My play list

Zbigniew Preisner ♥| Polish Film Composer ♥

list#3

Karma

Light

Contemporary classics

خرداد 93

موسيقي و قهوة

Instrumental

Zbigniew Preisner - Julie Glimpses Of Burial

Otto A Totland - Seveen

Trois Couleurs (Blanc) Soundtrack - Zbigniew Preisner

The end (from three colours :White)- Zbigniew Preisner

Taken from the album 'Spaces' out now on CD/2xLP/Digital via Erased Tapes.

EU order link: www.erasedtapes.com/store/index/ERATP055
US order link: www.midheaven.com/item/spaces-by-frahm-nils-cd
iTunes Worldwide order link: snip.ftpromo.net/spaces

9/10 Drowned In Sound · 9/10 Clash · 4.5/5 Fact · 4.5/5 Resident Advisor · 9/10 Popmatters · 9/10  The Line Of Best Fit ·  8.5/10 Under The Radar · 8/10 Exclaim! ★★★★1/2 Music Omh · ★★★★ The Irish Times ·  ★★★★ Arts Desk

‘Frahm truly excels’ 9/10 Uncut 
‘Frahm works his magic’ ★★★★ Mojo
‘The infinite elasticity of sound’ 7.8 Pitchfork 
‘Improvisatory, wild, heartfelt’  Interview Magazine
‘A fantastic record’ The Guardian Album of the Week 
‘Frahm creates something mesmerising’ ★★★★ The Observer
‘My favourite new piece of music this year’ Mary Anne Hobbs, BBC 6 Music

www.nilsfrahm.com · www.erasedtapes.com

Spaces

Hammers

Buy LP/CD/DL

Zbigniew Preisner - Piotr

موسیقی فیلم چهارشنبه سوری-پیمان یزدانیان

Movie Night – The Greatest Film Themes

Richter: On the Nature of Daylight

released 2011 on "The Devil's Walk", original version features Soap&Skin,
instrumental version featured on Breaking Bad episode 13 of season 4

Apparat / Goodbye (Instrumental)

Gulben Ergen - Yari Ciplak

ساری گلین - علیزاده و گاسپریان

Feeling Együttes - Esküvői zenekar, party zenekar
http://feelingmusic.hu

Ma Baker

11 Second flute Zbigniew Preisner from Trois Couleurs : Bleu

Download link : http://www.mediafire.com/download/glytz8lcpo4eiqp/Moslem_Rasouli_-_Number_5.mp3

Mim Rasooli - Number 5

موسیقی متن فیلم خیلی دور خیلی نزدیک

02 Towards Destiny

Jon Hopkins piano version of Modern Driveway by Luke Abbott

Modern Driveway (Jon Hopkins piano version)

In The Gates Of Hell - Zbigniew Preisner - ANONYMA ost

Ending part of Bivareh live at AmirKabir university.
Composed by Amin Rafiei Nia, Mani Maghsoudloo

Lalayi

http://www.ebrugundes.com.tr
http://www.ebrugundessatiyor.com
http://www.facebook.com/ebrugundesofficial
http://www.twitter.com/EbruGundes
http://www.vimeo.com/EbruGundes
http://www.youtube.com/gundesofficial

01 SENİ İSTİYORUM

05 YAPARIM BİLİRSİN

A tantalising taste of what’s to come, ‘Unter | Über’ is a rather microscopic affair and yet a record that perfectly captures the last days of summer before winter sets in. The under two-minute song twins must be one of the shortest singles released this year. Recorded on Nils’ own piano in his Berlin studio flat, these are two of the most personal and optimistic pieces of music we have heard in a long time. Entwined impeccably these are tracks you can listen to over and over again.

‘Unter’ received a remix by Dutch experimental music maverick Rudger Zuyderveldt aka Machinefabriek. The A-Side also inspired German filmmaker Ralph Etter to take his camera with him out on a field and shoot a stunningly simplistic video of barley flowing in the wind. Both, the remix and this entrancing piece of cinematography will accompany ‘Unter’ and ‘Über’ on their digital release.

