James Everingham is a British film composer and producer. James discovered a passion for both music and film in his early teens and instead of a formal musical education, developed his signature sound through years of playing piano and percussion purely by ear and intuition. Inspired by great composers such as Bach and Elgar, James’s musical upbringing created a strong foundation for his powerful melodies and orchestrations.

James’s recent work includes BBC’s Frozen Planet II (with Hans Zimmer and Adam Lukas), the multi-award winning National Geographic film Apollo: Missions to the Moon and NBC’s Super Bowl LVI show open. James also worked closely with world-renowned organists and spatial audio experts to capture a meticulously detailed sample library of the Royal Albert Hall’s 9,999 pipe organ, as part of the Hall’s 150th anniversary.

James presents a passionate approach to scoring and delivers at the highest creative and technical levels with unrivalled dedication, through the use of custom-built music technology and a growing collection of unique instruments and synthesizers.

Visit Musicbed for licensing: https://www.musicbed.com/artists/ryan-taubert/21327

Meaningful. Catchy. Pop.
Booking/Questions: timhalperinbooking@gmail.com
Full Bio: http://www.timhalperin.com/about/

LINKS:
https://beacons.ai/blakeewing

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Apple: https://itunes.apple.com/us/artist/blake-ewing/219552663

Insta: https://www.instagram.com/blakeewingmusic/

Website: http://blakeewingmusic.com

Store: http://blakeewingmusic.com/store


I'm an American composer creating music for visual media. My compositions have been commissioned, licensed and well-received by film directors, videographers, advertising firms, corporate brands, and sample developers from around the world.

I believe in music - and in its wonderful power to support and elevate life and storytelling.

You can find out more about me and my work at:

http://blakeewingmusic.com


All compositions - © Blake Ewing Music.
All recordings - ℗ Forthwest Music

Music Composer for Film, TV series. From Korea

Antonymes : In Formation

Antonymes music emerges from the adjustments and erasures of ambient, the pace and persistence of minimalism, where music expresses nothing but itself, from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd, from the relationship between continuity and repetition rather than of contract and interplay, from secrecy, from quietness, from pause, from thought, from emptiness, from time, from far off, from itself, from where it is set and where it is setting off to.   
 
“My chief aim is to make a piece of music. You make it for yourself firstly, and then if other people want to join in, then there we are.”
 
Antonymes makes music at the edge of, and deep inside, and from above North Wales, which you can think of as a very real place, available to be visited at any time in the solid present, and also as a very strange, fantastic, ultimately unreal place, which is all it has ever been, legend, spirit, mist and fluctuating stillness stretching back to a time and place where it was seemed like the beginning of a dream, one that would always become another dream, and another, and so on. It’s worth mentioning that Antonymes is of North Wales: to take an approach to the music understanding the location where it was made up and produced, to approach the music as if it is the beginning, or the end, of some kind of map, that will take you up mountains, across streams, to the sea, where the tide comes in, and the tide goes out, under the waves, through the woods and into the obscure wilderness that stretches between one patch of land and another, between one village and the next. So: Antonymes, of North Wales, recalling the lines of the great North Welsh poet RS Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.’
 
Formed at some point during 2008 by designer, photographer, conceptualist and musician Ian M Hazeldine, as a group that could contain just himself, and others when it seemed appropriate, Antonymes first album was titled ‘Beauty Becomes The Enemy of the Future’. Released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, ‘31: Before The Light Fails’, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. One review described the work as “a daring and inspired exercise in creating a timeless work of art.” Various pieces by Antonymes have appeared on compilations produced by Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet.
 
Antonymes music is made up, something coming from nowhere, with no clear sense of what might happen next, and yet a vague sense of what might happen after that. It begins at the piano, where notes, space and intention, and something of the soul, and the mind catching itself combine over time, until a shape appears, which suggest other shapes, and lines, and something else, an anatomy, the lateral spread of a single surface, and a shadow or two. A composition, the result of a mystical sequence of events involving improvisation, imagination, presentation, communication, intuition and manipulation, has been completed. It is the improvisation, certainly, more of Pauline Oliveros, Terry Riley, Alvin Curran and La Monte Young than jazz, the patient, probing occasionally accidental forming of structure, tension and atmosphere around spontaneity and a form of focussed daydreaming, which is a near relation of a form of praying.

Paul Morley, January 2011.

Born in Zaragoza (Spain) in 1977 in a family of musicians, he began his musical studies at the age of 5, going throught the Conservatory and various music schools, until obtaining the Music Professional Degree in 1998.
Since then, he has composed the Original Soundtrack of many television series, spots and short films, as well as additional music and arrangements in films, tours and records.
Some of his most outstanding works in the field of Tv Series are: “Money Heist” (La casa de papel), “The pier” (El embarcadero), “Locked Up” (Vis a Vis), “The Boat” (El barco) and “Un, dos, tres” (Un paso adelante).

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