Turn of the Century

Lyrics:
I had dreams of being rock star
I Had dreams of being rockstar
Now I just live with my mom 
Workin some retail job

I crave debauchary 
So sweet all my sins catching up to me again
I’ll flee again, I’ll flee again 
drag this blade cross my skin

All I do is watch pixelated images of people
Fuckin and look up type beats on youtube
Here I go dreaming again

I’m being crushed under
the weight of my dreams 
Wont you pull me out of this scene 
I see no end to my depravity 
Kill me slow and steadily
My aspirations caught this ceiling
I can only sing to you how I am feeling

I CRAVE DE-BAU-CHERY
I CRAVE DE-BAU-CHERY

Here I go dreaming again
She won’t talk to me again, 
She won’t talk to me again
I miss her touch
I had a beautiful girlfriend 
burned that bridge
Sparks and Flame light up 
like propane it burned my face

HELLFIRE SCOR-CHING ME I’LL SIN AGAIN AND
BEG AT YOUR AL-TER FOR FORGIVE-NESS AGAIN
I LOVE WHEN WE DATED BUT, 
OUR LOVE SLOWLY DILAPIDATED  

I’m being crushed 
under the weight of my dreams 
Won’t you pull me out of this scene 
I see no end to my depravity 
Kill me slow and steadily
My aspirations caught this ceiling
I can only sing to you how I am feeling

AHHHHHHHHHHHHHHHHHHHHHHHHHHHHH!!!!!!!!!!!!!!!!!!!!

I… CRAVE… DEBAUCHERY
I… CRAVE… DEBAUCHERY
I… CRAVE… DEBAUCHERY

BEFORE THE DEBAUCHERY

I CRAVE DEBAUCHERY

Human by Algorithm

Normal

I KNOW I KNOW

bluesy  rock piano and bass and female vocals

24/7 with you

7s (prod. by P4RA)

“I’m Okay” speaks volumes about human suffering and the power
of faith. Raya touches on a subject that hits home with too many people: the feeling of not being
enough or not belonging in this world. She then carefully crafts a melody on how somehow we
think we should be more, do more, and be better than we already are. Importantly, however,
Raya notes that there is no “one size fits all” to determine our own success and happiness —
everyone achieves success at their own pace and in their own personal way. “So

I'm Okay

BABY -Dboy PANDA Original

This is an excerpt from a bachelor party jam held on May 17, 1985.

Bridge of Sighs (LIVE 1985 Robin Trower COVER Jam by Michalski-Snyder-Rodriguez & Co) Take 14 min.

9PM in Onigashima

Electro Dark Pop Artist Possible Impossible, fronted by Patrick Wayne (Moran), lifts a page out of the sci-fi and fantasy worlds he’s helped create as an acclaimed Video Game Producer and Director (Mass Effect 2, New World). Wayne explores a multiverse of potential futures and alternate realities his life could have taken, each release a different version of his life throughout the multi-verse of Possible Impossible. Building on the success of Possible Impossible’s debut single, the latest release “Subtle” considers what it would be like to be in a relationship with a toxic influencer who is mean, despite a sharable smile and surface-level good vibes only. 

With a history in utilizing big data and algorithms to reach and engage video game players, Wayne is a trailblazing cross-over Artist, from video games to music, bringing an insider's perspective on how technology has introduced veiled toxicity into our cultural consciousness.

Founded as a collaborative project with a revolving cast of talent around Patrick Wayne’s distinct vocal quality, Possible Impossible’s latest features Creative Director Trent Park (G Eazy, Ty Dolla $ign, Joyner Lucas, Too $hort) as Co-Writer and Producer, prolific tour and session musician Micheael Shiono (Fantastic Negrito) on bass, and Perry Bancs on guitar. Collaboration is a cornerstone of the creative process for Wayne, sharing his early demos and ideas with friends and family to help select which songs he moves to completion. Wayne allowed contributors to overhaul huge sections of the latest single, prioritizing the potential of the song over his own ego. This approach stems from his time in the highly collaborative video games industry, where team sizes regularly reach hundreds of contributors.

2021 has been a banner creative year for Patrick Wayne. Possible Impossible’s first release “Oxygen” exceeded over 100k views on YouTube, landed on Spotify’s Release Radar, and was covered by over a dozen international press outlets. Wayne’s remastered work on Mass Effect hit #1 worldwide on console and PC charts with the release of Mass Effect: Legendary Edition, and his work on Amazon’s New World also hit #1 worldwide on PC. 

Despite the differences between mediums, Wayne’s critically acclaimed production values in video games translate to high quality writing and production in the latest single, and signals his growth and potential as an Artist over just two singles. He is “leveling up” quickly, built on two decades of artistic and commercial success in video games.