Startracks is a swedish indie label (100% from owner to distribution) based in Stockholm. We work Swedish artist who write their own music, can play live. We are not a nisched label but don't there is plenty of music that we do not do. We do singer-Songwriters, Americana, Lo-Fi Rock, Indiepop and Punk. Would love to do more punk, love punk!
www.startracks.se 
https://shop.startracks.se
instagram.com/startracks_swe
facebook.com/startracks

30 miles west of El Paso, surrounded by 3,000 acres of pecan orchards and only a stone’s throw from the Mexican border, the band Big Thief (a.k.a. Adrianne Lenker, Buck Meek, Max Oleartchik, and James Krivchenia) set up their instruments as close together as possible to capture their most important collection of songs yet. The band had only just finished work on their 3rd album, U.F.O.F. -“the celestial twin”- days before in a cabin studio in the woods of Washington State. Now it was time to birth U.F.O.F.’s sister album -“the earth twin”- Two Hands. 

In sharp contrast to the wet environment of the U.F.O.F. session, the southwestern Sonic Ranch studio was chosen for its vast desert location. The 105-degree weather boiled away any clinging memories of the green trees and wet air of the previous session. Two Hands had to be completely different— an album about the Earth and the bones beneath it. The songs were recorded live with almost no overdubs. All but two songs feature entirely live vocal takes, leaving Adrianne’s voice suspended above the mix in dry air, raw and vulnerable as ever. Where U.F.O.F. layered mysterious sounds and effects for levitation, Two Hands grounds itself on dried-out, cracked desert dirt. 

Anybody who has borne witness to Big Thief in the wild will find songs they recognize here. Much of the album’s tracks (“The Toy”, “Those Girls”, “Shoulders”, “Not”, “Cut My Hair”) have been live staples for years. “Two Hands has the songs that I’m the most proud of; I can imagine myself singing them when I’m old,” says Adrianne. “Musically and lyrically, you can’t break it down much further than this. It’s already bare-bones.” 

Lyrically this can be felt in the poetic blur of the internal and external. These are political songs without political language. They explore the collective wounds of our Earth. Abstractions of the personal hint at war, environmental destruction, and the traumas that fuel it. Lyrics like “And the blood of the man who killed my mother with his hands is in me/ it’s in me/ in my veins” are genuine attempts to point the listener towards the very real dangers that face our mother planet. When Adrianne sings “Please wake up,” she’s talking directly to the audience. “Attention is power,” she says. “I believe you can manifest something on the other side of the world just by using your power well.” 

Engineer Dom Monks and producer Andrew Sarlo, who were both behind U.F.O.F., capture the live energy as instinctually and honestly as possible. Sarlo teamed up with James Krivchenia to mix the album, where they sought to emphasize raw power and direct energy inherent in the takes. The journey of a song from the stage to the record is often a difficult one. Big Thief’s advantage is their bond and loving center as a chosen family. They spend almost 100% of their lives together working towards a sound that they all agree upon. A band with this level of togetherness is increasingly uncommon. If you ask drummer James Krivchenia, bassist Max Oleartchik or guitarist Buck Meek how they write their parts, they will describe—passionately—the experience of hearing Adrianne present a new song, listening intently for hints of parts that already exist in the ether and the undertones to draw out with their respective instruments. It is an honor to give life to these intricacies. 

With raw power and intimacy, Two Hands folds itself gracefully into Big Thief’s impressive discography. This body of work grows deeper and more inspiring with each new album. While you listen, let your own two hands rest in front of your body with palms facing inward and see what power grows between them.

These songs are produced by Rex Rey
contact: kingrexrey@gmail.com

Head a little north of Gothenburg and you’ll find Mjörn, a small island wedged in-between its two bigger island siblings, Tjörn and Orust. Look closer at Mjörn and you’ll unearth a little place called Timmerdalen. Peer closer still and you’ll discover hidden amongst the gnarled-windswept pines and cliffs a small wooden house.

During the summer of 2014 we decided it was time to record our third album. We’d already started sketching out rough ideas that February, during a few warm days in a cramped space in L.A. When the opportunity arose to borrow the house in Timmerdalen for a week, our thoughts began to wander. Could we go there and record a whole album? Take with us all our recording equipment, all our instruments, buy everything we’d need for our stay, work intensively and not leave until we’d recorded an album?

Well that’s what we did. We wrote, recorded, rewrote, played and recorded some more, early till late, through warm afternoons into cool summer nights. When we left, we had made a record. Which we then compiled and mixed in our rehearsal space at Studio Möllan, Malmö. For us, this record is a document of an intense week of abundant creativity mixed with writer’s block. A week of tired ears on stubborn heads and ultimately the crystallisation of our ideas. That’s how it was for us, for those of you listening perhaps it will be something else.

Yours,
This Is Head

cementmusic@gmail.com

Påträngande Verklighet || Intrusive Reality 12" LP soon to be released by Rundgång Rekords.

Mart Stääv is following