Discover Weekly Archiv - 2

Shir Khan Presents Welt Am Draht - a collection of Exploited dancefloor gold from 2024! 'Sex!' by duo Modular Project rolls out a neat and classy groove as the sturdy bones of a Disco beat thump under a snake-hip bass, serrated acid line and bold, unfiltered piano chords. Bearing flecks of Krautrock, Indie, Electronica and Funk, Made In TLV's 'Super Cool' is an anthem that traverses vast sonic territory. Diar Storm, Lost Boy 1984, Play Paul present a modern form of Dark Wave Electro that is, equal parts stroppy and sexy. 'Everything So' emits cathartic steam as vibrant synths burst with bittersweet chords and jagged staccato tones. 'Tainted In The Sun' by Niv Ast kicks off with a Manchester chorus beaming out over stroppy power chords. Gary Numan’s cross-continental hit 'Cars' from 1979 has been covered, sampled and reworked from vastly different pockets of the industry. Now - Laroz presents a rejuvenation of ’Cars’. 'Infinity' by Budakid is a journey in the truest sense of the word. Through an effervescent bass sequence, clever filter control and kinetic drum work, Budakid generates consistent motion from start to finish. 'Falling For You' by Komilev dials in that Panorama vibe packed with effervescent drama, soul and sass. 'Rompe Disco’ by Alex Medina bumps like House and glistens like an Italo whilst also exuding the moxie of Reggaeton.  'Foreign Affairs' by Micropacer follows with more early 80s flair.  Pole Position of Brunch In The Park Barcelona fame channel their complementary energies into 'Diamonds'; a recording inspired by Electro House that deftly straddles 80s New Wave, Prog and Indie. Moodymanc's 'Joy' twists Philadelphia soul sounds into a peak time house monster. Now re-edited for modern times in a special Breakbeat version.  São Paulo based Renato Cohen fires up his arsenal of analogue gear and adds a bright and burly Italo cut with ’Lemon Key’. Zeynep Erbay’s ’Neon Palm’ sits comfortably alongside modern Indie Dance, Italo Disco and House alike.  Slump Recordings boss Baby Rollén’s ’Feeling Mumbled’ Remix is an ultimately playable DJ tool; one that renders an after hours sunrise as chords bounce of the tracks surface like rays of light while tight, nifty shuffles interlock with a bouncing bass line.  Austin Ato fleshes out some deliciously hallucinogenic Italo synths in his Remix version of ’Super Cool’ by Made In TLV. ’Acid Infatuation’ by Levantine is a sound that occupies a sweet spot between Eurodance and Italo.  Black Hawks of Panama steps in with ’Wrapped’.The ingredients are simple: a slapping disco kit, Alpha Juno, zesty guitar licks and an anthemic vocal. The result is a contagious Italo march that burrows deep under the skin; put simply - a slice of pure rapture. 'Good Times' by Renato Cohen sparks things up with bright, muscular drums that pave the way for a rasping bass line - a killer DJ tool. Raw energy is spat out while snares clash and vocals march along with an intensity that doesn't let up.  Captain Mustache’s ’Diavola’ flexes low-mid tones warble in lock step with strapping drums and an earworm synth line. ’Heart Life' by NEAT adds a further facet to the compilation with an allaying Italo-tinged groove.  In ’Neonim’ by Laroz, a gently jagged bass line bubbles away, creating a buoyant bed for expertly crafted drums which pop out with expressive alacrity. Dulcet piano tones form a bond with amber-tinged synths as warming soundscape is developed. James Curd throws a dart straight to the dance floor with the jazz-tinged House jam ’Feeling Mumbled’ built from a classy palette of samples.  Sandhog closes the album with the highly memorable recording 'Berlin' that speaks to the power of simplicity. 
 Artist: Various Artists
 Release: Shir Khan Presents Welt Am Draht 2024
 Label: Exploited  
LC: 15799 
Cat: EXPDIGITAL260
 Publishing: Exploited Ghetto Music Publishing/Sony ATV 
Beatport Pre-order: 17.01.25 
Release Date Streaming/Global Download: 31.01.25

Shir Khan Presents Welt Am Draht 2024

Buy / Stream

Diar Storm, Lost Boy 1984, Play Paul - Everything So (Radio Edit) (Exploited)

✨ Lost Boy 1984 – I Kept The Faith ✨
https://linktr.ee/Lostboy1984

Some melodies never fade.
Some nights keep glowing forever.

