Solo Works

Pouya Ehsaei

Tehran Contemporary Sounds Festival 2022

Worth to listen

My fav

Alina Baraz & Galimatias - Drift

Catalogue : MMT03
Artist : Maltash / The Undertaker's Tapes
Title : Amputated Spirit / Lethal Beliefs
Format : Cassette Tape
Release date : October 2021
Country : Lebanon
Genre : Industrial/Black/Arabic/Noise

Tracklist:

A-side:
1. Maltash - Buzzkill 
2. Maltash - Tormentor
3. Maltash - Tell Me What You're Dreaming Of
4. Maltash - Signs Of Frailty
5. Maltash - I Have Given You Everything, Give Back To Me

B-side: 
6. The Undertaker's Tapes - Lethal Beliefs
7. The Undertaker's Tapes - At The Gates
8. The Undertaker's Tapes - Shred To Pieces
9. The Undertaker's Tapes - What Will You Take From Me

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A split magnetic recording by Maltash and The Undertaker's Tapes.

The first composition under the Maltash moniker where the artist allegedly underwent his first Spiritual Amputation, this long play by the Aakkar native Maltash sees the artist on his knees facing his demons. Tormented ambient and drenched in Black, this could be Maltash's first and only release in his non-native Lebanese language.

Stepping out of the black fog; The Undertaker's Tape's most expressive work to date, dismantling all that is known about the project's ideology.
Confronting us with beliefs that will lead to our own lethality. The artist gives birth to an absolute dissonant ecosystem of noise and drums with inner screams which paints a portrait of pain.

Frailty of being captured on magnetic tape.

Track 1, 2, 3, 4, and 5 written and produced by Maltash.
Track 6, 7, 8, and 9 written and produced by The Undertaker's Tapes.

Artwork Photography provided by Maltash.
Mastering by Modular Mind.

Split: Amputated Spirit/ Lethal Beliefs

[MMT03] Split: Maltash / The Undertaker's Tapes - Amputated Spirit / Lethal Beliefs

Majestic Noise Made in Beautiful Rotten Iran

Forced Absence

This is track #4 from the album There. 

The sounds produced by processing samples from traditional and folkloric  music of Iran to make a rich and tense musical space. The samples are processed brutally and fractured totally in order to build up a strong tension.
The voice is from a recording of Ahmad Shamlu reading one of his poems in 1990 which is written in when he was in prison 1954. It is a letter to his father and it's called   'Letter to Father' 'نامه به پدر'.

The album is long waiting to be published by Entr'acte, hope it will be out Feb 2014.

Pouya Ehsaei - There #4

ASPHALT-PIRATES - - -AND EVERYONE HERE IS MAD  !!!  Acid & Mental 02

excerpts of my live set at Set Festival 2015
visuals were made by Fredrick Rodrigues in real-time and projected by laser
thanks to all the creative and hard-working people at Set Festival

Photo by Malthe Ivarsson


Pouya Ehsaei - Live at Set Festival 2015

Seated Figure - ONS #2

Ons #9

RocRast #35

A sad song refecting what started out as a very bad week and ended much better.

Klavernater

Live in Rymer (Part of the Strange Vibration concert) - Dec 2010 

Live In Rymer (2010)

Temp-Illusion is an experimental electronic duo consisting of Shahin Entezami (Tegh) and Behrang Najafi (Bescolour), both natives of Tehran, Iran.

PEND’s soundscape deals with assembly of carefully designed sonic micro structures that ultimately result in an artificial macro environment of hard electronic funk, taking the listener from a meditative to a hyper demented state.

Artist Statement:

For a long time, our lives have been controlled by the decisions of other people in other times. It’s been years that the news about the probability of an impending war go through our eyes and ears as audio and visual signals, infiltrate the brain, create stress and fear, which travel through the body. Fear engulfs the body unknowingly and you can see its effects on behaviors, conversations, lifestyles and mental states.

This situation takes over the society, ruins the economy and brings devastation. It seems that using media as a war weapon is a more tempting strategy and a better looking facade for the gore-mongers. As this weapon is used more and more, is the border between truth and lie still recognizable? Has anyone ever estimated how much destruction is caused by a simple piece of news about the escalation of tensions between two countries and the possibility of a war? Aren’t the devastating consequences of war such as death, destruction, poverty and disease the same as the consequences of living with fear and stress in the suspension and dread of war.

In general, isn’t a piece of news about the possibility of war, an act of war itself?

Pre-Order Tape / Digi

Temp-Illusion - Nankraws

My all hardware live set at Set festival 2020. Enjoy

Pouya Ehsaei at Set festival 2020

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I Love Summer

Fine China

Beat Producer : Khashayar SR
Lyrrics : Tik Taak
Mix & Master : Amir D-VA
Video Director : Saeed SJ
Record Label : Avang Music

Tik Taak - Mirim khoonehamoon

I DONT CARE (i love it ) TroubleMakers

a track for an old building about to be destroyed, made inside the building in Paris.

-i snor - Breathing Machine

Music: Darren Smith (Mote.) and Kimberley Bianca (Disaster Girl).

Download Album

TACE - Dust Particles

(كَامِل مَنقوص (تسجيلات هوندِبيس
تصميم الغلاف: روان ابو رحمة و باسل عباس
(ماسترينج: كِلي هيبرت (الماكروم

Kamil Manqus (Hundebiss Records)
Artwork by Basel Abbas & Ruanne Abou-Rahme
Mastering by Kelly Hibbert (Almachrome)

Kamil Manqus كَامِل مَنقوص

Bilharf Alwahad بالحَرف الواحَد

KiD CuDi presents SATELLITE FLIGHT: The journey to Mother Moon

Going To The Ceremony

Pouya Ehsaei is an experimental live musician, sound designer, producer, curator and radio host working as a solo artist and in collaboration with other musicians and artists. He is the leader of the band Ariwo and the figure behind the electronic and live music club night Parasang. Pouya’s practice involves experimenting with different compositional and sound synthesis techniques to create a sonic passage through hypnotic soundscapes, industrial beats, intricate sound miniatures, epic soundscapes, fractal polymeric rhythms and pulsating hard hitting sub frequencies. Pouya has performed at Royal Albert Hall, Barbican Centre, Southbank Centre and the Royal Academy of Arts as well as several festivals including Montreux Jazz Festival, Womex, Womad and Fusion.