Erased Tapes Collection III

Nils Frahm – Unter

پرنده‌ها
رفتند

شکوفه ها
به تماشای آب های سفید


حسین علیزاده | به تماشای آب های سفید

 شنیدن موسیقی  فیلیپ گلاس منو به باغ دماوند برد و کلی یاد و خاطره شیطنت های "میم" و" محمود" میان درختان باغ و چمن زارها و دشت هاش رو واسم  زنده کرد ...یاد عشق نافر جام" محمود" به" میم" و سماجت باغبان پیر سمج و اغا جان و ....کلی 
خاطرات پراکنده دیگه ...همه و همه باعث میشه هیچ زمانی   فیلم  و رمان درخت گلابی از خاطرم دورنشه......
Philip Glass - Mad Rush

قطعه "مد راش" انتخابی از  درخت گلابی" داریوش مهرجویی"/ اثر فیلیپ گلاس

For more information visit: http://www.klassikakzente.de/recomposed/home 

Some works are so familiar that it is almost impossible to hear them afresh, but that is what Max Richter has achieved with Vivaldi “Recomposed”. This is no mere arrangement; instead Richter has absorbed Vivaldi’s The Four Seasons into his own musical bloodstream. At first Richter followed the example of other works in the “Recomposed” series, which re-mix existing recordings, but, he says, “I wanted to open up the score on a note-by-note level, and working with an existing recording was like digging a mineshaft through an incredibly rich seam, discovering diamonds and not being able to pull them out. That became frustrating. I wanted to get inside the score at the level of the notes and in essence re-write it, re-composing it in a literal way.”Richter calculates that, in the process, he has discarded around three-quarters of Vivaldi’s original. He opens with what he describes as “a dubby cloud which I’ve called Spring 0. It functions as a sort of prelude, setting up an electronic, ambient space for the first Spring movement to step into. I’ve used electronics in several movements, subtle, almost inaudible things to do withthe bass, but I wanted certain moments to connect to the whole electronic universe that is so much part of our musical language today.” Other resonances are no less unexpected: Richter describes part of the first movement of his Summer as “heavy music for the orchestra. It’s relentless pulsed music, which is a quality that contemporary dance music has; and perhaps I was also thinking about John Bonham’s drumming. Then, in the second movement of Autumn I asked the harpsichordist Raphael Alpermann to play in what is a rather old-fashioned way, very regularly, rather like a ticking clock. That was partly because I didn’t want the harpsichord part to be attention-seeking, but also because that style connects to various pop records from the 1970s where the harpsichord or Clavinet was featured, including various Beach Boys albums and the Beatles’ Abbey Road.” Clearly, Richter has brought his own frame of reference to the project. As he says, “Vivaldi’s music is made of regular patterns, and that connects with post-minimalism, which is one strand in the music that I write. That felt like a natural link, but even so it was surprisingly difficult to navigate my way through it. At every point I had to work out how much is Vivaldi and how much is me. It was difficult but also rewarding because the raw material is so fascinating.”Just as Richter’s Seasons plays tricks with the way we hear Vivaldi’s original, so it also asks questions of the soloist, Daniel Hope. “Violinists have Vivaldi’s The Four Seasons hardwired in their brain. Daniel is likely to play the original I don’t know how many times in a year, and for him to have my parallel text going on in another part of his brain is a challenge. I think he did a wonderful job. He brought to it a deep engagement with the original, but he was fully prepared to cut this new swathe through the text.”


Recomposed By Max Richter: Vivaldi, The Four Seasons

Richter: Recomposed By Max Richter: Vivaldi, The Four Seasons: Winter 1 (2012)

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ZBIGNIEW PREISNER - Home at last

سیاق / تک‌نوازی در اجرای گروه خنیا / تالار وحدت / آذر ۱۳۸۹

The end (from three colours :White)- Zbigniew Preisner

pouria