I Kept The Faith is the echo of a vanished time—a secret homage to Crydamoure, Roulé, and the magic of early Daft Punk nights.
Created fully analog, with the spirit of the 90s burning deep inside.

Whether you dance, dream, or simply disappear—this track is yours.
👉 Press play. Download. Keep the faith.

https://lostboy1984.bandcamp.com/album/i-kept-the-faith

Compose,Produce,Mixing, by Lost Boy 1984
Mastering by Storia Mastering Studio 

I Kept The Faith

Lost Boy 1984 - I Kept The Faith

Glass-shattering bass with an eery guitar haunting the dance floor while Frankenstein lives among us. Never stopping, never sleeping, maybe he's the ultimate party monster. We should all be more like Frankenstein!

▸FOLLOW DYLAN TAYLOR
@dylantaylordrums
YouTube: http://bit.ly/2FrZq8a
Twitter: http://bit.ly/2ASFBnb
Facebook: http://bit.ly/2DsaDFn
Instagram: http://bit.ly/2DqfNld

▸SUPPORT RELEASE
Beatport: http://bit.ly/2my54h2

▸Submit your DEMO: bit.ly/1XnqckB

Frankenstein

Dylan Taylor - Frankenstein (Beatport Exclusive)

Drunk Groove

Drunk Groove (Kolya Funk & Mephisto Remix)

The Riddle

Die Welt ist eine Scheibe. Jedenfalls wenn es nach Gerrit Starczewski, Daniel Fassbender und den Pottoriginalen geht. In dieser kleinen Fabel-Welt trägt Jesus eine Jeanskutte, die er vor vielen Jahren mal einem Schalke-Fan geklaut hat, schulterlanges Haar, hat sein Herz an den VfL Bochum verloren, ist längst ein Kurven- und Leinwandheld – und macht jetzt auch noch Musik.
„Der Bass muss knallen oder watt“ heißt die Scheibe, und kombiniert die unverwechselbare kuttige Herzlichkeit des „VfL Jesus“ mit der kreativen Wucht von Starczewski (Pottoriginale) und Musik-Produzent Daniel Fassbender, der dem Ober-Original einen Sound auf den Jeansleib geschneidert hat, der einem beim Hören mit in jene Zeit zurücknimmt, aus der Jesus´ Frisur stammen muss. „So 90er-Jahre-rave-mäßig“, stuft Elektronik-Freund Starczewski den Track ein und weil das so viel schöner ist, hat er gleich auch noch ein „Pottoriginale“-Label gegründet ...

Der Bass muss knallen oder watt (Intro Pommesbude)

SNIPPET - Der Bass muss knallen oder watt - Daniel Fassbender feat. VfL Jesus (Intro Pommesbude)

Stream/Free Download ❤
https://edmlead.net/gate/nilaxyshowmehow

Exclusive
https://exclusivexyz.lnk.to/spotify
https://exclusivexyz.lnk.to/instagram
https://exclusivexyz.lnk.to/soundcloud

NILAXY
https://soundcloud.com/nilaxy
https://www.instagram.com/official.nlxy

BBrightz 'Co-producer'
https://soundcloud.com/b_brightz
https://www.instagram.com/BBRIGHTZMUSIC

NILAXY - Show Me How

Around The World

Lost Boy 1984 is a Vinyl DJ, Remixer and House 80s futuristic sound Producer from Essen Germany.

Available here (for example):
spotify - https://spoti.fi/2ETWD9C
amazon - https://amzn.to/2SP5I76
deezer - https://bit.ly/2u3QFNj

Video (Original): https://youtu.be/C6VtSHdCoOE

@lostboy1984
@danielfassbender
@pottoriginale

Der Bass muss knallen oder watt

Der Bass muss knallen oder watt (Lost Boy 1984 Remix)

Der Bass Muss Knallen Oder Watt (Lost Boy 1984 Remix)

Veröffentlichung am 17.09.2018

Techno, oder watt !

Raven mit Jesus? Filmemacher Gerrit Starczewski und Musikproduzent Daniel Fassbender machen es möglich. Der Wahnsinn aus dem Ruhrgebiet bekommt jetzt auch noch seine eigene Musik ...

SNIPPET - Der Bass muss knallen oder watt - Daniel Fassbender feat. VfL Jesus (Intro Pommesbude)

Pottoriginale

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