Name: Post Recording 019 - Raphaël Top-Secret by Post Bar
Duration: 3 h 30 min 25 s
Description: Heeeere weee gooo. A little blast from the past. Starting off with slow and sexy swings and quickly upping the tempo to move ya hamstrings. Raphaël Top Secret played an all too sweet set at Post Bar in February 2019 (when most people woulda laughed at the idea of a pandemic hitting in a year, hah). And it’s all on tape. Hit it.

Heeeere weee gooo. A little blast from the past. Starting off with slow and sexy swings and quickly upping the tempo to move ya hamstrings. Raphaël Top Secret played an all too sweet set at Post Bar in February 2019 (when most people woulda laughed at the idea of a pandemic hitting in a year, hah). And it’s all on tape. Hit it.

Post Recording 019 - Raphaël Top-Secret

The sequel to the mix which started it all, and Wax’o Paradiso Recordings’ first release on cassette. Presenting WPT001: Wax’o Balearico Vol. II.

Selected and mixed by Edd Fisher and Simon TK, recorded at Motom Studios, designed by Milly Davison.

Cassette available now via bandcamp.
https://waxoparadiso.bandcamp.com/album/waxo-balearico-vol-ii

Wax'o Balearico Vol.II

Wax'o Balearico Vol. II

Globetrotters, time travelers, fun seekers, vinyl diggers, dance lovers… Many are the types of beings that thrive in this sonic culture of ours, finding shelter and happiness in this sensorial and emotional universe fostered by musical communion. And the creatures therein are more than just characters, they comprise the fauna and flora of these aural environments in which we dwell and revel, sustaining it with both their projects and their passion. Take the magnificent French trio known as Bayetë for example, an autonomous ecosystem of discovery and debauchery that strives to create the perfect conditions for our enjoyment of the treasures they find in their excursions across the world. A noble purpose that is so powerful that it does not solely rely on the collective's togetherness to exist, each of its members carry that same seminal drive in everything they do individually. Something we can perfectly perceive in this episode of Gop Cast where Simon, one of its members who recently relocated to São Paulo, manages to encapsulate the eclectic excellence of their musical abundance in a stellar mix of moods, grooves and everything in between.

Gop Cast 080 - Simon (Bayetë)

First contribution to our Spring/Summer mix series by LA's very own, @suzannekraft . Check out our short interview with him on our website! https://www.homagebrewing.com/spring-summer-mix-series

Homage Mix Series: Suzanne Kraft - 001

Recording of Tako & Relmer's set at Dekmantel Selectors 2022.

Tako & Relmer at Dekmantel Selectors 22

Please meet London based DJ and producer, former Cafe Del Mar resident, and our long time close friend Phil Mison (@cantomamusic). Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Phil, many know you as one of the DJ's who has played all the best sunset spots across the globe. How did your summer look this year, still been scoring sunsets here and there?

PM: My summer was great. I travelled to Amsterdam, Cork, Copenhagen and Barcelona and had some nice gigs in the UK. My friend Deke has opened a bar on the seafront in Margate, you get pretty epic sunsets down there. I played a few records one evening and managed to fit in a few old cafe classics as the sun disappeared into the sea. 

MFM: Please tell us a bit about how it all started for you?

PM: I grew up in the 70’s, so there were quite a few different influences. David Bowie ‘Life On Mars’ was an early memory, and I was obsessed with Blondie. Parallel lines was the first album I bought. Later it was Northern Soul, Electro, nothing really that mellow! In 87 I met a couple of people who were really into House. I started going to groove records in soho to buy records like Adonis - No Way Back, Ten City - Devotion. Then as 88 rolled around I got into the more Balearic side of things. Later in 89 I’d pop into Reckless Records for second hand stuff and started to browse the New Age section where I got things like Kitaro  ‘Tunhuang’ and Paul Greaver ‘Joy’. Those records were the starting point really. 

MFM: DJing in clubs to make people dance never really attracted you?

PM: I’d say pretty much most of my DJing has been in clubs. I started at the Milk Bar in Soho in 1992 after giving Darren Emerson a tape. Even though I was doing the warm up and playing mellow stuff at the beginning, you had to build it up to a full dance floor by the end. In 1996 and 2000 I was the tour DJ for Lefttfield, playing in front of 1000 odd people. ‘Just get it going before we come on!’ Alongside Ross Allen and Rob Da Bank, I was resident at Bar Rhumba for our Next Level night in 1997. It lasted a year and we opened with Harvey and closed with Andrew Weatherall. I Have to mention Moonboots and Jason Boardman’s night Aficionado too. I always enjoyed playing to a dancefloor there, they’ve kept the Balearic flag flying since 1998. 

MFM: At what point did you got into making music on your own? 

PM: I’d worked on a project for Kenneth Bager in 1994. Then later on he started his Music For Dreams Label, and asked me if I would be interested in making an album.  So the first Cantoma album was started in Copenhagen in 1999, and finished in London in 2003. 

MFM: How do you come up with a new song, is there a certain Phil Mison way to it? Do you write the parts for the musicians?

PM: It usually starts with an idea that pops into my head. Sometimes a memory or travelling will get a melody going, and I’ll sometimes hum it into my phone and use that as a starting point. Ive worked with Engineer/Producer Robin Twelftree on all the Cantoma albums. I’ll go into Robin’s studio and usually start with some basic keyboards, then I’ll play a bassline in. I’ll take the demos away and think about what would work on the tracks. For some musicians the music is written down. Ive worked with Robin Lee from Faze Action on a few Cantoma tunes, and he usually transcribes my basic melodies onto sheet music. Other times I’ll play the melodies on a keyboard or hum the tunes for the musicians to follow along to. On some tracks I’ll write the lyrics too and get a singer to record on a track. There’s a lot of going back and forth until I’m happy with the final cut. The music rarely ends up sounding like the first version.

MFM: Making a mix must have been a piece of cake for you :) What is this mix like?

PM: I went back through my 92-94 selection and picked a selection of the lesser played records. Memories of magic times at the Milk Bar and warm summer evenings at the Cafe del mar.

MFM Mix 044: Phil Mison

SWAYMIX 002 - Eternal Love

SWAYMIX 004 - Loveshadow

‘Please Don’t Step on My Rainbow,” our latest mixtape and contribution to Jungles cassette series, is an escape into the Wax’o world of assorted balearica, sun-drenched psychedelia, downtempo and contemporary soul. Music both new and old, some rarities and some starterpack jams. Cassette available now via Bandcamp or Jungles webstore!

Jungles Mixtape: 'Please Don't Step on My Rainbow'

Long time mate of PT and top qual Deej ~> Daniel Pisano running up 90 mins plus of cuts we all wish were onto. Chefs kiss approach spanning from covers for lovers to dancehall & ragga UFOS, rnb and house.

ID Requests @daniel_pisano

1800 triiip - Daniel Pisano - Mix 054

Springtime is lurking, treacherously - Telephones helps you slide through the murky Berlin lurk with silky and sunny Street Soul, Disco, Balearic, and House-vibes for better, brighter days to finally up those celsius!

Telephones' New Massage 026 [Refuge Worldwide]

Post Bar is a club.

Post Sonics is a label.

Post Recording 019 - Raphaël Top-Secret

Post Bar

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