Authors → @morzemorze and @irenrau. This is special mix, dedicated to the sixth anniversary of @oberwave. Stay noir and stay with us! 

www.instagram.com/oberwave
www.facebook.com/oberwave
www.vk.com/oberwave

Oberwave Bandcamp Page

Morze & Rau – Oberwave Mix 150

artist : Misak @misak
recorded 14 may '22
in Ayrarat cinema, Yerevan

broadcast on @testfm_radio

luchshe + TESTFM w/ Misak

#106 by https://soundcloud.com/phasefatale?utm_source=clipboard&utm_medium=text&utm_campaign=social_sharing
Podcast series by Club Rote Sonne from Munich, Germany - www.rote-sonne.com

Phase Fatale is the Berlin-based techno project of Hayden Payne. Since 2014 the New York native has earned a reputation as a techno innovator, both for the broad spectrum of dystopian, gritty, industrial-laden electronics included in DJ sets as well as his deep understanding of synthesis and sound design in his own productions. 

Having released his debut album on Hospital Productions (Redeemer, 2017) and 12"s on labels such as Jealous God, Ostgut Ton, and its sub-label unterton, Phase Fatale has since settled into residencies at both Berghain in Berlin as well as 中 KHIDI in Georgia's capital Tbilisi. In 2018 Payne launched his own label BITE, where he released his collaboration with Pablo Bozzi as Soft Crash. January 2020 saw the release of his second solo album Scanning Backwards on Ostgut Ton.

PHASE FATALE

Rote Sonne Podcast 106 | Phase Fatale

Live at Ambient Retreat, dedicated to 1 year from the beginning of the  war.
Sound bath to heal those in pain.

BadGround that evening:
- Dmitry Pliskin
- Uspenje
- krabsotona

Poster by Ban

Pray loud.

BadGround — Live @ Ambient Retreat, Ban (Yerevan, Armenia)

https://www.youtube.com/watch?v=v0ja9pv6htI&lc=UgxFyP2D0Go0q84c5gN4A
DYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMOKDYMO

Дымок (Uspenje Hardstyle Trance Remix)

Soft Crash, a collaboration project by Pablo Bozzi & Phase Fatale, is the number 380th episode of our original HATE Podcast series.

The mix is a live recording from Entropy @ Mihn Club, Hong Kong, February 2024. 

Download available.

Follow #PabloBozzi here:
https://soundcloud.com/pablo-bozzi
https://www.instagram.com/pablo.bozzi/
https://www.facebook.com/pablo.bozzi.music

Follow #PhaseFatale here:
https://soundcloud.com/phasefatale
https://www.instagram.com/phasefatale/
https://www.facebook.com/phasefatalemusic

Follow #Entropy here:
https://soundcloud.com/entropy_disorder
https://www.facebook.com/entropyhk/

Follow #MihnClub here:
https://soundcloud.com/mihnclub
https://www.instagram.com/mihnclub/

Photo credit: ANTOINE HASPEL
https://www.instagram.com/eniotnv/

Follow #BITE here:
https://soundcloud.com/bitelabel
https://biterecords.bandcamp.com
https://www.instagram.com/bite_records

HATE Podcast

HATE Podcast 380

Follow Phase Fatale

Soft Crash - HATE Podcast 380

https://secretthirteen.org/stm-260-phase-fatale/

Phase Fatale - Secret Thirteen Mix 260

Lonocton

Jon Doe One
Horror Vacui
12" (E251)

Limited edition of 250 copies
Release date: 22 June 2020
https://entracte.co.uk/projects/jon-doe-one-e251/

Music nowadays is a crime. The whole dark art consisting in whether the composer opts for death by suffocation (maximalism) or death by strangulation (the perennially fashionable anti-fashion that is minimalism). Jon Doe One’s debut record, Small Numbers, involved layer after layer of obsessive construction. Faced with its delirious palimpsest of rhythm and sound, listeners — those curious lost souls, I count myself amongst their ranks, alas — had no choice but to gag on the expansive ensemble. In other words, the composer had done all the hard work for us. To guard against this oversight, and his own imaginative zeal, for the next opus he decided to establish certain constraints. Firstly, that the music should sound live, spontaneous — to which end an old tape machine was marshalled; a live show cannibalised. Second, that each track should feature drums, guitar, electronics and bass, no more, or a combination of any three, notably the artist's hitherto neglected ‘first love’, electric bass (how sentiment threatens to quash the scientific). Four, all other whimsy such as melody would be stripped away. Fifthly, finally, and most brutally, only the best six tracks would make the cut. The day of the record’s release, I came across Johannes d’Hoine in the streets of Antwerp. Peering into the void of a baroque church, he looked somehow reduced. To raise his spirits, I piled praise on the record. Less is more, he muttered strangely. Kill your darlings! But I saw that, though the music lived, something in d’Hoine had died; he and Doe One did not speak again. [Text: Clodagh Kinsella]

Horror Vacui

Jon Doe One (E251; 2020)

Intro:(Slaya x2)

Some have wings bro
I have with some pride take some
'N shove me down (shove me down)
Cities come
I'm just a bad asshole
It's per wing
Just meant all this time
You know what to find

Shall we dance? Let's ride

Sway, start and don't let anyone
Just - blow me up nonstop
Serious check on this kickass crowd
It's a Jack of all setup, uh
They said his career bust unless you get off
Tame it, tame it 'cause his career just went off
I paid it's work it's a bar we can absolve

SHALL WE DANCE

Desktop

El coco

W̸h̵e̵n̴ ̸t̷h̵e̵ ̶w̵o̸r̷l̴d̵ ̶f̵e̵e̶l̷s̸ ̷d̷i̴s̶t̵o̴r̶t̴e̴d̶ ̸a̶n̷d̷ ̶b̴r̷o̴k̴e̸n̵ ̵t̴h̵e̵ ̷o̶n̴l̶y̶ ̴t̴h̶i̴n̷g̸ ̸y̶o̴u̵ ̶c̴a̸n̷ ̸d̶o̷ ̸i̸s̸ ̵t̶o̸ ̴r̴e̸a̸s̷s̸e̵m̶b̶l̵e̷ ̶i̷t̵ ̸p̴i̷e̴c̵e̶ ̸b̶y̵ ̵p̴i̶e̶c̴e̵ ̴o̶r̷ ̵g̵i̴v̵e̴ ̶u̷p̷ ̶a̷n̷d̵ ̴e̴n̸j̴o̶y̸ ̵t̸h̷e̶ ̸r̷i̵d̵e̷.̷ ̶
W̸e̷'̴r̸e̵ ̴b̴r̷o̴k̵e̶n̷ ̸b̷u̷t̷ ̶a̴r̵e̶ ̶y̴e̶t̶ ̸t̶o̶ ̸g̷i̸v̴e̴ ̵u̵p̴.̶ ̶
W̶e̸'̴r̸e̴ ̵l̸o̷s̴t̴ ̶b̸u̶t̵ ̴d̴e̵t̸e̶r̸m̸i̷n̶e̷d̶ ̴t̸o̵ ̵g̵o̵ ̸o̵n̷.̴

BadGround — Live @ Ambient Retreat, Ban (Yerevan, Armenia)

Dmitry Pliskin

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