Wow!!!the suspension is killing. Sublime atmosphere!

"Banegård" is a single from the album "Innemuseum" by Danish composer Cisser Mæhl. 
LP out on 3rd March 2023.

Innemuseum

Cisser Mæhl – Banegård

Full stream of Data Trails by Imprints, released on Serein, April 2014. www.serein.co.uk

Imprints are Shaun Crook, Darren Clark and Alex Delfont

Imprints - The Sea & Electricity

u & i

'The Future is a Forward Escape Into the Past' is the latest album by Los Angeles-based multidisciplinary artist and composer Yann Novak, and his second for Touch. It considers the relationships between memory, time, and context through four vibrantly constructed tracks that push Novak’s work in a new direction while simultaneously exploring his sonic past. 'The Future is a Forward Escape Into the Past' is composed as a quadriptych – a single gesture broken into four parts – that meditates on the inevitable progression of time, our relationship to the past, and our distortion of the past through the imperfections of memory. The album will be released February 23, 2018 on the London-based label Touch. Available digitally and on CD, the physical version will be packaged in a gatefold sleeve as a limited edition of 500. For more information on the artist and release, please visit www.touch33.net.

The album’s conceptual roots stem from 'The Archaic Revival' by American ethnobotanist and psychonaut Terence McKenna. In it, McKenna theorizes that when a culture becomes dysfunctional it attempts to revert back to a saner moment in its own history. He suggested that abstract expressionism, body piercing and tattooing, psychedelic drug use, sexual permissiveness, and rave culture were proof of this default to a more primal time. The text’s idealism was influential to Novak in the ‘90s, but today the theory bears a darkly-veiled resemblance to the rise of nostalgia-driven nationalism. Regardless of whether one agrees or disagrees with the signifiers of a ‘better time’ - McKenna’s idea highlights our propensity for selective memory, seeing history through the lens of memory instead of fact. On 'The Future is a Forward Escape Into the Past' Novak looked back at his own older works through this lens as inspiration.

“For this album I was interested in expanding into a more emotive compositional style and palette. In doing so, I was reminded that this was territory I had covered early on in my career — the whole process became a way to reconnect with my own past and history.”

The Album’s four tracks dynamically shift and surge, where time is rendered as material and momentum compels it into movement. Subtle distortion throughout the album ties the tracks together and echoes techniques explored in Novak’s 'Meadowsweet' (Dragon’s Eye, 2006). Tension gives way to a halcyon vision of place in “Radical Transparency,” immediately followed by the austere swells of “The Inertia of Time,” a piece that captures the twin impulse of generating optimistic beauty in harshly muted tones. Both tracks introduce subtle bass swells and stabs reminiscent of 'In Residence' (Dragon’s Eye, 2008). From there, the album grows darker with “Casting Ourselves Back into the Past,” and “Nothing Ever Transcends its Immediate Environment,” two icier tracks that preserve the album’s core: a layer of something long since passed that locks us into the very moment we inhabit. The latter introduces a processed vocal sample of Geneva Skeen, similar to Novak’s collaborative work with Marc Manning on 'Pairings' (Dragon’s Eye, 2007). The album is a study in perception and alteration, manipulation and awareness, effectively capturing Novak’s command of emotional texturing.

The Future is a Forward Escape Into the Past'

The Inertia of Time

This is my contribution to the Rusted Tone Recordings: Sampler Vol. 1 various artists compilation.  Recorded using dual reel to reel tape decks and a single tape loop that continuously records over itself, slowly degrading over time.  Thanks for listening, and I hope you enjoy!!

https://rustedtonerecordings.bandcamp.com/album/rusted-tone-recordings-sampler-vol-1

A Thousand Tiny Heartbreaks

Kaziwa

Porya Hatami & Arovane - Feer

"Who Knows, Who Knew" is taken from the album Lies, Deception and Sin by Niskogradba.

Release date: 18.10.2018
Format: CD/Digital

All tracks sampled, looped and produced by Niskogradba 
between November 2017-March 2018 
Mastered by Roel Weerdenburg

Limited edition of 40, Professionally manufactured high quality CDr's, Handmade packages, hand numbered.
Different colored wallets with envelopes: Brown Kraft, Blue and Red.
Bigger and smaller sleeves, smallest size in transparant bag.
Photo's.

Order: https://shimmeringmoodsrecords.bandcamp.com/album/lies-deception-and-sin

Niskogradba - Who Knows, Who Knew (Taken from Lies, Deception and Sin - Out Now)

Date : 2019/9/29
You can download this track.

Standing in the Pouring Rain

Adriaan de Roover, who is also known as Oaktree (check out a few of his excellent mixes for Headphone Commute), announces a new EP, titled Voor anderen, with which he joins a Belgian imprint, Dauw. The label has been on the forefront of delicate ambient music, working with graphic artist Femke Strijbol "to create a unique hand-made piece of art that flatters both the ear and the eye." With this new release, they welcome Maarten De Naeyer as a new in-house graphic designer to continue the visual identity while opening up the door to new artists. I continue to be happy with their choice of album covers, which "engage interactions between different art disciplines." The work of Adriaan nicely slots among the label's catalogue, with its soft blurry hues of minimalism, micro-drone and environmental sound. On the EP, elegantly combined organic textures blend with their electronic parallels, sweeping the wide-ranging frequency spectrum across glitters and bass. The selection features commissioned pieces between 2015-2018 "merging feelings of distance and proximity into melancholic sonic entities."

Voor anderen

TRACK PREMIERE : Adriaan de Roover - Voor Damiaan

Simple experiments geared towards performance, these pieces were recorded using Monome mlr & Grid, Organelle/Orac, Montreal Assembly CT5, Chase Bliss Audio Mood, and Mutable Instruments' Rings & Clouds.

I hope you'll enjoy!!

Performed/Recorded by D.Harper 6/2020

Mastered by Porya Hatami
http://poryahatami.com/

Poppy botanical by Walter Müller, 1910

Root

Track taken from the upcoming album 'Cette Mer Qui Est En Toi'.

Music: Ojerum
Mastering: Ian Hawgood
Artwork: Ojerum
Design: Daniel Crossley

www.fluidaudio.bigcartel.com

Porya Hatami & Arovane - Feer

Porya Hatami

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