Marz Money was born & raised in Flatbush, Brooklyn, NY, a breeding ground for talented artists & entertainers. His upbringing in the heavy populated Caribbean community led him to being a fan of reggae & rap music from an early age.
In the mid 2000’s, Marz co-founded the rap group amongst his friends, Noxmen Committee, incorporating as a entertainment company in 2010.

What stands out when listening to Marz Money is how accurately the events of his life are expressed in his music. The rapper has mastered the art of implementing wordplay & punchlines in what some people now call "Reality Raps". Never the one to bite his tongue, the spitter rhymes captured his core fan base & with every release it’s like they were desperate to hear what he has to say and who he was talking about. Marz once rapped “When I write down my life, for some reason it rhymes.”

Art began to imitate life and Marz Money was convicted of gun possession and sentenced to 8 yrs in state prison. Although his brushes with the law halted his career briefly, As soon as he was released in 2017 he got right back at it, determined to carve out a successful career in the art & entertainment world.

Marz has always taken a DIY approach with his career. He taught himself Photoshop after seeking out designers who either charged too much for mixtape covers or couldn't see his vision. He began designing all artwork & merch for his label, which led to creating logos & mixtape covers for other up and coming artists & local entrepreneurs. This eventually opened up a career path for him as a freelance graphic designer and owner of a multimedia studio space in Brooklyn.

Over the years, Marz Money’s knowledge of the game & work ethic help him take on more roles, developing skills as a writer, producer, and manager. Marz briefly managed up & coming drill rapper Nick Blixky before his untimely passing in the spring of 2020 and executive produced his posthumous album “Different Timin'”.

To date Marz Money has released a number of projects that can be found on all streaming sites. His notable collaborations include the late great Nipsey Hussle, Cory Gunz, Nick Blixky & producers AraabMuzik, GQ Beats, Teddy Da Don & Muddi Gold, Respectfully.

Instagram @DjJayB
Bookings 718-536-7616
Facebook.com/DjJayB718
email Bookdjjayb@gmail.com

Paul Castellano

Check out my videos here:
The Times - https://www.youtube.com/watch?v=8D5T5m3oO4w
Humble - https://www.youtube.com/watch?v=Jbz3tO4M4-k


Behind every art form there is a story. For the Flatbush, Brooklyn-born rapper Paulie, the art is influenced by a combination of loss, his surroundings and a talent for lyrical storytelling. Paulie's latest project, M.O.B. (Money. Opportunity. Business.) charts his uprising from a misguided teen to a more respectable young man—a transformation rife with challenges that he commits himself to daily. 


Paulie says he is equally influenced and relates his sound to that of musical pioneers like Jay-Z, Kanye West and TheWeeknd, also stating that he makes music that relates to the average black male growing up in America. Early songs about girls and day-to-day high school happenings built the foundation for more mature lyrics such as, “This the kind of life they tell you not live. But you don't get a reward if you don’t take risk. They said keep it a hundred and that’s what I did"—a line from M.O.B.’s "Go Get It". “It’s not preachy but there’s a message behind it,” Paulie says of his music; that message being that on the road to success you will have to get out of your comfort zone, make sacrifices and even detach yourself from anyone that is negative. “Even though I haven’t always lived the life I was raised to, I still have those convictions,” he says. “My goal has always been to be a musician and businessman.”

Paulie started working on M.O.B. in late-2014, recording most of the tracks at the Krematorium studio in Long Island with engineer Michael Ashby. Though Paulie happy with the outcome of, he is still working on new music. He’s always writing (on his iPhone or in a notebook) and gets in the booth as often as he can.  “I love it,” he says of being in the studio. “I feel like that’s where I need to be now.”

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