There's a Light - We Choose to Go to the Moon

old beat, up on bandcamp. 

o.g. - https://goo.gl/Ad4XbG

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summer's day. [v2]

women (an extended version is available in "short stories" album)

Seriously I could never dream a year ago that I would be remixing one of my favorite bands Coldplay. I wrote this remix in the back of a bus on tour and it came together so quickly because I was really feeling a connection to the original song whilst I was on my own adventure of a lifetime! Thank you for all your kind words and messages. I love being on this journey and sharing my music with you this way. I always say it but subscribe to the Hakuna Matoma album because I promise the surprises will keep coming! http://smarturl.it/sHakunaMatoma

Coldplay - Adventure Of A Lifetime (Matoma Remix)

Ailbhe Reddy's new single 'Distrust':

"‘Distrust’ is her latest track, a song which pushes and pulls between acceptance, desire and distrust: at once mournful yet resolved to move on." - Nialler9

Irish Times 'New Artist of the Week' - "Her latest track Distrust marks a turning point towards a more developed sound. With the production help of Darragh Nolan, is more complex and memorable than what has gone before." - Niall Byrne, The Irish Times

"The stark production, use of harmonic background texture and large vocal swells makes for beguiling track." - Stephen White, The Last Mixed Tape

"‘Distrust’ is an indie pop tune that showcases Ailbhe’s distinguishing vocals. With lyrics that are both emotive and defiant yet hold a hint of open vulnerability, this mid-tempo track is well worth a listen." - Anna Henderson, Dublin Concerts

Claire Beck's Record of the Day on TXFM.
The Last Mixed Tape's 'Song of the Week'
Niall Byrne's New Artist of the Week for the Irish Times

Recorded and mixed by Darragh Nolan at Asta Kalapa Studios.
Mastered by Andy Davenport at Altitude Studios.
String arrangement - Katie Lynn

Vocals - Ailbhe Reddy
Guitar - Ailbhe Reddy
Bass guitar - Cillian Byrne
Percussion - Lorcan Byrne
Violin - Katie Lynn
Keys - Keith O'Reilly
Additional vocals - Cillian Byrne, Callum Orr, Katie Lynn & Jackie Hennessy

Artwork by Victoria Levins

Lyrics:

I'm not a mistake,
Hurts when you talk that way, that way.
I'm not a waste, 
The time it takes to fuck this up.
The distaste, distrust.

And I'll miss you,
I'll miss you...

But I'm not in love,
I don't think I can be, 
Thought that I could be with you.
I'm not in love,
No I can't be, 
Thought I could be with you, you.

With you, with you, with you...

It's not a shame,
You act this way, 
It just shows,
It's me you loathe.
I'm not afraid,
To walk away because I know.
I'm built to live alone.

And I'll miss you 
I'll miss you...

But I'm not in love,
I don't think I can be, 
Thought that I could be with you.
I'm not in love,
No I can't be, 
Thought I could be with you, you.


Distrust

Had to remix this record, hope you like it! 

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Coldplay - Adventure Of A Lifetime (Audien Remix)

Buy Emergence: http://maxcooper.lnk.to/Emergence

I started this track with a simple Prophet patch running through a Moog ring mod with loads of overdrive. It wasn't so much overdrive that it became aggressive, but enough so that it had a simple tonal quality overlaid with plenty of honest low-fi grittyness. Sometimes all it takes is getting that first timbral feature right for the rest of the track to flow from there, and this was a good example for me. 

I also knew I wanted the track to fit later on in the Emergence story, where it should be rhythmically straight enough to fit into a club show where needed, but also for the part of the show where we explore visually, the range of complex living forms and evolutionary change - it needed to capture some of that beauty of life's morphogenetic creativity.

I found the chord sequence fairly quickly, and built the drums and smooth dynamics within a few days, but I got stuck on how to complete the track. I tried hundreds of different ideas, and thought I might need to bin the project, but then luckily stumbled across some old synth jam recordings that had some moments that sounded ok. So I jumped on those and went to work on an editing job. 

It turned out that a lot of the problem I had been having was that I was trying to add too much, when for me, the chords were the hook, and what was needed was a sparse melodic addition to support the chords rather than any sort of traditional tuneful hook. In recent years I've been more and more drawn to just chord sequences as the main features of tracks musically, with the rest stripped away. When Ryan Rival Consoles was considering a remix he commented the album seemed to be all about the chords (or something to that extent), so I guess that idea is in there. Chords just seem to carry the most emotion for me for some reason (as opposed to melodies or lyrics for example).

So there it is, I hope you like the track!

Aseman

Pourya Ahmadi

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