guilt could make amends. 

Everywhere is an elsewhere.
Such region of possibility blurs behind 
the virtuality of this decade
the world’s several attempts to
decarbonise as fast as possible
chasing consensus at COP negotiations.
We should sign our own Paris Agreement
and write a consistent rubric.
We should lie down under 
an auburn skyline and kiss.

E poi c’è il fallimento. Ancora e ancora.
Un castello di sabbia distrutto giusto prima di cadere.
Perché è dura vederlo scomparire con la marea
spazzare via dal vento o calpestare da qualcun altro.
È sempre stato un altrove dall’innaturale
spinta a finire.

Fallire fallire fallire e fallire ancora.
È il costo del rimpianto e delle scelte
differite che grava su di noi.
Invecchiare e rendersi conto
di non aver condiviso le nostre vite.
Le raffiche di vento che puliscono l’aria
veloci all’inizio dell’autunno.

Provare, provare, provare e provare ancora.
Com’è mortale il dubbio del venir sconfitti
il disagio, la debolezza.
Se solo la colpa facesse ammenda.

Dovunque è un altrove.
Questa regione di possibilità sbiadisce dietro 
la virtualità dell’ultima decade
i numerosi tentativi del mondo
di decarbonizzare il più velocemente possibile
inseguendo il consenso alle negoziazioni COP.
Dovremmo firmare il nostro Accordo di Parigi
e scrivere un corrispondente protocollo.
Dovremmo stenderci sotto 
uno skyline ramato e baciarci.'

So mortal the doubt

Composed, arranged, performed, and produced by:
Carlos Vivanco & Jason Mowry
Final mix by Jason Mowry
@asleepwithheadphones
@lazydadamusic

Outspace

Outspace by Carlos Vivanco & Jason Mowry

Y-Session of the Sunrise

again a wonderful open collaboration offer by Paul <3 https://soundcloud.com/paploviante-and-friends/brisa-paploviante-open-collaboration-offer - well, I added some wind instrument: brass & sax with my EWI and synth accents between the solo parts; also to mention some mix-mastering manipulations on Paul's track, to get my stuff integrated. Enjoy !!! ... better to listen with headphones and not too quiet :-)

Brisa // Paploviante & joerxworx

Esta pieza es un fragmento del lugar o lugares donde me está llevando últimamente la música. Va empezando a tomar forma duracional, a ser piezas de alrededor de una hora. La serie armónica, el espacio armónico y sus infinitas posibilidades, derivaciones y relaciones, explorada a través de guitarra, arco, ebow, delays, loops y warping, está siendo el lugar donde, a veces, la mente queda en blanco, el oído se abre y el devenir temporal se manifiesta

Sin Título

No more break-up songs
no more heartsick blues
all the million ways 
to say goodbye
have been used.
Don't want to hear another one
what's done is done, get over it
find a better subject than 
the same old lame relationship.

No more no more
no more no more
if I've heard one
I have heard them all.
No heart needs to bleed
sow the gracious seed
do as I say
not as I do
irony or not
I am guilty for the blues.

No more action flicks
no more guns on screen
all the million ways
to kill a man
have been seen.
Don't want to see another way 
to blast without morality 
shooting on a steel mesh bridge
the same old lame banality.

No more no more
no more no more
if I've seen one
I have seen them all.
No heart needs to bleed
sow the gracious seed
do as I say
not as I do
irony or not
I am guilty for the blues.

No more hurting deeds
no more things to hide
there are million ways
to wound me, I know, you've tried.
Don't want to face another game
the castaway, the passion play
in the jungle of emotions
you're the hunter, I'm the prey.

No more no more
no more no more
if I've felt one
I have felt them all.
No heart needs to bleed
sow the gracious seed
do as I say
not as I do
irony or not
I am guilty for the blues.
---------------------------
Music & Lyrics & Arrangement: Janne S
Vocals: Synthesizer V Asterian (lead), Kevin & Solaria & Natalie (backing)

No More

I am a songwriter from Finland, composing original, mostly harmless, pop songs. I'm interested in any kind of collaboration, composing, lyric writing, arrangement etc. Don't hesitate to contact me if you are interested.

I have only recently started to sing myself, so please accept deficiencies in my voice, even after lots of editing with Melodyne. I have also used hired vocalists and collaborators for vocals. There are also songs for which I have used Vocaloids, I may sing some of those at some point.

I normally use Band-In-A-Box for the arrangement. It is a great program for practicing, storing and developing ideas in many different genres. I really recommend it for you, see www.pgmusic.com

Popfinger points to the fact that I like pop music and pop songs in various styles. I've used also other pseudonyms like Syvis Entertainment, Suvis Wonderland, Dr. Elvi's Cosmic Sextet, Smutty Waters, The Artist Never Known As Prince, Gates of Asylum, Pop No Harm and Poop Dilan.

No More

Popfinger

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