https://music-editionsiegfriedgrundmann1.bandcamp.com/album/der-anschlag-the-attack-m-nomized-remixes-by-siegfried-grundmann

Stuermischer-Tag

crooked smile 1.1 s 40 bpm take 1 42825

stream: open.spotify.com/album/4k3C32goUz…jUQluySQsv3g5UYw

follow me:
linktr.ee/insensiblewav

spotify: spoti.fi/3NSKDZ7
instagram: bit.ly/3THzs9k

follow jay karin:
soundcloud: @fakekarin
spotify: spoti.fi/3Wnpf2Q
instagram: bit.ly/3xNtf3b

after all im not alone (Slowed)

Premiere | Kris Vango | Theta (ft.Lyra Pramuk)

On March 11, @spa_recordings , a recently founded Cologne-based label, publishes Safe Needing Attention. Ahead of the compilation’s release zweikommasieben.ch’s readers are invited to exclusively pre-listen to one contribution of the release: “To Resume” by @no-translation aka Emma Palm.

Check our website for more details: https://www.zweikommasieben.ch/en/pre-listen-no-translations-to-resume-on-spa/

Pre-Listen: No Translation – To Resume (Spa's Safe Needing Attention compilation)

Various Artists 'Perlage'

Released as a tour tape.

Cassettes were made available during a short run of european shows comprising the three featured artists during September 2019.

EN03

https://eastern-nurseries.net

Perlage

HRNS - Fuckboy Credentials

from the "Alone In The Dark" compilation 
https://hotreleases.bandcamp.com/album/alone-in-the-dark

Glochids - Rust Pipe

Known for his icy and atmospheric sounds, @apeak bursted onto the scene in 2018 with 'Creed' - a spectacular debut, followed by 'Desolate' EP, released on Signal Life.

Now part of the Noah Kin (Exploited Body) founded Changeless label, APEAK has released two projects 'Grey Skies' & 'Empyrean' both in 2020. APEAK has a sense for melodies sung by disembodied, synthesised voices meshed with cavernous drums and heady soundscapes that come together to form a distinct and singular palette.

Alongside Exploited Body, APEAK remixed Posh Isolation and Northern Electronics affiliate Varg²™'s "Placing My Iphone X Facing up to See When U Answer My Texts” from his album 'Crush' in 2019.

Tracklist :

APEAK - Empyrean, Like the Strange Moons That Circle Through The Skies
JakoJako - F22.0
Walton - Point Blank
APEAK - As a Body Breaks The Surface
Rune Bagge - Simple Dreams
Makornik - Incongruous Force
Varg²™ & Exploited Body - Karhü 
BML - Salomon Kalou 
Thugwidow - I’ll Just Cut Myself Open 
111X - To Regret (Closure) 
Croatian Amor & Lust For Youth - Feel Me (Edit)

HYPERLINK MIX #10 w/ apeak

TR082 - Michael Speers - 'Voice'

EMOTIVAX - WOUWIUWA | Root Radio 21/01/2021

UVL is proud to release two new side-long compositions from Max Eilbacher. Edition of 150 three color risograph print.

Digital Sketch For Strings
One morning I had an idea for a string composition. The tonal colors of the strings would be constantly morphing between shifting intonations. A rising and falling spectrum of many different sonorities would construct a throbbing, living whole. The gestural and perceptive qualities of the stringed accumulation would exist somewhere between glacial and in constant motion. I ended up using saw waves instead of string samples or acoustic instruments, as I found the harmonics of a saw wave helped achieve what I was hearing in my head that morning.

Spectral Masking Room Construction
A work exploring onset partials on audio perception and spectral masking. I started with a woodblock sample. For me, the woodblock's harsh yet beautiful striking sound is complex. The short burst acts as an extremely salient and trepidatious sonic cue. After listening for hours to a single strike and performing in-depth spectral analysis, I began to hear and comprehend the strike’s intricate material composite as extending beyond its short temporal life. The burst started to exist as an impulse response. With each strike, information about the space in which the woodblock’s material existed for the recording was communicated. The room in which the wood was struck was just as much a part of the sonic material being heard as the wooden material colliding with one another. Synthesizing the woodblock sound from scratch turned into a minute study of individual partial’s attack and decay times. I used the results of spectral analysis and composed around the initial short strike. The pitches comprising the fundamentals and overtones in the sample were extracted in various clusters and used to create a few different digital synths. The timing structure of the sampled and synthesized strikes are controlled by a simple counting transform. By doing so I set conceptual throughlines for the variants of struck sounds. The many variations of partials being highlighted or sent to the audio background serve to imitate “fake” spaces in which these sounds exist and convey subtle architectural information to the listener.

- Max Elibacher, 2020

Max Eilbacher (excerpt)

Präsens Editionen was founded in 2011 to give home to zweikommasieben Magazin. Ever since a bunch of magazines, books, zines, records, tapes and oddities have been published.

zweikommasieben is a Swiss magazine that has been devoted to the documentation of contemporary music and sounds since the summer of 2011. The magazine features artist interviews, essays and columns as well as photography, illustration and graphics. In addition zweikommasieben curates and organizes a variety of events—for example Ebbing Sounds, a symposium that initially was held in the summer of 2018 in San Francisco, or the biennial London-based festival Oto Nove Swiss.