02 Habitat67

After his debut single, "qcpyhn2," on Renraku's compilation REALTIME (released February of this year), Slace presents his debut EP, SSD. Scheduled to release November 26th on digital platforms, SSD expands on his maiden voyage with Renraku and explores even more range. Abstract voyages of musique concrète and ambient are run through various genre blends between bass, IDM, halftime, and glitch. The music evolves at the blink of an eye, full of unhinged time signatures and mutated sounds in every measure.

Equipped with synths and Ableton, isolation from society in great parts led to a majority of the vibe felt on SSD, creating the EP over the last year while dealing with depression, existential crisis, agoraphobia, and a breakup. The innovation of electronic sound from artists like Tsuruda, EPROM, and Little Snake are felt across the heavier moments of the EP, while the drifting hypnotic mysticism of sounds from the likes of Loscil and William Basinski plant their feet into the EP by its end. A bold statement of shock and awe dynamics that goes beyond convention and relies heavily on emotional impact and sheer adventure.

Buy/Stream

Slace - ZEN2C

Album description by @woulgmusic:

The Body is a Prison is a deep dive into an emotional inner world, seemingly just as ready to explode into violence as it is to crumble in despair, but still somehow floating on a sense of wonder. Insane sound design glitches interject beautifully composed piano and synth layers, weaving together into some sort of enormous mechanism. Rhythms coalesce and fall apart, melodies float between seemingly infinite states, everything reshaping itself as we go deeper and deeper into the imagined world. Everything from the cohesive sonic palette, to the flow of each song and phrase, to the journey of the whole album has been considered in incredible detail. If this is Amaranth Todd’s early work in hyperglitch, I think we should all be excited for (and afraid of) what’s to come.

Amaranth’s sound design, oscillations between obscured and clear pulse, dynamic forms, and mosaic layers are exactly what I imagine when I think of hyperglitch, and is exactly the type of music Philippe Macnab-Seguin and I have been working on outlining in our forthcoming paper about Hyperglitch and Aural Sonology. All the while, Amaranth’s many years of musical experience bring new and exciting ideas to the style. The Body is a Prison launches my imagination into a world where we could have whole event line ups and labels of hyperglitch, and many communities and resources for new artists that are interested in learning the techniques, all helping to establish the edges of the genre while simultaneously expanding it.

Mastering by: @woulgmusic
Released by: @detroitunderground
Artwork by: ANTIREAL (@n2-music)

Bandcamp

Amnesia

traffic

War Skank (Instrumental)

the other side

album out june 14th on @activia-benz

pre order tape: https://klahrk.bandcamp.com/album/quavis-2   

stream hidden process: http://hyperurl.co/hiddenprocess

(some sounds have been sampled from https://soundcloud.com/alexanderpanos)

uәppᴉɥ process w/ klahrk & kattie

Brainfeeder X

Little Snake - Delusions

https://viour.bandcamp.com/album/the-last-act-of-the-fractured-model-where-his-files-rest

vocals by : fifty grand / roxas

https://soundcloud.com/fiftygrand

zinot ft. fifty grand

✨✨✨✨⚜️⚜️⚜️⚜️⚜️⚠️⚠️⚠️⚠️⚠️⏳⏳🤡🤡🤡🤡👹👹👹👹💍🔪🔪🔪

Scorching Ice

whoami
pyth0n
zeroe
ice wease
lick lick
clang (quavis rmx)
d3bug ft. otang
buss
https://quavis.bandcamp.com/releases

art by @take_my_left

www.instagram.com/take_my_left/

QUAVIS WHOAMI [mixtape]

apóstol I : https://soundcloud.com/iamviour
apóstol II : https://soundcloud.com/klahrk

@warecollective
@activia-benz

the other side

QUAVIS

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